Someone is trying to kill beautiful Rachel Treherne for her fortune. Enlisting the talents of Miss Silver seems the only way she can stay alive.

Things had never been quite the same at Latter End since Lois had taken over. Suddenly life seemed to be an endless succession of bitter family rows, which Lois invariably won. But when Lois Latter is murdered, it's shocking to discover just how many people might have wished her dead.

When a new clue arises in a long-closed murder inquiry, Miss Silver fights to free an innocent manMarion Grey is growing used to the idea that her husband will never leave prison. After the horrors of a very public trial she is almost able to find relief in her resignation. But when new evidence suggests her husband may be innocent after all, she hires a professional—Miss Silver—to clear his name.It begins with a chance encounter on a busy train, when a friend of Marion's meets a half-mad woman who claims to know something of the Grey case. With her is a man who disappeared during the trial, and may know something that could see Marion's husband set free. Who is he, and where has he gone? To find out, the demure detective Miss Silver must track him down before becoming a victim herself.

Hired to trace Anna Ball, who has vanished, Miss Maud Silver encounters an eccentric art colony, bank robberies and counterfeiting. As with other Miss Silver mysteries, the story relies on character development. Nadia May reads clearly and distinguishes individuals well; her British voice is ideal for this genteel period thriller (1951). Agatha Christie fans will enjoy this one. The narration is speeded up to fit six cassettes, but it is not hard to follow.

Uncle Gregory is found with a knife in his back and "blackmailer" as his epitaph. Only Miss Maud Silver can solve the crime.