The Worldship Humility, page 1
part #1 of The Code Trilogy Series

A Fleet Newscast Educational Podcast
Hi! I’m Kristi Carter and thank you for listening to this podcast produced by the good folks here at Fleet NewsCast.
This podcast is designed for use within the Fleet Educational Curriculum, and should be listened to, or watched on holo, in line with your education providers.
This podcast can be automatically translated into all Fleet languages by accessing the systems menu. Your education provider can help with that.
First. The big question. Why are we here? And I do not mean biologically! For that podcast or holo production please access the menu listings.
The fleet exists because our home planet, the planet Earth, where our species evolved, was destroyed by a meteor over one hundred and twenty years ago.
That meteor was discovered just under sixty years from the point of impact. Sixty years sounds like a long time, right? But in terms of what the people on Earth had to do, it was a very short period.
First, the scientists on Earth looked to the stars in search of a new home. Various solar systems that were thought capable of having a planet that could sustain life had been discovered. They built probes and enormous telescopes and all manner of incredible instruments. For that podcast or holo production please access the menu listings.
Unfortunately, all of those places they thought were able to sustain life were proven to be no good. I know right? Talk about bad luck!
It still meant that in order for our species to survive we had to get off the planet Earth.
Some intrepid souls set up colonies on Mars. Another planet within the same solar system as Earth. For that podcast or holo production please access the menu listings.
The other thing they did is they built our fleet. The fleet you are now in and are now a part of.
That’s right kids. We are all part of a fleet of over forty vessels, and you are very special because you are one of the very few survivors of our species. No, I get what you are saying. It doesn’t feel like you’re special, right? I mean, look about, there’s people everywhere. In fact, this whole fleet has millions of people. But remember this, over fifteen billion people did not survive the meteor impact. That makes us a fraction of what we once were, so yes, you are very special!
Some of the vessels within our fleet are called Worldships. For the podcast and holo production on the individual vessels, please access the menu listings.
Most of the Worldships were financed and constructed by countries on Earth, or by groups of countries working together in alliances.
Some of the other vessels were financed and constructed privately and contain much smaller numbers. Others are for science research.
Seven ships within the fleet were financed and constructed by corporations who gave money and resources in exchange for passage and the right to continue trade. They were called the Virtue Fleet. Sadly, three of those vessels collided as the fleet set out, which resulted in the deaths of millions of people. For that podcast or holo production please access the menu listings.
That leads me to the next question. How are we moving? And how are so many vessels, all of different sizes and shapes all moving at the same speed?
Well, because of the devastating loss of three Worldships, the fleet decided that every vessel should be navigated by a central computer system located on The Ark. That system is what keeps us all together and moving as one, and only that computer can make us all move. And by the way, we’re moving all the time. We’re travelling at a speed that will boggle your mind. We’re also constantly changing direction as our probes detect anything in our path that could hurt us. We just don’t feel it, as every change is done gently because who wants synth-cola spilled down their clothes? Am I right?
But hey, I hear you, we know where we came from, but what we really want to know is where are we going?
I hear you, but sadly, right now, we do not have a planet to aim for. What we do have are probes that we send out to search for what we call trace particles or signals, or anything in space that might tell us there is a planet out there. We find trace particles all the time, so we know eventually, we will find somewhere. We just don’t know when.
Our most famous probe is the Shuttle Gagarin. She is the fastest most advanced thing ever produced by our species, and I’m telling you kids now, if we ever do find a new home, it will be because of that plucky little probe.
Now, I’m sure you will have a ton of questions and you go right on ahead and ask your education providers anything else you want to know. You can also access our menu listings for further podcasts and holo productions.
Before I go, let me say this: Don’t worry! Our fleet is capable of producing everything we need to survive for a very long time. Just don’t waste anything! Remember that. Waste is a crime!
I’m Kristi Carter and you’ve been watching a Fleet NewsCast production.
You take care now folks.
Chapter One
A vibe in the air of the fashion store within the lanes and walkways of the level 30 retail zone on board the Worldship Humility. Early morning but it feels like everyone is out to see the new range, rushing in and out of the shops and stores to bag something before the workday starts proper. People gathering to eat breakfast and drink synth coffee. The benches within the public spaces already filled. News channels displayed on walls and glowing up in 3D holo. Showing old footage of the Gagarin coming back from previous journeys, but a greater amount of the footage is given over to the new fashion range released on board the cultural centre of the WS Humility. A tradition within the fleet that was once done to mark the return of the probe, and now takes over as the primary news source.
Yasmine smiles at the assistant with a roll of her eyes at all the fuss before moving on to select some sexy underwear in shades of peach and pale greens. She smiles again, coy and shy, while thinking how her boyfriend will love to see her in something like this.
She finds a slinky dress for that event they have planned, then some normal bras and underwear. Not ultra-expensive. Not ultra-cheap. Mid-range. She gathers more garments, sportswear, casual tops and such like, draping them over her arms while moving at a certain pace to project the persona of a busy working woman with a day off who wants to buy nice things to impress her partner and co-workers in whatever crappy office she works in. She projects that image and so does not draw any attention.
Of course, she needs to try them on. She doesn’t earn a fortune and she doesn’t want to waste time taking them home only to bring them back again another day.
Into the changing section and she heads to a self-sealing drop-down cubicle, her arms laden with clothes. She hums to herself while thinking about what they will eat tonight and hangs the garments on the hooks before voicing the command to seal the cubicle, smiling at another customer walking past.
The smile fades as soon as the door closes, and Yasmine drops to a knee and moves fast with well-practised movements, pulling another wristband from her pocket to activate the interface. A qwerty keyboard hanging in the air. She enters the password to activate a second screen showing a red scanner within a green field. And master thief Yasmine Emile Dufont sets to work.
Every garment is tagged with an invisible code that’s only deactivated when the item is purchased through the store interface.
Unless you have this highly illegal hacking programme that cost a ton of credits and a heap of favours owed, plus the risk of a prison sentence served on The Ark if she’s caught with it. Not that Yasmine knows how it works. She has no clue as to exactly what it does, only that she has to follow a set sequence.
She selects the first item and scans the lingerie into her system that displays the deactivation code. The problem is the system is old and outdated, meaning she has to manually input the code into another screen. She can’t even drag it across but has to type it, which is painstakingly slow– but then everyone has things in their jobs they hate, and if shoplifting was easy then everyone would do it.
She undresses to bra and knickers. Wincing at the sight of the old bruises on her body from the voltage-sticks. She deactivates the lingerie then puts it on over the ones she is already wearing. Another set the same. A couple of t-shirts. A thin pair of running leggings. A pair of shorts. A long sleeve shirt. That’s all she can risk for now. She dresses in her own clothes, feeling bulky and constrained but only looking a bit bigger than she was.
‘Show me,’ she says quietly as a 3D mirror image of herself appears. She studies herself quickly, looking to see if she is too big or bulky. ‘Turn…’ the image rotates.
A minute later she walks out with the clothes she didn’t want and passes them back to the assistant with a wry smile. A neat trick of always taking too much in, so you have something to come out with.
‘I’m bigger than I thought.’
‘Aw, I’m sure you’re not,’ the assistant says. ‘Want me to get bigger sizes?’
‘No, I’m fine, but thank you so much.’
She goes out into the packed walkways and into a luggage store. Purchasing the cheapest, largest holdall she can find before walking to the public toilets behind one of the main stairwells, aiming for the last cubicle on the left.
She goes in, closes the door and undresses. Stuffing all the stolen clothes into the bag that is then hidden behind a service panel popped out from the wall at the back of the cubicle.
A few minutes later and Yasmine walks empty handed back into the walkways and lanes of the packed level 30 retail zone on board the WS Humility.
>
Stealing is easy. Anyone can steal.
Anyone can take something that doesn’t belong to them and claim ownership of that item in all manner of ways. Food, clothes, credits, goods for trading with or goods for selling.
Stealing is easy but stealing well is both an art and a science, and Yasmine Emile Dufont likes to think of herself as a master at work. She is more than a petty thief. She is a professional. In fact, if there was a certified career path of thievery, she would now be a professor, maybe even a consultant.
She lifts her eyebrows at the idea of being a stealing consultant. Imagining herself in a plush office on one of the higher levels of the ship. Not like level one or anything that high. Maybe level nine or eight. Yeah, that’s it. She’d be on level eight in a big office filled with paintings and she’d wear a cool suit and be super awesome.
‘Show me,’ she says, opening the 3D mirror image in the changing cubicle of the next target store and she pauses, staring at the lines in the corners of her eyes. Bending forward at the waist as the digital reflection copies her motion and leans in to be studied.
She looks at her black hair, convinced she found a grey one the other day. She’s only thirty but growing up in the lower levels of the World-Ship Humility is enough to make anyone prematurely grey.
That raw truth lays stark in her mind -- that she is a jobless, unregistered petty-thief from the Elfors, and that is not what she intended for her life.
A rush of memories, of remembering when they were young and together before it all got sinister and dark. A group of near-feral kids growing up in the cockroach and rat-infested shanty towns of level 40 where they ran riot, stealing to eat, stealing to survive, stealing anything that wasn’t strapped down. Laughing when the grav-drives failed and seeing who could fly the highest and furthest before they came back on. She remembers laughing a lot. They lived in abject squalor, but that was all they knew so it didn’t seem so bad to them, and those times still bring forth a warm feeling in her belly. Like it was innocent and harmless somehow.
Pretty Penny, Guphy Gupherson, Karen Big Feet, shy, gentle Dmitri and Chatty Simon who never shut up and Mad Eyes Ken who was always hanging about being a weird little pervert. Others in their gang that ran and stole with them. They slept together, huddled in whatever spaces they could find. Crawling through freezing cold vents and ducts that they made into tunnels and safe spaces to hide in. They shared and did everything together until the day Chatty Simon saw his drunk dad beat his mum to death. They all saw it. They were all there. Chatty Simon tried to stop him, screaming and crying out. Then the father turned on the son and it got worse. They all rushed in, trying to get Simon away but he wouldn’t go, everything was happening so fast. Guphy so big and strong but not knowing what to do. Karen a mess. Penny and Yasmine shouting for help that would never come because the police never go into the Elfors. Blood everywhere. Horrific and frightening. A memory seared into her mind and she tenses at the visceral replay of it.
Then Dmitri pulled the knife. They knew he was carrying one, but figured he’d never use it. He did use it. He went for Simon’s dad and started stabbing him. Then Simon joined in, taking the blade from Dmitri to stab his own father while his mother lay dead only a few steps away. Blood spraying out over their arms and faces. Simon’s dad raging with drunken disbelief as they went at him. Yasmine tried to stop them. Penny too but even Guphy couldn’t pull them back. Then Karen went in, not to help but to attack and then Guphy did the same. They all did. They all killed him. Stamping. Cutting. Stabbing and sobbing, before running away under the greasy rain that smeared the blood over their bodies.
That was the point when it all changed. That was when the darkness came into their lives and the fun stopped. Outside a shack on a filthy walkway on level forty, just feet away from the outer-skin of the vessel and the freezing void of space.
That wasn’t the first death Yasmine saw. Everyone in the Elfors sees death on a near daily basis. Violence too. Raw, brutal and often without reason. It wasn’t the first time they had seen someone die, but it was the first time they caused it. After that was it just carnage when some associates of Simon’s dad decided they didn’t like what had happened and came after them all.
It was Dmitri who stopped them.
Quiet, gentle, shy Dmitri who only ever wanted to hold Yasmine’s hand and promised he would always take care of her. The dreams of young teenagers. The grand plans they formed of how they’d get jobs and move up to a nice level and leave the bowels. All of them would. That was the changing point for all of them.
That’s when Dmitri stopped being so shy and gentle.
‘Jesus,’ she exhales, pulling away and shaking her head at the memories that still carry so much emotion inside, no matter how much she drinks or how many drugs she takes.
She goes out and once more heads to the stairwell and the toilets while trying to think of a way to score big and get off this ship and start a new life.
Yeah, that’s what she needs. A big job to make a ton of credits followed by a few weeks on the Ab-Spa to get blind stinking drunk and forget she ever lived on this dump.
Chapter Two
‘Good morning folks. I’m Kristi Carter and you are watching the Fleet NewsCast. You know what today is right? Today marks the return of the Shuttle Gagarin coming home from another long-range mission, and my exclusive sources are telling me the Gagarin has pushed out further than ever before this time. Right out there into the great unknown to the very edges of her capability. Has she found anything? Stay tuned because we at Fleet NewsCast will be the first to know. We’re relying on you, Gagarin, because it’s been one hundred and twenty three years, four months, two weeks and one day since this fleet set out to find a new home…’
Sam Gablinski murmurs the words with her while sitting on a soft padded bench in one of the big open zones within the level 30 retail zone, watching the life-size 3D holo-projection of the Fleet NewsCast anchor Kristi Carter looking splendidly beautiful as she stares into the camera, and by proxy, out to Sam and the millions of other people in the fleet.
He smiles at hearing the chorus of voices counting the days off, enjoying the vibe in the air.
Sam normally watches the morning news from his wristband in his sleeping tube in cabin 58, row G on level 35 of the World-Ship Humility, but Sam woke early today and quickly shuffled from his tube into his cabin proper. A small square space filled with a red inflatable sofa and a pop-up table covered with tools and wristbands stripped into pieces. 3D Holo-feeds blooming up showing all manner of interfaces. Clothes strewn here and there.
A few minutes later and Sam stepped from his cabin to stare left and right at the hundreds of other symmetrical cabins on his row, set within the many rows running across the width of a spaceship shaped like an oversized skyscraper lying on its side.
Hundreds of thousands of people living in a brightly lit, ultra clean vessel with everything in shades of white or cream or grey. Forty levels on this ship. Level one at the top. Level forty at the bottom, but the lower four levels, the Elfors, are a no go and only people with the right access can go up past the security station on level 20.
Sam woke early because not only is the Gagarin coming back, but the new clothing range is released. Not that Sam is into fashion, but he does love people-watching. Besides, living on a spaceship isn’t exactly interesting, so any change is more than welcome.
He sips his synth coffee and sighs at the beautiful blonde-haired, blue-eyed Kristi Carter pausing with a thoughtful expression.
‘…I mean, are we even ready to find another planet? We’ve got corruption, nepotism and downright incompetence running rife through the fleet, the WS Beijing’s docking delays are worsening by the day, backing up the shuttles arriving from The Ark which is causing havoc to everyone else. Production strikes, economic downturn, small businesses struggling against constantly rising rates and the shortage for living space will only get worse as our populations get bigger …and as for the WS Humility…hey you know what, I’m just going to say it. I am. I’m going to say it…’
Sam watches her gesturing off camera in a way that makes him think there is actually no one there and she’s just pretending to go off-script for effect.




