Mr Pottermack's Oversight, page 29
But it produced no immediate results. I had to pass my examinations and get my diploma, and then look out for the means of earning my living. So all this curious lore was put away for the time being in the pigeon-holes of my mind-which Dr. Freud would call the Unconscious-not forgotten, but ready to come to the surface when the need for it should arise. And there it reposed for some twenty years, until failing health compelled me to abandon medical practice and take to literature as a profession.
It was then that my old studies recurred to my mind. A fellow doctor, Conan Doyle, had made a brilliant and well-deserved success by the creation of the immortal Sherlock Holmes. Considering that achievement, I asked myself whether it might not be possible to devise a detective story of a slightly different kind; one based on the science of Medical Jurisprudence, in which, by the sacrifice of a certain amount of dramatic effect, one could keep entirely within the facts of real life, with nothing fictitious excepting the persons and the events. I came to the conclusion that it was, and began to turn the idea over in my mind.
But I think that the influence which finally determined the character of my detective stories, and incidentally the character of John Thorndyke, operated when I was working at the Westminster Ophthalmic Hospital. There I used to take the patients into the dark room, examine their eyes with the ophthalmoscope, estimate the errors of refraction, and construct an experimental pair of spectacles to correct those errors. When a perfect correction had been arrived at, the formula for it was embodied in a prescription which was sent to the optician who made the permanent spectacles.
Now when I was writing those prescriptions it was borne in on me that in many cases, especially the more complex, the formula for the spectacles, and consequently the spectacles themselves, furnished an infallible record of personal identity. If, for instance, such a pair of spectacles should have been found in a railway carriage, and the maker of those spectacles could be found, there would be practically conclusive evidence that a particular person had travelled by that train. About that time I drafted out a story based on a pair of spectacles, which was published some years later under the title of The Mystery of 31 New Inn, and the construction of that story determined, as I have said, not only the general character of my future work but of the hero around whom the plots were to be woven. But that story remained for some years in cold storage. My first published detective novel was The Red Thumb-mark, and in that book we may consider that John Thorndyke was born. And in passing on to describe him I may as well explain how and why he came to be the kind of person that he is.
I may begin by saying that he was not modelled after any real person. He was deliberately created to play a certain part, and the idea that was in my mind was that he should be such a person as would be likely and suitable to occupy such a position in real life. As he was to be a medico-legal expert, he had to be a doctor and a fully trained lawyer. On the physical side I endowed him with every kind of natural advantage. He is exceptionally tall, strong, and athletic because those qualities are useful in his vocation. For the same reason he has acute eyesight and hearing and considerable general manual skill, as every doctor ought to have. In appearance he is handsome and of an imposing presence, with a symmetrical face of the classical type and a Grecian nose. And here I may remark that his distinguished appearance is not merely a concession to my personal taste but is also a protest against the monsters of ugliness whom some detective writers have evolved.
These are quite opposed to natural truth. In real life a first-class man of any kind usually tends to be a good-looking man.
Mentally, Thorndyke is quite normal. He has no gifts of intuition or other supernormal mental qualities. He is just a highly intellectual man of great and varied knowledge with exceptionally acute reasoning powers and endowed with that invaluable asset, a scientific imagination (by a scientific imagination I mean that special faculty which marks the born investigator; the capacity to perceive the essential nature of a problem before the detailed evidence comes into sight). But he arrives at his conclusions by ordinary reasoning, which the reader can follow when he has been supplied with the facts; though the intricacy of the train of reasoning may at times call for an exposition at the end of the investigation.
Thorndyke has no eccentricities or oddities which might detract from the dignity of an eminent professional man, unless one excepts an unnatural liking for Trichinopoly cheroots. In manner he is quiet, reserved and self-contained, and rather markedly secretive, but of a kindly nature, though not sentimental, and addicted to occasional touches of dry humour. That is how Thorndyke appears to me.
As to his age. When he made his first bow to the reading public from the doorway of Number 4 King’s Bench Walk he was between thirty-five and forty. As that was thirty years ago, he should now be over sixty-five. But he isn’t. If I have to let him “grow old along with me” I need not saddle him with the infirmities of age, and I can (in his case) put the brake on the passing years. Probably he is not more than fifty after all!
Now a few words as to how Thorndyke goes to work. His methods are rather different from those of the detectives of the Sherlock Holmes school. They are more technical and more specialized. He is an investigator of crime but he is not a detective. The technique of Scotland Yard would be neither suitable nor possible to him. He is a medico-legal expert, and his methods are those of medico-legal science. In the investigation of a crime there are two entirely different methods of approach. One consists in the careful and laborious examination of a vast mass of small and commonplace detail: inquiring into the movements of suspected and other persons; interrogating witnesses and checking their statements particularly as to times and places; tracing missing persons, and so forth-the aim being to accumulate a great body of circumstantial evidence which will ultimately disclose the solution of the problem. It is an admirable method, as the success of our police proves, and it is used with brilliant effect by at least one of our contemporary detective writers. But it is essentially a police method.
The other method consists in the search for some fact of high evidential value which can be demonstrated by physical methods and which constitutes conclusive proof of some important point. This method also is used by the police in suitable cases. Finger-prints are examples of this kind of evidence, and another instance is furnished by the Gutteridge murder. Here the microscopical examination of a cartridge-case proved conclusively that the murder had been committed with a particular revolver; a fact which incriminated the owner of that revolver and led to his conviction.
This is Thorndyke’s procedure. It consists in the interrogation of things rather than persons; of the ascertainment of physical facts which can be made visible to eyes other than his own. And the facts which he seeks tend to be those which are apparent only to the trained eye of the medical practitioner.
I feel that I ought to say a few words about Thorndyke’s two satellites, Jervis and Polton. As to the former, he is just the traditional narrator proper to this type of story. Some of my readers have complained that Dr. Jervis is rather slow in the uptake. But that is precisely his function. He is the expert misunderstander. His job is to observe and record all the facts, and to fail completely to perceive their significance. Thereby he gives the reader all the necessary information, and he affords Thorndyke the opportunity to expound its bearing on the case.
Polton is in a slightly different category. Although he is not drawn from any real person, he is associated in my mind with two actual individuals. One is a Mr. Pollard, who was the laboratory assistant in the hospital museum when I was a student, and who gave me many a valuable tip in matters of technique, and who, I hope, is still to the good. The other was a watch- and clock-maker of the name of Parsons -familiarly known as Uncle Parsons-who had premises in a basement near the Royal Exchange, and who was a man of boundless ingenuity and technical resource. Both of these I regard as collateral relatives, so to speak, of Nathaniel Polton. But his personality is not like either. His crinkly countenance is strictly his own copyright.
To return to Thorndyke, his rather technical methods have, for the purposes of fiction, advantages and disadvantages. The advantage is that his facts are demonstrably true, and often they are intrinsically interesting. The disadvantage is that they are frequently not matters of common knowledge, so that the reader may fail to recognize them or grasp their significance until they are explained. But this is the case with all classes of fiction. There is no type of character or story that can be made sympathetic and acceptable to every kind of reader. The personal equation affects the reading as well as the writing of a story.
Dr. Thorndyke Titles
(in order of first publication)
These titles can be read as a series, or randomly as standalone novels
1. The Red Thumb Mark 1907
2. John Thorndyke’s Cases Dr. Thorndyke’s Cases 1909
3. The Eye of Osiris The Vanishing Man 1911
4. The Mystery of 31, New Inn 1912
5. The Singing Bone The Adventures of Dr. Thorndyke 1912
6. A Silent Witness 1914
8. The Great Portrait Mystery 1918
9. Helen Vardon’s Confession 1922
10. The Cat’s Eye 1923
11. Dr. Thorndyke’s Casebook The Blue Scarab 1923
12. The Mystery of Angelina Frood 1924
13. The Shadow of the Wolf 1925
14. The D’Arblay Mystery 1926
15. A Certain Dr. Thorndyke 1927
16. The Magic Casket 1927
17. The Puzzle Lock 1927
18. As a Thief in the Night 1928
19. Mr. Pottermack’s Oversight 1930
20. Pontifex, Son & Thorndyke 1931
21. Dr. Thorndyke Intervenes 1933
22. For the Defence: Dr. Thorndyke 1934
23. The Penrose Mystery 1936
24. Felo De Se? Death at the Inn 1937
25. The Stoneware Monkey 1938
26. Mr. Polton Explains 1940
27. The Jacob St. Mystery The Unconscious Witness 1942
Novels
(in order of first [book] publication)
1. The Golden Pool 1905
2. The Unwilling Adventurer 1913
3. A Savant’s Vendetta The Uttermost Farthing 1914
4. Flighty Phyllis 1928
5. The Surprising Experiences of Mr. Shuttlebury Cobb 1927
6. When Rogues Fall Out 1932
7. The Further Adventures of Romney Pringle 1970
8. From a Surgeon’s Diary 1977
Synopses of Austin Freeman’s Titles
Published by House of Stratus
As A Thief In The Night
Harold Monkhouse is usually such an uncomplaining patient so when his brother Amos calls in one night, what he doesn’t expect is to see him at death’s door. Suspicions aroused, he demands an urgent second opinion. And when Harold is later found dead from arsenic poisoning, Amos is left in no doubt that foul play is afoot. The inquiry begins and Barbara Monkhouse is soon singled out as the prime suspect. What ensues is a roller coaster ride into crime fiction at its best as the truth of the fateful night eludes even the best of detective minds. Could it be a simple case of wife poisoning husband - or is it just possible that another shadowy figure stole into Harold’s room, as a thief in the night, to rid the world of an innocent man?
Cat’s Eye
When Andrew Drayton, a collector of jewellery, is found stabbed to death and the young woman who tried to stop the murderer is wounded, Dr Thorndyke is called in to investigate. But although the scene of the crime seems awash with the fingerprints of the attacker, there may be good reason why the police can’t trace the killer. But not only are the facts of the case proving to be vexing but the discovery of a secret chamber and its sinister contents help to reveal that this is no ordinary murder and no ordinary murderer is behind it.
A Certain Dr. Thorndyke
A winding adventure that begins in an exotic, teasing location. Richard Austin Freeman introduces the reader to the delights of an extraordinary jewel heist. Hollis is a retired soap manufacturer, richer than Croesus and some say mad. Obsessed with amassing wondrous jewels, precious stones and bullion, Hollis chooses a strong room to deposit his dazzling hoard. But when he discovers that he’s the victim of an elaborate and enigmatic robbery, even though the room was never broken into, Dr Thorndyke is summoned to bring his unrivalled knowledge to bear on a remarkable mystery.
The D’Arblay Mystery
When a man is found floating beneath the skin of a green-skimmed pond one morning, Dr Thorndyke becomes embroiled in an astonishing case. This wickedly entertaining detective fiction reveals that the victim was murdered through a lethal injection and someone out there is trying a cover-up.
Dr. Thorndyke Intervenes
What would you do if you opened a package to find a man’s head? What would you do if the headless corpse had been swapped for a case of bullion? What would you do if you knew a brutal murderer was out there, somewhere, and waiting for you? Some people would run. Dr Thorndyke intervenes.
Dr. Thorndyke’s Casebook
A compelling collection of Dr Thorndyke mysteries is presented here in a bumper crop of Richard Austin Freeman’s fiction. Opening with The Case of the White Footprints, revealing the secrets of The Blue Scarab and teasing all that read The Stolen Ingots, Freeman introduces some extraordinary detective stories to bamboozle the most able of minds. Once you pick this book up, you won’t be able to put it down.
The Eye of Osiris
John Bellingham is a world-renowned archaeologist who goes missing mysteriously after returning from a voyage to Egypt where fabulous treasures have been uncovered. Bellingham seems to have disappeared leaving clues, which lead all those hunting down blind alleys. But when the piercing perception of the brilliant Dr Thorndyke is brought to bear on the mystery, the search begins for a man tattooed with the Eye of Osiris in this strange, tantalisingly enigmatic tale.
Felo De Se
John Gillam was a gambler. John Gillam faced financial ruin and was the victim of a sinister blackmail attempt. John Gillam is now dead. In this exceptional mystery, Dr Thorndyke is brought in to untangle the secrecy surrounding the death of John Gillam, a man not known for insanity and thoughts of suicide.
Flighty Phyllis
Chronicling the adventures and misadventures of Phyllis Dudley, Richard Austin Freeman brings to life a charming character always getting into scrapes. From impersonating a man to discovering mysterious trap doors, Flighty Phyllis is an entertaining glimpse at the times and trials of a wayward woman.
For the Defence: Dr. Thorndyke
This is the story of Andrew, a handsome artist living with his beautiful wife. Andrew witnesses a man being shot one night by two masked assailants and on the advice of his wife, decides to remain silent about what he has seen. But when a meeting with his cousin Ronald proves to be fatal, Andrew finds himself suspecting foul play, as Ronald lies crushed on beach sands. And soon, Andrew is a suspect himself.
From A Sugeon’s Diary
Set in the rambling rural countryside of nineteenth century England, this selection of stories takes the reader through a myriad cast of suspicious characters and scenarios. Meet the widow anxious to bury her husband before the autopsy. Meet the artist who’s brushes have never been used. Meet the bedridden drunk who contracts lead poisoning from a pub miles away. These strange stories are designed to baffle the mind and entertain the crime buff and newcomer alike.
Further Adventures of Romney Pringle
Originally published in Cassell’s Magazine, this delightful bundle of adventures features the gentleman criminal Romney Pringle, an engaging crook and literary agent who lives in Furnival’s Inn, cycling everywhere no matter what the scam! This series of six stories feature many colourful, bizarre characters from the Chicago Heiress to the Assyrian Rejuvenator.
The Golden pool
Richard Austin Freeman recounts an incredible voyage to North Africa and Ashanti in search of the Aboasi mine, dug by Christians in search of gold. Along the way, a young Englishman steals a local ritual treasure and his misadventures are retold here. This rumbustious campaign is met by all manner of dangers in a remarkable latter day exploit that should transport the reader through the wilds of an astonishing imagination. Once required reading by the British colonial services in Africa, this tale will delight fans of high adventure.
The Great Portrait Mystery
The National Portrait Gallery is the opening setting for this delightful mystery of theft and fraud. A painter copies diligently from a watercolour one morning when an enigmatic musician suddenly appears and causes mayhem with his musical interludes, hopping from one picture to another and giving a remarkable rendition of different songs. But while the curator follows him around trying to call a halt to the musical spectacle, the copyist replaces a watercolour masterpiece and makes an infamous escape. Who is the mysterious musician? Who is the mysterious copyist? And what has happened to the priceless watercolour?
