The hero of this curious novel is des Esseintes, a neurasthenic aristocrat who has turned his back on the vulgarity of modern life and retreated to an isolated country villa. Here, accompanied only by a couple of silent servants, he pursues his obsessions with exotic flowers, rare gems, and complex perfumes and embarks on a series of increasingly strange aesthetic experiments, starting with the decision to give his giant pet tortoise a jewel-encrusted shell...

Fame. Power. Money. Sex. Love. This continuation of USA Today bestselling The Keatyn Chronicles series follows the lives and loves of those who work at Captive Films. Hot, successful, playboy Riley Johnson, whose business success far exceeds his success in love.  Movie star, Keatyn Douglas, whose epic love story has spawned a series of books and movies.  And Dawson Johnson, who joins Captive with a tragic past.  Expect lots of drama, sex, and tabloid-worthy events.Books 8-12 are contemporary adult novels and can be read as a standalone series.**

Ripley, the survivor of two deadly battles with the savage creatures, is stranded on an inhospitable planet, home to a hoard of defiant, captive men, where she will have to face the ultimate Alien horror.

Although he is best known for his luminous reports from the farthest-flung corners of the earth, Bruce Chatwin possessed a literary sensibility that reached beyond the travel narrative to span a world of topics—from art and antiques to archaeology and architecture. This spirited collection of previously neglected or unpublished essays, articles, short stories, travel sketches, and criticism represents every aspect and period of Chatwin's career as it reveals an abiding theme in his work: his fascination with, and hunger for, the peripatetic existence. While Chatwin's poignant search for a suitable place to "hang his hat," his compelling arguments for the nomadic "alternative," his revealing fictional accounts of exile and the exotic, and his wickedly en pointe social history of Capri prove him to be an excellent observer of social and cultural mores, Chatwin's own restlessness, his yearning to be on the move, glimmers beneath every surface of this dazzling body of work.

In an endeavor similar to his debut novel, The Kitchen Boy, Alexander couples extensive research and poetic license, this time turning his enthusiasm toward perhaps the most intriguing player in the collapse of the Russian dynasty: Rasputin. This eyebrow-raising account of the final week of the notorious mystic's life is set in Petrograd in December 1916 and narrated by Rasputin's fiery teenage daughter, Maria. The air in the newly renamed capital is thick with dangerous rumors, many concerning Maria's father, whose close relationship with the monarchy-he alone can stop the bleeding of the hemophiliac heir to the throne-invokes murderous rage among members of the royal family. Maria is determined to protect her father's life, but the further she delves into his affairs, the more she wonders: who, exactly, is Rasputin? Is he the holy man whose genuine ability to heal inspires a cult of awed penitents, or the libidinous drunkard who consumes 12 bottles of Madeira in a single night, the unrestrained animal she spies "[eagerly] holding [the] housekeeper by her soft parts"? Does this unruly behavior link him to an outlawed sect that believes sin overcomes sin? The combination of Alexander's research and his rich characterizations produces an engaging historical fiction that offers a Rasputin who is neither beast nor saint, but merely, compellingly human.

The first thing I tell people is, I'm just an ordinary woman. I'm just like you. Susanna has an incredible gift: she can heal ailments with just the touch of her hand. People travel from far and wide based on their faith in her abilities. But Susanna's power only works in certain cases—it's a semi-miracle. And as she grows into a woman, and tries to build a life of her own, her calling to fix and cure becomes more of a burden than she could ever have imagined. Why is she able to take people's pain away sometimes, and not others, not when she needs to most of all? With the balm of time, and the wisdom of experience, Susanna must learn to live with the mysterious nature of her miracle. Available to readers for the first time since its initial publication, this is a wry and moving story by an American master. "Not merely good . . . she is wickedly good." —John Updike

Paycheck, originally written as a short story by Philip K. Dick and first published in 1953, centres on an electrician who wakes up to discover his employer has erased his memory of the past two years -- as a security measure. When he tries to collect his paycheck, he finds he had previously signed a release replacing the money with a bag of random objects.

Louis Couperus was catapulted to prominence in 1889 with Eline Vere, a psychological masterpiece inspired by Flaubert and Tolstoy. Eline Vere is a young heiress: dreamy, impulsive, and subject to bleak moods. Though beloved among her large coterie of friends and relations, there are whispers that she is an eccentric: she has been known to wander alone in the park as well indulge in long, lazy philosophical conversations with her vagabond cousin. When she accepts the marriage proposal of a family friend, she is thrust into a life that looks beyond the confines of The Hague, and her overpowering, ever-fluctuating desires grow increasingly blurred and desperate. Only Couperus—as much a member of the elite socialite circle of fin-de-siècle The Hague as he was a virulent critic of its oppressive confines—could have filled this "Novel of The Hague" with so many superbly rendered and vividly imagined characters from a milieu now long forgotten. Award-winning translator Ina Rilke’s new translation of this Madame Bovary of The Netherlands will reintroduce to the English-speaking world the greatest Dutch novelist of his generation.