The Dark Man and Others, page 22
The mammoths ceased their feeding, lifted their great ears and bellowed alarm. In all the world they feared only fire. They began to retreat southward, the cows herding the calves before them, bulls trumpeting like the blast of Judgement Day. Roaring like a storm the fire rushed on, and the mammoths broke and stampeded, a crushing hurricane of flesh, a thundering earthquake of hurtling bone and muscle. Trees splintered and went down before them, the ground shook under their headlong tread. Behind them came die racing fire and on the heels of the fire came I, so closely that the smouldering earth burnt the moose-hide sandals off my feet.
Through the narrow neck they thundered, levelling the dense thickets like a giant scythe. Trees were tom up by the roots; it was as if a tornado had ripped through the pass.
With a deafening thunder of pounding feet and trumpeting, they stormed across the sea of red blossoms. Those devilish plants might have even pulled down and destroyed a single mammoth; but under the impact of the whole herd, they were no more than common flowers. The maddened titans crashed through and over them, battering them to shreds, hammering, stamping them into the earth which grew soggy with their juice.
I trembled for an instant, fearing the brutes would not turn aside for the castle, and dubious of even it being able to withstand that battering ram concussion. Evidently the winged man shared my fears, for he shot up from the tower and raced off through the sky toward the lake. But one of the bulls butted head-on into the wall, was shunted off the smooth curving surface, caromed into the one next to him, and the herd split and roared by the tower on either hand, so closely their hairy sides rasped against it They thundered on through the red field toward the distant lake.
The fire, reaching the edge of the trees, was checked; the smashed sappy fragments of the red flowers would not bum.
Trees, fallen or standing, smoked and burst into flame, and burning branches showered around me as I ran through the trees and out into the gigantic swath the charging herd had cut through the livid field.
As I ran I shouted to Gudrun and she answered me. Her voice was muffled, and accompanied by a hammering on something. The winged man had locked her in the tower.
As I came under the castle wall, treading on remnants of red petals and snaky stalks, I unwound my rawhide rope, swung it, and sent its loop shooting upward to catch on one of the merlons of the crenellated parapet Then I went up it, hand over hand, gripping the rope between my toes, bruising my knuckles and elbows against the sheer wall as I swung about
I was within five feet of the parapet when I was galvanized by the beat of wings about my head. The black man shot out of the air and landed on the gallery. I got a good look at him as he leaned over the parapet. His features were straight and regular; there was no suggestion of the negroid about him. His eyes were slanted slits, and his teeth gleamed in a savage grin of hate and triumph. Long, long he had ruled the valley of the red blossoms, levelling tribute of human lives from the miserable tribes of the hills, for writhing victims to feed the carnivorous half-bestial flowers which were his subjects and protectors. And now I was in his power, my fierceness, and craft gone for naught A stroke of the crooked dagger in his hand and I would go hurtling to my death. Somewhere Gudrun, seeing my peril, was screaming like a wild thing, and then a door crashed with a splintering of wood.
The black man, intent upon his gloating, laid the keen edge of his dagger on the rawhide strand—then a strong white arm locked about his neck from behind, and he was jerked violently backward. Over his shoulder I saw the beautiful face of Gudrun, her hair standing on end, her eyes dilated with terror and fury.
With a roar he turned in her grasp, tore loose her clinging arms and hurled her against the tower with such force that she lay half stunned. Then he turned again to me, but in that instant I had swarmed up and over the parapet, and leaped upon the gallery, unslinging my ax.
For an instant he hesitated, his wings half-lifted, his hand poising his dagger, as if uncertain whether to fight or take to the air. He was a giant in stature, with muscles standing out in corded ridges all over him, but he hesitated, as uncertain as a man when confronted by a wild beast.
I did not hesitate. With a deep-throated roar I sprang, swinging my ax with all my giant strength. With a strangled cry he threw up his arms; but down between them the ax blade plunged and blasted his head to red ruin.
I wheeled toward Gudrun; and struggling to her knees, she threw her white arms about me in a desperate clasp of love and terror, staring awedly to where lay the winged lord of the valley, the crimson pulp that had been his head drowned in a puddle of blood and brains.
I had often wished that it were possible to draw these various lives of mine together in one body, combining the experiences of Hunwulf with the knowledge of James Allison. Could that be so, Hunwulf would have gone through the ebony door which Gudrun in her desperate strength had shattered, into that weird chamber he glimpsed through the ruined panels, with fantastic furnishing, and shelves heaped with rolls of parchment. He would have unrolled those scrolls and pored over their characters until he deciphered them, and read, perhaps, the chronicles of that weird race whose last survivor he had just slain. Surely the tale was stranger than an opium dream, and marvelous as the story of lost Atlantis.
But Hunwulf had no such curiosity. To him the tower, the ebony furnished chamber and the rolls of parchment were meaningless, inexplicable emanations of sorcery, whose significance lay only in their diabolism. Though the solution of mystery lay under his fingers, he was as far removed from it as James Allison, millenniums yet unborn.
To me, Hunwulf, the castle was but a monstrous trap, concerning which I had but one emotion, and that a desire to escape from it as quickly as possible.
With Gudrun clinging to me I slid to the ground, then with a dextrous flip I freed my rope and wound it; and after that we went hand and hand along the path made by the mammoths, now vanishing in the distance, toward the blue lake at the southern end of the valley and the notch in the cliffs beyond it
The Thing on the Roof
They lumber through the night
With their elephantine tread;
I shudder in affright
As I cower in my bed.
They lift colossal wings
On the high gable roofs
Which tremble to the trample
On their mastodonic hoofs.
—Justin Geoffrey:
Out of the Old Land.
Let me begin by saying that I was surprised when Tussmann called on me. We had never been close friends; the man’s mercenary instincts repelled me; and since our bitter controversy of three years before, when he attempted to discredit my Evidences of Nahua Culture in Yucatan, which was the result of years of careful research, our relations had been anything but cordial. However, I received him and found his manner hasty and abrupt, but rather abstracted, as if his dislike for me had been thrust aside in some driving passion that had hold of him.
His errand was quickly stated. He wished my aid in obtaining a volume in the first edition of Von Junzt’s Nameless Cults—the edition known as the Black Book, not from its color, but because of its dark contents. He might almost as well have asked me for the original Greek translation of the Necronomicon. Though since my return from Yucatan I had devoted practically all my time to my avocation of book col-197 lecting, I had not stumbled onto any hint that the book in the Dusseldorf edition was still in existence.
A word as to this rare work. Its extreme ambiguity in spots, coupled with its incredible subject matter, has caused it long to be regarded as the ravings of a maniac and the author was damned with the brand of insanity. But the fact remains that much of his assertions are unanswerable, and that he spent the full forty-five years of his life prying into strange places and discovering secret and abysmal things. Not a great many volumes were printed in the first edition and many of these were burned by their frightened owners when Von Junzt was found strangled in a mysterious manner, in his barred and bolted chamber one night in 1840, six months after he had returned from a mysterious journey to Mongolia.
Five years later a London printer, one Bridewall, pirated the work, and issued a cheap translation for sensational effect, full of grotesque woodcuts, and riddled with misspellings, faulty translations and the usual errors of a cheap and un-scholarly printing. This still further discredited the original work, and publishers and public forgot about the book until 1909 when the Golden Goblin Press of New York brought out an edition.
Their production was so carefully expurgated that fully a fourth of the original matter was cut out; the book was handsomely bound and decorated with the exquisite and weirdly imaginative illustrations of Diego Vasquez. The edition was intended for popular consumption but the artistic instinct of the publishers defeated that end, since the cost of issuing the book was so great that they were forced to cite it at a prohibitive price.
I was explaining all this to Tussmann when he interrupted bruskly to say that he was not utterly ignorant in such matters. One of the Golden Goblin books ornamented his library, he said, and it was in it that he found a certain line which aroused his interest. If I could procure him a copy of the original 1839 edition, he would make it worth my while; knowing, he added, that it would be useless to offer me money, he would, instead, in return for my trouble in his behalf, make a full retraction of his former accusations in regard to my Yucatan researches, and offer a complete apology in The Scientific News.
I will admit that I was astounded at this, and realized that if the matter meant so much to Tussmann that he was willing to make such concessions, it must indeed be of the utmost importance. I answered that I considered that I had sufficiently refuted his charges in the eyes of the world and had no desire to put him in a humiliating position, but that I would make the utmost efforts to procure him what he wanted.
He thanked me abruptly and took his leave, saying rather vaguely that he hoped to find a complete exposition of something in the Black Book which had evidently been slighted in the later edition.
I set to work, writing letters to friends, colleagues and bookdealers all over the world, and soon discovered that I had assumed a task of no small magnitude. Three months elapsed before my efforts were crowned with success, but at last, through the aid of Professor James Clement of Richmond, Virginia, I was able to obtain what I wished.
I notified Tussmann and he came to London by the next train. His eyes burned avidly as he gazed at the thick, dusty volume with its heavy leather covers and rusty iron hasps, and his fingers quivered with eagerness as he thumbed the time-yellowed pages.
And when he cried out fiercely and smashed his clenched fist down on the table I knew that he had found what he hunted.
“Listen!” he commanded, and he read to me a passage that spoke of an old, old temple in a Honduras jungle where a strange god was worshipped by an ancient tribe which became extinct before the coming of the Spaniards. And Tussmann read aloud of the mummy that had been, in life, the last high priest of that vanished people, and which now lay in a chamber hewn in the solid rock of the cliff against which the temple was built. About that mummy’s withered neck was a copper chain, and on that chain a great red jewel carved in the form of a toad. This jewel was a key, Von Junzt went on to say, to the treasure of the temple which lay hidden in a subterranean crypt far below the temple’s altar.
Tussmann’s eyes blazed.
“I have seen that temple! I have stood before the altar. I have seen the sealed-up entrance of the chamber in which, the natives say, lies the mummy of the priest. It is a very curious temple, no more like the ruins of the prehistoric Indians than it is like the buildings of the modem Latin-Americans. The Indians in the vicinity disclaim any former connection with the place; they say that the people who built that temple were a different race from themselves, and were there when their own ancestors came into the country. I believe it to be a remnant of some long-vanished civilization which began to decay thousands of years before the Spaniards came.
“I would have liked to have broken into the sealed-up chamber, but I had neither the time nor the tools for the task. I was hurrying to the coast, having been wounded by an accidental gunshot in the foot, and I stumbled on to the place purely by chance.
“I have been planning to have another look at it, but circumstances have prevented—now I intend to let nothing stand in my way! By chance I came upon a passage in the Golden Goblin edition of this book, describing the temple. But that was all; the mummy was only briefly mentioned. Interested, I obtained one of Bridewalls translations but ran up against a blank wall of baffling blunders. By some irritating mischance the translator had even mistaken the location of the Temple of the Toad, as Von Junzt calls it, and has it in Guatemala instead of Honduras. The general description is faulty, the jewel is mentioned and the fact that it is a ‘key*. But a key to what, Bridewall’s book does not state. I now felt that I was on the track of a real discovery, unless Von Junzt was, as many maintain, a madman. But that the man was actually in Honduras at one time is well attested, and no one could so vividly describe the temple—as he does in the Black Book—unless he had seen it himself. How he learned of the jewel is more than I can say. The Indians who told me of the mummy said nothing of any jewel. I can only believe that Von Junzt found his way into die sealed crypt somehow—the man had uncanny ways of learning hidden things.
“To the best of my knowledge only one other white man has seen the Temple of the Toad besides Von Junzt and myself—the Spanish traveller Juan Gonzalles, who made a partial exploration of that country in 1793. He mentioned, briefly, a curious fane that differed from most Indian ruins, and spoke skeptically of a legend current among the natives that there was ‘something unusual* hidden under the temple. I feel certain that he was referring to the Temple of the Toad.
“Tomorrow I sail for Central America. Keep the book; I have no more use for it. This time I am going fully prepared and I intend to find what is hidden in that temple, if I have ’ to demolish it. It can be nothing less than a great store of gold! The Spaniards missed it, somehow; when they arrived in Central America, the Temple of the Toad was deserted; they were searching for living Indians from whom torture could wring gold; not for mummies of lost peoples. But I mean to have that treasure.”
So saying Tussmann took his departure. I sat down and opened the book at the place where he had left off reading, and I sat until midnight, wrapt in Von Junzt’s curious, wild . and at times utterly vague expoundings. And I found pertaining to the Temple of the Toad certain things which disquieted me so much that the next morning I attempted to get in touch with Tussmann, only to find that he had already sailed.
Several months passed and then I received a letter from Tussmann, asking me to come and spend a few days with him at his estate in Sussex; he also requested me to bring the Black Book with me.
I arrived at Tussmann*s rather isolated estate just after nightfall. He lived in almost feudal state, his great ivy-grown house and broad lawns surrounded by high stone walls. As I went up the hedge-bordered way from the gate to the house, I noted that the place had not been well kept in its masters absence. Weeds grew rank among the trees, almost choking out the grass. Among some unkempt bushes over against the outer wall, I heard what appeared to be a horse or an ox blundering and lumbering about. I distinctly heard the clink of its hoof on a stone.
A servant who eyed me suspiciously admitted me and I found Tussmann pacing to and fro in his study like a caged Bon. His giant frame was leaner, harder than when I had last seen him; his face was bronzed by a tropic sun. There were more and harsher lines in his strong face and his eyes burned more intensely than ever. A smoldering, baffled anger seemed to underlie his manner.
“Well, Tussmann,” I greeted him, “what success? Did you find the gold?”
“I found not an ounce of gold,” he growled. “The whole thing was a hoax—well, not all of it. I broke into the sealed chamber and found the mummy—”
“And the jewel?” I exclaimed.
He drew something from his pocket and handed it to me.
I gazed curiously at the thing I held. It was a great jewel, clear and transparent as crystal, but of a sinister crimson, carved, as Von Junzt had declared, in the shape of a toad. I shuddered involuntarily; the image was peculiarly repulsive. I turned my attention to the heavy and curiously wrought copper chain which supported it.
“What are these characters carved on the chain?” I asked curiously.
“I can not say,” Tussmann replied. “I had thought perhaps you might know. I find a faint resemblance between them and certain partly defaced hieroglyphics on a monolith known as the Black Stone in the mountains of Hungary. I have been unable to decipher them.”
“Tell me of your trip,” I urged, and over our whiskey-and-sodas he began, as if with a strange reluctance.
“I found the temple again with no great difficulty, though it lies in a lonely and little-frequented region. The temple is built against a sheer stone cliff in a deserted valley unknown to maps and explorers. I would not endeavor to make an estimate of its antiquity, but it is built of a sort of unusually hard basalt, such as I have never seen anywhere else, and its extreme weathering suggests incredible age.
“Most of the columns which form its facade are In ruins, thrusting up shattered stumps from worn bases, like the scattered and broken teeth of some grinning hag. The outer walls are crumbling, but the inner walls and the columns which support such of the roof as remains intact, seem good for another thousand years, as well as the walls of the inner chamber.
“The main chamber is a large circular affair with a floor composed of great squares of stone. In the center stands the altar, merely a huge, round, curiously carved block of the same material. Directly behind the altar, in the solid stone cliff which forms the rear wall of the chamber, is the sealed and hewn-out chamber wherein lay the mummy of the temple’s last priest “I broke into the crypt with not too much difficulty and found the mummy exactly as is stated in the Black Book. Though it was in a remarkable state of preservation, I was unable to classify it. The withered features and general contour of the skull suggested certain degraded and mongrel peoples of lower Egypt, and I feel certain that the priest was a member of a race more akin to the Caucasian than the Indian. Beyond this, I can not make any positive statement “But the jewel was there, the chain looped about the dried-up neck.”
