Tony daniel, p.24

Tony Daniel, page 24

 

Tony Daniel
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  Far, far away, in the asteroid belt, a strange man was riding a spaceship that looked like a cloud to a moon of Neptune, and out of Amés’s clutches. That man would be Amés’s downfall. That was the plan.

  Or part of it. There would be a bloody war to fight. And other changes, more complex, more subtle.

  One of the several copies of C—the oldest existing copy—knew all about this and understood what it meant. Was it all an elaborate plot to save humanity? Or had she really done it because of the children?

  She was standing there beside C when he changed the city back. She was standing next to C and the man who thought she was his daughter, and though she knew all that had been set into motion, she still did not understand the turnings of her own heart. Was it punishment or redemption she sought?

  All I know is that these men are my brothers, still and always, Hecate Minim thought. That is the one thing that has survived all the transformations, all the dark deeds, and all the changes—all the ways that time can spell a human being. I am my brother’s keeper. It is what there is to do while you are alive.

  Lunar Circe

  In old New York, the sun set and the children opened their eyes to twilight. It could have been later in the same day that they went to school. But it wasn’t. It was much later than that.

  Clue in Carr

  While the city changed back into itself, the three of them walked down to the Hudson River at 116th Street, down to the park grounds where Cureoak had stabbed Mamery to death three hundred years before. Weeds had grown up since then.

  “I still remember,” Cureoak said. “But it fades. It does fade.”

  “She would have wanted to die if she had known what she would become,” C said. “I always believed that.”

  “I wish that I could know that for certain.”

  “I wish that I could have brought myself to do it,” said C. “I’ve done it so much since then. When I felt it was called for.”

  “Yes, yes.” Cureoak rubbed his face and his stomach. He leaned on his cane. “Not the same, though,”

  he said. “Mamery was the woman you loved. I couldn’t stand watching the way you were dying with her.

  It was the only way to keep both of you from dying.”

  “Everything would have been different if I had killed her instead of you having killed her.”

  “Do you think so, really?” said Cureoak. “That I would have turned into the spy and you would be the poet?”

  “That the other you might not have died of drink,” said C. “And I would have liked to have been a poet.”

  “I’m alive,” said Cureoak. “And you might be a poet, yet.”

  C smiled, shook his head. “I have one more thing to do, and then I have to go.”

  “Yes, yes, yes,” Cureoak said, laughing. And then he stopped laughing suddenly. He rubbed his eyes.

  They had begun to tear up.

  “Oh,” he said. “I see.”

  “Don’t worry,” said C. “There’s more where I came from.”

  Lucien Carr

  He asked Cureoak to leave him there and to go home. In the end they compromised, and Hecate Minim remained while Cureoak waited for her at the gates of the university. The two men parted with no words.

  Cureoak stood looking at C for a long while. He finally touched C’s shoulder. All there was to say was in the grist. After a moment of contact, he took away his hand and walked from the river, up the hill and into the city.

  C sat down with his back against a sweet gum. Red pointed leaves covered the ground about him. The brown box was next to his knees, upon the strange unearthly-earthly shapes of the sweet gum balls.

  Hecate Minim stood away a few paces. The twilight air was still and chilly, like a gel.

  C reached into his coat for a cigarette, but he hadn’t had any for a long, long time. Hecate Minim saw what he was doing and gave him one of hers. He lit it up with a single quick flick.

  “I used to smoke,” he said. “But I never smoke when I’m on the job. Cigarette butts are a classic telltale.”

  C took a long drag. Breathed out and was surrounded by fog.

  “So,” he said to Hecate Minim. “Are you going to tell me what’s in the box?”

  She was startled for a moment. Then she smiled, and her green eyes danced. She sat down beside him and lit a smoke for herself.

  “What if the flow of time is not a line,” Hecate Minim said. “What if it’s not like a line at all?”

  “What is it like, then?” said C. He was enjoying this cigarette. It had been so long, and he had once liked them so much.

  “Time is like a name,” said Hecate Minim.

  “A name?”

  “You can’t change the letters, but you can switch them around to make another name. Like an anagram.”

  C looked at his hands. They were trembling slightly, but the cigarette was having an effect and he felt calm. Very calm. “Are you talking about the box?” he said.

  “Am I?”

  “All right. For the sake of argument. Some of the new names might make more sense than others,” he said. “Some of them might hurt fewer people by the very way they were spelled out.”

  Hecate nodded. “What if we—you and I—discovered how to rearrange that anagram? What if we change history around just a little? Just enough—so that free people have a chance to win the coming war?”

  She finished her cigarette and turned to look at the river. “You have a quantum-transceiver implant, with a direct line to Amés. I can’t risk telling you more.”

  “I understand. But soon it won’t matter.”

  “I won’t forget you,” she said. “I contain all the anagrams. I’m the one who never forgets.”

  I will, C thought.

  Is that what it is?

  For a moment, C had a strange sense that all of this had happened before. And not just to him. Not just in these circumstances. That there was a crucial bit of information that it was necessary to forget, and that, instead of progressing and increasing human knowledge, the forgetting was what living was actually for. That forgetting was what all of us were doing and we didn’t know it because we couldn’t know it for the forgetting to really work.

  Except, maybe at the end, it all became clear. Was this the moment? This moment between the hammer and the strike, between the lines of the poem, when the hidden writing came to the surface and the true secret mission was revealed?

  “Are you okay?” Hecate Minim said. “You look like you’ve seen a ghost.”

  “I’m fine,” C replied. “There’s no such thing as a ghost. Give me another cigarette, please.”

  She knocked one out of her pack, lit it herself, and handed it to him. She lit another for herself.

  C smoked his halfway down before speaking again. “Take care of your father,” he said. “Times are about to get rough.”

  “I will.”

  “He was the best friend I ever had.”

  “I know,” she said.

  “What are you and he going to do with all those orphans?”

  Hecate sighed. “Keep them, I guess.”

  C looked at her carefully. Were those tears he saw? No, couldn’t be. It had been centuries since a woman had gotten all misty over him. Must be the smoke getting in her eyes.

  And what an odd idea about the meaning of life? he thought. Forgetting? That couldn’t be it. It was completely crazy to think like that. Better to get on with things and forget about it. Best forget all about it and get on with what he had to do.

  What if that is what’s in the box? The thing that we—all of us—are constantly forgetting?

  I don’t need to know in order to carry out the plan, C thought. That’s really all there is to it, after all.

  He and Hecate sat together in the park and smoked down their cigarettes, then ground them out against a root of the sweet gum tree. She stood up and stepped away. He did not.

  C gazed up at Hecate Minim and winked.

  “Here’s looking at you,” he said. “Whoever you are.”

  He took out the revolver and fired it into the box. He then put the muzzle of the gun into his own mouth, though he didn’t clamp his lips about it because the barrel was still hot. Without another thought, he pulled the trigger. As usual, C hit what he was aiming for.

  Grist

  Things that really matter, although they are not defined for all eternity, even when they come very late still come at the right time.

  —Martin Heidegger,

  Letter on Humanism

  Midnight Standard at the Westway Diner

  S tanding over all creation, a doubt-ridden priest took a piss.

  He shook himself, looked between his feet at the stars, then tabbed his pants closed. He flushed the toilet, and centrifugal force took care of the rest.

  Andre Sud walked back to his table in the Westway Diner. He padded over the living fire of the plenum, the abyss—all of it—and hardly noticed. Even though this place was special to him, it was really just another café with a see-through floor—a window as thin as paper and as hard as diamond. Dime a dozen, as they used to say a thousand years ago. The luciferin sign at the entrance saidFREE DELIVERY .

  The sign under it saidOPEN 24 HRS . This sign was unlit. The place will close, eventually.

  The priest sat down and stirred his black tea. He read the sign, backward, and wondered if the words he spoke, when he spoke, sounded anything like English used to. Hard to tell with the grist patch in his head.

  Everybody understands one another on a general level, Andre Sud thought. Approximately more or less they know what you mean.

  There was a dull greasy gleam to the napkin holder. The saltshaker was half-full. The laminate surface of the table was worn through where the plates usually sat. The particle board underneath was soggy. There was free-floating grist that sparkled like mica within the wood: used-to-be-cleaning grist, entirely shorn from the restaurant’s controlling algorithm and nothing to do but shine. Like the enlightened pilgrim of the Greentree Way. Shorn and brilliant.

  And what will you have with that hamburger?

  Grist. Nada y grist. Grist y nada.

  I am going through a depression, Andre reminded himself. I am even considering leaving the priesthood.

  Andre’s pellicle—the microscopic algorithmic part of him that was spread out in the general vicinity—spoke as if from a long way off.

  This happens every winter. And lately with the insomnia. Cut it out with the nada y nada.

  Everything’s physical, don’t you know.

  Except for you, Andre thought back.

  He usually thought of his pellicle as a little cloud of algebra symbols that followed him around like mosquitoes. In actuality it was normally invisible, of course.

  Except for us, the pellicle replied.

  All right, then. As far as we go. Play a song or something, would you?

  After a moment, an oboe piped up in his inner ear. It was an old Greentree hymn—“Ponder Nothing”—that his mother had hummed when he was a kid. Brought up in the faith. The pellicle filtered it through a couple of variations and inversions, but it was always soothing to hear.

  There was a way to calculate how many winters the Earth-Mars Diaphany would get in an Earth year, but Andre never checked before he returned to the seminary on his annual retreat, and they always took him by surprise, the winters did. You wake up one day and the light has grown dim.

  The café door slid open and Cardinal Filmbuff filled the doorway. He was wide and possessive of the doorframe. He was a big man with a mane of silver hair. He was also space-adapted and white as bone in the face. He wore all black with a lapel pin in the shape of a tree. It was green, of course.

  “Father Andre,” said Filmbuff from across the room. His voice sounded like a Met cop’s radio. “May I join you?”

  Andre motioned to the seat across from him in the booth. Filmbuff walked over with big steps and sat down hard.

  “Isn’t it late for you to be out, Morton?” Andre said. He took a sip of his tea. He’d left the bag in too long and it tasted twiggy.

  I was too long at the pissing, thought Andre.

  “Tried to call you at the seminary retreat center,” Filmbuff said.

  “I’m usually here,” Andre replied. “When I’m not there.”

  “Is this place still the seminary student hangout?”

  “It is. Like a dog returneth to its own vomit, huh? Or somebody’s vomit.”

  A waiter drifted toward them. “Need menus?” he said. “I have to bring them because the tables don’t work.”

  “I might want a little something,” Filmbuff replied. “Maybe a lhasi.”

  The waiter nodded and went away.

  “They still have real people here?” said Filmbuff.

  “I don’t think they can afford to recoat the place.”

  Filmbuff gazed around. He was like a beacon. “Seems clean enough.”

  “I suppose it is,” said Andre. “I think the basic coating still works and that just the complicated grist has broken down.”

  “You like it here.”

  Andre realized he’d been staring at the swirls in his tea and not making eye contact with his boss. He sat back, smiled at Filmbuff. “Since I came to seminary, Westway Diner has always been my home away from home.” He took a sip of tea. “This is where I got satori, you know.”

  “So I’ve heard. It’s rather legendary. You were eating a plate of mashed potatoes.”

  “Sweet potatoes, actually. It was a vegetable plate. They give you three choices, and I chose sweet potatoes, sweet potatoes, and sweet potatoes.”

  “I never cared for them.”

  “That is merely an illusion. Everyone likes them sooner or later.”

  Filmbuff guffawed. His great head turned up toward the ceiling, and his copper eyes flashed in the brown light. “Andre, we need you back teaching. Or in research.”

  “I lack faith.”

  “Faith in yourself.”

  “It’s the same thing as faith in general, as you well know.”

  “You are a very effective scholar and priest to be so racked with doubt. Makes me think I’m missing something.”

  “Doubt wouldn’t go with your hair, Morton.”

  The waiter came back. “Have you decided?” he said.

  “A chocolate lhasi,” Filmbuff replied firmly. “And some faith for Father Andre here.”

  The waiter stared for a moment, nonplussed. His grist patch hadn’t translated Cardinal Filmbuff’s words or had reproduced them as nonsense.

  The waiter must be from out the Happy Garden Radial, Andre thought. Most of the help was in Seminary Barrel. There’s a trade patois and a thousand long-shifted dialects out that way. Clan-networked LAPs poor as churchmice and no good Broca grist to be had for Barrel wages.

  “Iye ftip,” Andre said to the waiter in the Happy Garden patois. “It is a joke.” The waiter smiled uncertainly. “Another shot of hot water for my tea is what I want,” Andre said. The waiter went away looking relieved. Filmbuff’s aquiline presence could be intimidating.

  “There is no empirical evidence that you lack faith,” Filmbuff said. It was a pronouncement. “You are as good a priest as there is. We have excellent reports from Triton.”

  Linsdale, Andre thought. Traveling monk, indeed. Traveling stool pigeon was more like it. I’ll give him hell next conclave.

  “I’m happy there. I have a nice congregation, and I balance rocks.”

  “Yes. You are getting a reputation for that.”

  “Triton has the best gravity for it in the solar system.”

  “I’ve seen some of your creations on the merci. They’re beautiful.”

  “Thank you.”

  “What happens to them?”

  “Oh, they fall,” said Andre, “when you stop paying attention to them.”

  The chocolate lhasi came and the waiter set down a self-heating carafe of water for Andre. Filmbuff took a long drag at the straw and finished up half his drink.

  “Excellent.” He sat back, sighed, and burped. “Andre, I’ve had a vision.”

  “Well, that’s what you do for a living.”

  “I saw you .”

  “Was I eating at the Westway Diner?”

  “You were falling through an infinite sea of stars.”

  The carafe bubbled, and Andre poured some water into his cup before it became flat from all the air being boiled out. The hot water and lukewarm tea mingled in thin rivulets. He did not stir.

  “You came to rest in the branches of a great tree. Well, you crashed into it, actually, and the branches caught you.”

  “Yggdrasill?”

  “I don’t think so. This was a different tree. I’ve never seen it before. It is very disturbing because I thought there was only the One Tree. This tree was just as big, though.”

  “As big as the World Tree? The Greentree?”

  “Just as big. But different.” Filmbuff looked down at the stars beneath their feet. His eyes grew dark and flecked with silver. Space-adapted eyes always took on the color of what they beheld. “Andre, you have no idea how real this was. Is . This is difficult to explain. You know about my other visions, of the coming war?”

  “The Burning of the One Tree?”

  “Yes.”

  “It’s famous in the Way.”

  “I don’t care about that. Nobody else is listening. In any case, this vision has placed itself on top of those war visions. Right now, being here with you, this seems like a play to me. A staged play. You. Me.

  Even the war that’s coming. It’s all a play that is really about that damn Tree. And it won’t let me go.”

  “What do you mean, won’t let you go?”

  Filmbuff raised his hands, palms up, to cradle an invisible sphere in front of him. He stared into this space as if it were the depths of all creation, and his eyes became set and focused far away. But not glazed over or unaware.

 

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