Jane Abbott, page 14
After a moment Jerry said slowly, "I—I am going to bed." Gyp wished that Graham would say something and Graham wished Gyp would say something, and both sat tongue-tied while Jerry walked out of the room.
"Do you think we ought to tell mother?" Gyp asked, in a hushed voice.
"N-no," Graham hated the thought of tale-bearing. "But Isobel's an awful snob. It's her going around with Cora Stanton and Amy Mathers." To think this gave some comfort to Graham and Gyp.
"Well—I don't know what Jerry will do," sighed Gyp forlornly.
The door of Jerry's room was shut and Gyp had not the courage to open it. She listened for a moment outside it—there was not a sound from within. She went into her own room and undressed slowly, with a vague uneasiness that something was going to happen.
There had been no sound in Jerry's room because she had been standing rigid in the window, staring with burning, angry eyes out into the darkness. Her beautiful, happy world, that she had thought so full of kindness and good-fellowship, had turned suddenly upside down! "Charity girl——" She did not know just what it meant, but it made her think of homeless, nameless, unloved waifs—motherless, fatherless, dependent upon the world's generosity. Her hand went to her throat—charity girl—was not her beloved Sunnyside, with Sweetheart and Little-Dad, richer and more beautiful than anything on earth? And hadn't she always had——Like a flash, though, she saw herself in the queerly-fashioned brown dress that had seemed very nice back at Miller's Notch, but very funny when contrasted with the pretty, simple serge dresses that the other girls at Highacres wore. Perhaps they had all thought she was a "charity girl," a waif brought here by Uncle Johnny. To be sure, her schoolmates had welcomed her into all their activities, but perhaps they had felt sorry for her and, anyway, it had been after Uncle Johnny had given her the Christmas box——
She looked down at the dress she wore—it was the school dress that had been in the box. Perhaps she should not have taken it—taking it may have made her a charity girl. She should never have come here. It was costing someone money to send her to Highacres and to feed her; and often Mrs. Westley gave little things to her—and none of this could she repay!
With furious fingers Jerry unfastened and tore off the Christmas dress. From its hook in her clothes closet she took down the despised brown garment. Her only thought, then, was to sort out her very own possessions, but, as she collected the few things, the plan to go away—anywhere—took shape in her mind. She would go to Barbara Lee until her mother could send for her!
Then her door opened slowly. On the threshold stood Gyp in her red dressing-gown. It was not so dark but that Gyp could see that Jerry wore her old brown dress and that she held her hat in her hand. With one bound she was at her friend's side, holding her arm tightly.
"Jerry, you're not going away! You're not——"
"I've—got—to. I won't be——"
"You're not a—whatever Isobel said! She's horrid—she's jealous of you because Dana King and—and everybody thinks you're the most popular girl at Lincoln. Peggy Lee said she heard a crowd of girls saying so—that it was 'cause you're always nice to everybody and 'cause you like to do everything—I won't let you go!" There was something very stubborn in Gyp's dark face; Jerry wished she had not come in. Just before it had seemed so easy to slip away to Barbara Lee's and now——
"I never should have come here. I never should have let you all——"
Gyp gave her chum a little shake.
"Jerry Travis, Uncle Johnny brought you 'cause he said he knew you could give Lincoln School and Isobel and me a lot—oh, of something—mother read it in his letter—I remember. He said it was like a sort of scholarship. And I heard mother tell him the day I was teasing her to let me cut my hair short like yours, that she'd be willing to let me do anything if I could learn to be as sunny as you are—I heard her, 'cause I was listening to see if she was going to let me. So you've more than paid for everything. There's something more than just money! You're too proud; you're prouder than Isobel herself——"
Jerry dropped her hat on the bed. Gyp took it as a promising sign and she closed her arms tight around Jerry's shoulders.
"If you go away it will break my heart," she declared. "I love you more'n any chum I ever had—more than anybody—except my family, of course, and I love them differently, so it doesn't count. And mother loves you, too, and so does Tibby, and so does Uncle Johnny. And if you don't tell me right off that you won't go away I'll go straight to mother and then we'll have to tell her how nasty Isobel was, and that'll make her unhappy. And I mean it." There was no doubt of that.
Gyp's concluding argument broke down Jerry's determination to go. No, she could not; as Gyp had said, if she went away Mrs. Westley and Uncle Johnny must know why. She could not do a single thing that would make either of them the least unhappy. That would be poor gratitude. Perhaps Gyp was right, too—that she was too proud! Surely her mother would never have let her come if it was going to bring the least humiliation to her.
Gyp with quick fingers began to unbutton the brown dress. "Let's just show Isobel that we don't care what she says. I think it's that horrid Cora Stanton and Amy Mathers that makes her act so, anyway. They're horrid! Amy Mathers puts peroxide on her hair and Cora Stanton cheated in the geometry exam—everyone says so—I know what let's do, Jerry, there were some cup cakes left; I saw them in the pantry—let's go down ever so quietly and get them—and we'll have a spliffy spread." As she spoke she caught up Jerry's warm eiderdown wrapper and threw it around her.
Gyp's devotion was very soothing to poor distraught Jerry—so, too, was the suggestion of the cup cakes. But half-way down the stairs Jerry stopped short and whispered tragically in Gyp's ear:
"Gyp—we can't eat them! Our school record—no sweets between meals!" And at the thought of school Jerry's world suddenly righted again.
"Oh, well——" Gyp would have liked to suggest missing a point. "We can eat crackers and peanut butter—instead."
* * *
CHAPTER XXI
POOR ISOBEL
The rawness of March gave way to a half-hearted April, days of pelting rain with a few hours now and then of warm sunshine. Patches of grass showed green against the dirty snowbanks lingering stubbornly in sheltered corners; here and there a tiny purple or yellow crocus put up its bright head; a few brave robins started their nest-keeping and, perched shivering on bare boughs, valiantly sung the promise of spring.
There were other signs to mark the changing of the seasons—an organ-grinder trundled his wagon down the street, rag-pickers chanted, small, scurrying figures darted in and out on roller-skates, marbles rattled in ragged pockets, and the Lincoln boys and girls at Highacres turned their attention from basketball and hockey to swimming and the school dramatics.
Isobel Westley had been chosen to play the part of Hermia in "A Midsummer Night's Dream." Her family shared her pleasure—they felt that a great distinction had come to them. Gyp and Jerry, particularly, were immensely excited. Jerry, who had only been to the theatre twice in her life, thought Isobel far more wonderful than the greatest actress who ever lived. Both girls sat by the hour and listened admiringly while Isobel rehearsed her lines before them.
Mrs. Westley, who had never quite outgrown a love of amateur dramatics, gave her approval to Isobel's plans for her costume. The other girls, Isobel explained, were making theirs, but Hermia's should be especially nice—so couldn't Madame Seelye design it? Madame Seelye did design it—Isobel standing patiently before the long mirror in the fashionable modiste's fitting-room while Madame, herself, on her knees, pinned and unpinned and pinned again soft folds of pink satin which made Isobel's face, above it, reflect the color of a rose.
"You'd think the whole world revolved 'round your old play," exclaimed Graham, not ill-humoredly. He had asked to be allowed to use the car to take a "crowd of the fellows" out to see if any sap was running in the woods and Mrs. Westley had explained that Isobel had to have her last fitting, stop at the hair-dresser's to try on a wig, and then go on to Alding's to match a pair of slippers.
"It does," laughed Isobel back, her eyes shining. She was very happy, and when she was happy she was a gay, good-natured Isobel and a very beautiful Isobel. All through the school year her spirit had smarted under the prominence attained by her schoolmates in the various school activities—Ginny Cox was conspicuous in everything and on the honor roll, besides; Peggy Lee played hockey and basketball, Dorrie was in the Glee Club, Pat Everett was a lieutenant in her scout troop, Cora Stanton was editor of the school paper, Sheila Quinn was the class president—even Gyp was a sub on the all-school basketball team, and Jerry—since that day she had skied down Haskin's Hill she had pushed her way into everything (that was the way Isobel thought of it); she played on the hockey team and had "subbed" on the sophomore basketball team and it was certain she would be picked on the swimming team. Though Isobel scorned all these activities because they were not "any fun," according to her creed, deep in her heart she had envied the girls who could enjoy them. But now her vanity was soothed and satisfied; anyone could play basketball or skate or swim, but no one could be the Hermia that she was going to be! Miss Gray had complimented her upon the interpretation she gave the rôle and her eyes told her what she saw in Madame Seelye's mirror.
And Dana King was playing Lysander—a fine Athenian lad he made. Isobel could afford now to forget the grudge she had nursed against him ever since the Christmas party. He looked so really grown-up that it pleased her to be a little shy with him, as though she had just met him—to forget that they had been schoolmates since kindergarten days. She read admiration in his eyes. What would he think, she said to herself, with a little flutter, when he saw the rose-pink costume?
"Isobel Westley, what fun to have a rehearsal every afternoon," had cried one of a group of girls which surrounded her.
"Does Lysander walk home with Hermia every day?" asked another, with a meaning laugh.
"Tell us all about it," coaxed Amy Mathers. "It's too romantic for anything."
Isobel blushed and laughed and pushed them away. She knew that they all envied her—she wanted them to envy her. She knew that anyone of them would gladly change places with her. Even Gyp and Jerry had sighed and begged their mother to help them get up some sort of a play in which they could take part. Gyp had asked Miss Gray to be allowed to help in the make-up room, even if she did nothing more than pass the little jars of cream and sticks of paint. And to Jerry had been assigned the especial task of shoving Puck, who was sadly rattle-brained, upon the stage, when the cues came.
* * *
GYP, JERRY, TIBBY, EVEN GRAHAM, SUPERINTENDED ISOBEL'S PREPARATIONS FOR THE DRESS REHEARSAL
* * *
The play was to be given on Saturday evening. On Friday evening a full-dress rehearsal was called. Hermia's costume was finished and was spread, in all its ravishing beauty, across the guest-room bed. On the floor from beneath it peeped the slippers which had been made to order.
"It'll make all the others look cheap," declared Isobel, thrilling at the pretty sight.
Mrs. Westley looked troubled. Certain doubts had been disturbing her ever since that first moment of enthusiasm when she had yielded to Isobel's coaxing. Isobel had said that the other girls were making their own costumes—she knew that the faculty disliked any extravagance or great expenditures of money in any of the school affairs—might it not have been better to have helped Isobel fashion something simple and pretty at home? Then when she watched Isobel's flushed, happy face, radiantly pretty, she smothered her doubt.
"Pride goeth before a fall, daughter mine. Take care that your costume doesn't make you forget your part," she laughed. After all, Isobel was so pretty that she would outshine the others, anyway—let her costume be ever so dowdy!
Gyp, Jerry, Tibby, even Graham, superintended Isobel's preparations for the dress rehearsal. Gyp sat back on her heels and declared that Hermia was "good enough to eat." Jerry thought so, too, though she had not the courage to say so. Graham straddled the footboard of the bed and passed scathing remarks concerning girls' "duds," but his eyes were proudly admiring and in his pocket he treasured a ticket for the first row that he had bought from another fellow at an advanced price. Isobel ready, they all squeezed merrily into the automobile, taking care not to crush the rose-pink finery, and whirled off to Highacres.
Isobel, who loved dramatic situations in real life quite as well as in make-believe, planned to conceal her radiance until her first appearance on the stage, when she would startle them all, and especially Lysander, with her dazzling loveliness. She stood in a shadow of the wings with her coat wrapped about her. Except for Jerry, waiting to do her humble part, she was alone. She listened to the ceaseless chatter in the dressing-room with a happy smile. She heard Mr. Oliver, the coach, giving sharp orders. There was some trouble with the curtain. She took a quick step forward to see what it was; the high heel of her satin slipper caught in a coil of rope from the staging and she fell forward to her knees. With the one thought to save the satin gown, she jerked her body quickly backward.
"Oh, Isobel, are you hurt?" Jerry was at her side in a moment.
"N-no, only——" Isobel managed to get to her feet, but she leaned dizzily against the scene propping. "Whoever left that old rope here! They ought to be reported!" She glared angrily at poor Jerry as though the fault must be hers. "I've—I've ruined my dress," she sobbed.
Jerry examined the satin skirt. "There isn't the tiniest spot, Isobel. But are you sure you are not hurt? Please try to walk."
That was exactly what Isobel did not want to do, for there was a horrible aching pain around her knee. Then she heard Mr. Oliver's voice again. The curtain had been fixed; in a moment——
"Leave me alone! You'd just like it if I couldn't go on——"
"Isobel! Oh, here you are." Dana King stuck his head around the corner. Isobel let her cape drop to the floor. The whiteness of her face only added to the pleasing effect. "Whew!" Lysander whistled. "Some class! Say, you're great! Come on—old Oliver's throwing a fit."
With Jerry's anxious eyes and Dana King's admiring gaze upon her, it was possible for Isobel to walk out upon the stage. Somehow or other she got through her part—miserably, she knew, for again and again Mr. Oliver made her repeat her lines and once, in despair, stopped everything to ask her if she was ill, and did not wish to have Miss Lee take her part. Isobel did not intend giving up her part to anyone; she gritted her little white teeth and went on.
Upon arriving home she declined the hot cocoa Mrs. Westley had waiting for her and hurried to her room on the plea of being very tired. She sat huddled in her dressing gown waiting, with a white, strained face, until she heard the girls' steps on the stairs. Then she called Jerry.
"Close the door," she whispered, without further greeting. "I want you to promise not to tell mother or—or anyone that—I hurt myself. I didn't hurt myself—much, and, anyway, I'm going to be in that play if I die!" Isobel had hard work to keep back the tears.
Jerry was all sympathy. "I won't tell anyone, Isobel, if you don't want me to. And let me look at your knee—it is your knee, isn't it? I know a lot about those things 'cause Little-Dad's a doctor, you see." Jerry knelt by the side of Isobel's chair and gently drew aside the dressing gown. "Oh, Isobel!" she cried softly. The knee was badly swollen and the flesh had discolored. "That looks—maybe you ought——"
Isobel jerked away from her. "If you're going to make a fuss you can go to bed! But if you know anything—oh, it hurts—terribly——"
Without another word Jerry went after hot water and towels. Half through the night she sat by Isobel's bed, her eyes heavy with sleep, patiently administering pack after pack. Gradually the pain subsided and Isobel dropped off into slumber.
All the next day Isobel's secret weighed heavily on Jerry's conscience; with it, too, was an uncertain admiration for Isobel's grit. But Jerry wondered if she, even though she might be the Hermia that Isobel was and wear the rose satin—could want it enough to endure the pain silently.
Isobel had begged to be allowed to stay in bed all day and "rest" and her mother had willingly acquiesced, carrying her meals to her room and chatting with her, unsuspecting, while she nibbled at what was on the tray.
Jerry helped Isobel dress. The pain caused by the effort to stand on the injured leg brought a deep flush to Isobel's cheeks and tiny purplish shadows under her pretty eyes, so that she made even a lovelier Hermia than on the evening before. That knowledge, the murmur of admiration that swept through the crowded hall, the envy she read on the other girls' faces, the shy, boyish wonder in Lysander's lingering glance, helped her through the agony of it all until the very end when, quite suddenly, she crumpled into Lysander's quickly-outstretched arms! The last scene had a touch of reality not expected; no one had the presence of mind to ring down the curtain; the girls and boys rushed pell-mell upon the stage.
Graham and Dana King carried Isobel to an empty classroom where she quickly regained consciousness. Her first sensation was a deep thankfulness that the play was over and that she could tell about her injured knee. Jerry had already done so, a little conscience-smitten, and Uncle Johnny had rushed away for a doctor. Isobel looked at her crumpled rose-pink skirts with something akin to loathing and clung tightly to her mother's hand. Graham, in a voice that sounded far off, was assuring her that he could carry her out to the car without hurting her the least bit! And Dana King was asking, at regular intervals, and in an anxious voice, if she felt better. Oh, it was nice to have them all care—it made the pain easier——
