Max Dupain, page 47
marries and settles in the US 254
relationship with John McInerney 111
shares flat with Olive Cotton 105
sits for MD’s favourite photograph 143–144
Lucis 38
Luke, Monty 282
Lyeltya (house) 38
Lymburner, Francis 213, 286, 456
Lyons, Martin 321
M
Maar, Dora 131
Macquarie Galleries 423
Madden, Charles 186
Maddox, Brenda 164
Magee, John Gillespie Jr 243
The Magic Pudding (Lindsay) 66
Magnum Photos 385
Maitland 337
Majdanek concentration camp 96
Mallard, Henri 53, 423
Man Ray Photographs 1920–1934 Paris (Soby) 115–116, 123–124, 129, 145, 286, 410
Man: The Australian Magazine for Men 125
The Man Who Died (Lawrence) 163–164
Manly Beach 158, 160
Mapplethorpe, Robert 410
Margaret Preston: Recent Paintings 1929 (Preston) 286
Marx, Karl 113
masculinity 15, 378, 461
Masefield, John 44, 49, 66, 94, 139
Mather, Jenni 427
Matisse, Henri 145
Mauri Brothers and Thompson 61–62
Max after surfing (Cotton) 149–150, 151
Max Dupain (Cruden) 24
Max Dupain (Gollings) 2
Max Dupain and Associates Pty Ltd 438, 465, 469, 471
Max Dupain and Chris Vandyke (Cotton) 112
Max Dupain and David Moore in Artarmon Studio, selecting prints for Dupain’s first retrospective exhibition, Australian Centre of Photography, Sydney (White) 352
Max Dupain and friend Clarence Glasscock 43
Max Dupain and Jill White in the studio 364
Max Dupain and Olive Cotton on their wedding day 180, 181
Max Dupain, Artarmon (Yang) 461, 462, 463
Max Dupain Exhibition Negative Archive 470–471
Max Dupain: New Work, Old Work and Very Old Work (exhibition) 366, 400
Max Dupain Photographs (Dupain) 196, 285–288, 290, 371
Max Dupain Retrospective 1930–1975 353–359, 361, 367, 371, 399
Max Dupain rowing 432
Max Dupain Studio
amalgamates with Hartland & Hyde 184–185
Damien Parer joins 108, 110–111
David Moore joins 282–283
The Dupain studio 314
effect of war on business of 184
Geoffrey Powell joins 108–109
importance of a dedicated space 105
in the 1950s 310–316
Jill White as studio manager 7–8, 37, 362–363, 364, 365–366
Jill White joins 315
Max Dupain and David Moore in Artarmon Studio 352
Max Dupain and Jill White in the studio 364
MD and Olive Cotton set up 76–81
MD on the ethos of 363
MD resumes work at after war 278, 282=283
Nicholson as an associate at 146, 339
Olive Cotton ends tenure at 267
Olive Cotton stops working at after marriage 182
Olive Cotton takes over running of 225–227
relocates to Artarmon 363
Max Dupain: To Orange with Love (Dupain) 440
Max Dupain with magnolia (White) 413, 414, 415
Max Dupain’s Australia (Dupain) 81, 236, 276, 350, 434, 436, 439
Max Dupain’s Australian Landscapes (Dupain) 350, 397, 401–402, 403, 404, 434, 439
Max shooting through the hatch of a Spitfire over Bankstown airport (Curtis) 220
McBean, Angus 426
McCarter, Graham 425
McDonald, Neil 245, 253
McFarlane, Robert 6, 400
McGregor, Craig 320, 346, 438, 456–457
McInerney, John 111
McInerney, Ross 111, 228, 267, 441
McInerney, Sally 150, 207, 442
Meadmore, Clement 300, 301
Meere, Charles 79, 377
Melba, Dame Nellie 74
Menuhin, Hephzibah 318
Menuhin, Yehudi 318
Menzies, Robert 182, 320–321
Mestrovic, Ivan 258
Methodist Ladies College 34, 37–38
Michaelis, Margaret 305
Michelangelo 134
micro photography 95
Middle East 183–184, 251–252
Millard, Kathryn 267, 440–441
Miller, Lee 125, 131
misogyny 133
Misonne, Léonard 49, 144
Missingham, Hal 7, 286–287, 317, 320, 436
Mitchell Library 10
Mittagong 205, 207, 220
Mixed Nudist Camps Throughout the World (Waugh) 126
MLC Centre, Sydney 343
modelling 111, 125–126, 128, 169, 307–308
Modern Photography 94, 96, 197
modernism 12, 86, 97–98, 109, 116, 172, 358, 360, 431, 443
modernist architecture 335, 338
Modjeska, Drusilla 345, 349
Modotti, Tina 125
Moffatt, Tracey 373–374, 379
Moffitt, W.H. 172
Moholy, Lucia 11, 96
Moholy-Nagy, Lázló 95–96, 131, 144, 172, 223, 308, 424
Monte Carlo Russian Ballet 191
Moore, David
antipathy towards photographic theory 419
as MD’s peer 331, 440
campaigns to have Utzon reinstated 338
co-founds Australian Centre for Photography 422
commends MD’s constructive reviewing 429
curates MD’s first retrospective 354–356, 358–359
exhibits in Australian Photographers exhibition 372
friendship with MD 8
on MD 6, 14, 317, 444, 452
visits bedridden MD 466
with MD in Artarmon studio 352
works at Max Dupain Studio 282–283, 311
works overseas 314, 321, 392
Moore, Henry 307
Moore, John D. 186, 282, 286, 299, 311, 332, 334
Moorhouse, Frank 167
Morgan, Barbara 287
Morris, George J. 173
Morrison, Alistair 186
Mortimer, Fred 95
Mortley, Joseph William (MD’s great-grandfather) 29–30, 77
Mortley, Sarah (MD’s great-grandmother) 29, 77
The movie star (Moffatt) 373
Mudford, Grant 425
Mumford, Lewis 94, 434
Munich Agreement 174
Munkácsi, Martin 104, 144, 308
Murcutt, Glenn 334, 336, 339–340, 466
Murray, Alec 286
Museum of Modern Art, New York 264, 355, 419
N
Nagasaki 267
narrative 338–339
National Archives of Australia 265
National Art School 106
National Gallery of Australia. See Australian National Gallery
National Gallery of Victoria 355
National Library of Australia 332, 337
National Trust 336
naturism 131
Nazism 92, 95–96, 341, 385
Neville, Greg 451
New Britain 260
New Burlington Galleries, London 119
New Guinea 219, 236, 252–253, 259–265, 445
The New Guinea Series (Dupain) 264
New Objectivity 95
New Photography 97, 103–104, 360
New Topographics movement 425
New Vision photography 97
New York World’s Fair (1939) 173
New Zealand 385
Newcastle Flyer (ship) 235
Newman, Arnold 264
Newport, Sydney 30–31, 37–38, 47, 49, 149, 157, 267, 303, 303, 316
Newton, Gael
curates MD’s 1980 retrospective 84, 354, 357–361
curates Re-constructed Vision exhibition 426
exasperated by MD’s attitude 452
makes note of books in MD’s library 94
on MD’s individualism 401
sees print of Sunbaker at MD’s studio 380
sums up MD’s character 445
writes monograph on MD 357, 360
writes Shades of Light 440
Newton, Helmut 96, 317–318, 319, 446
Newton, June 319
Nicholson, Michael 146, 339, 365
Nield, Lawrence 334
Niemeyer, Oscar 341
Nietzsche, Friedrich 69–70, 458
Nolan, Sidney 120, 321
Norfolk Island 337
North, Ian 366, 464
Northern Suburbs Crematorium 466
Northern Territory 398
‘Notes from within’ (Dupain) 416–419
Noyes, Alfred 43–44, 66, 94, 139
N.S.W. Builder 331
nude photography
Brave new world 176, 178
The bride 129, 130
by Cecil Bostock 123–124
by Harold Cazneaux 123
by Hoyningen-Huene 150
by Man Ray 123–124
by Norman Lindsay 123
in The Beauty of the Female Form 131
Jean with wire mesh 127, 128–129
Little nude 167, 168, 169
MD begins nude photography 123
MD returns to after hiatus 305
MD shows studies to Lucille Dupain 108
MD’s credo for 124
modelling for 111, 125–126, 128, 169, 307–309
Moira Claux, lights and dance 306
outdated look of MD’s nudes 131, 133
Torso in sunlight No. 1 131, 132, 167
nudism 126, 155, 305, 307, 376
O
objet trouvé 119
O’Keeffe, Georgia 125
Old Colonial Buildings of Australia 336
Old Parliament House, Sydney 337
Olive Cotton Photographer (Cotton) 150
Olympic Games, Sydney 378
On Photography (Sontag) 419
Only to taste the warmth, the light, the wind (Cotton) 182
Orange Regional Gallery 440
The Original Ballet Russe 191
Orwell, Eileen 435
Orwell, George 435
The Overlanders (film) 227
P
pacifism 113, 182–183, 305, 321
Palestine 222
Palmer, Rita 208, 210, 265, 302, 349
Paramount News 252
Parer, Damien
as a Catholic 112, 166, 210–211
as a filmmaker 110, 145–146, 219, 251–252, 277
as MD’s contemporary 436
buried in Ambon 253
buys gifts for Olive Cotton 252
death 249, 253–254
enthusiasm for documentaries 195, 277
friendship with MD 210, 245, 275
joins Contemporary Camera Groupe 173
joins Max Dupain Studio 79, 108, 110–111
marries Elizabeth Cotter 253
MD pays tribute to 277
MD takes portrait of 249, 250
service in Second World War 183–184, 187, 219, 251–252
technical grounding in photography 110
valorises hyper-masculine imagery 238
visits MD in Sydney 219
works for Paramount News 252
writes to MD from Middle East 75
writes to Olive Cotton from New Guinea 226
Parer, Damien Jr 254
Paris 387–391, 394
Paris Exposition (1937) 173
The Paris ‘private’ series 387, 389–390, 390, 393
Park, Bertram 131
Parliament House, Canberra 332
Parramatta Road, Sydney 29–30
Paterson, Banjo 44
Patterson, George 46
Pavlu, George 425
Peleliu Island 253
Penrose Annual: Review of the graphic arts 197
Petrouchka (ballet) 193
Petrov, Paul 126, 192, 254, 328
Phillips, Sandy 41
Photo-Secession (US) 52
photograms 97
Photograms of the Year (journal) 48–49, 54, 95
The Photographers’ Gallery, London 362
Photographers of Australia (documentary) 440
Photographic Society of New South Wales
aims and activities 51–52
Bostock as a member of 59
co-organises Commemorative Salon of Photography 171
establishment of 51
Geoffrey Powell as member of 108–109
International Exhibition 114
MD as a member of 34, 46–47, 51–52, 55, 58
MD exhibits portraits at 206
MD outgrows 435
members condemn MD’s photograph of silo 84
members embrace pictorialism 53
Olive Cotton as a member of 47, 51–52, 55, 58, 114
struggles with own relevance 55
Photographie 94–96, 109, 115
photomontage 95, 118, 135, 178
physical culturism 374–375
physical education 26–27
Piccaninny Walkabout (Poignant) 304
pictorialism 52–53, 55, 58, 84, 86, 98, 100, 109, 172, 360
Picturing Australia: A history of photography (Willis) 440
Piddington, Marion 155
Place, Taste and Tradition: A study in Australian architecture (Smith) 227
Poignant, Axel 304, 317–318, 320, 397, 425, 436
Port Arthur 337
A Portfolio of Art Photographs (Bostock) 59
Portrait of Max Dupain [with the Yellow Terror] 88
portraiture
by Olive Cotton 3, 88, 90, 149–150, 151, 227
Damien Parer 249, 250
Diana Illingworth 209
family portraits of MD 24, 303
MD presents portraits in Photographic Society exhibition 206
MD takes portraits of his father 32
MD’s portraits for social pages of The Home 195
MD’s portraits of creative individuals 196, 324
Norman Lindsay 68, 73, 95
Portrait of Jean Bellette 197
portraits of MD as a photographer 2, 3, 88, 90, 149–150, 151, 314, 352, 364, 461, 462, 463, 468
praise for MD’s portraits in Paris exhibition 197
Tas [Russell] Drysdale 324, 325
postmodernism 12, 373, 426–427, 431
Potter, Michelle 194
Potts, David 317, 321
Powell, Geoffrey 79, 108–109, 120, 134, 148, 192, 280, 435
Powys, Llewelyn
anti-war sentiments 113
as author of Impassioned Clay 113, 137–139, 456–459
in MD’s library 94
influence on MD 178, 214, 360, 377, 383, 456–458, 477
vitalist philosophy 383
Prahran College of Advanced Education 422
Prairie School of architecture 295
Preston, Margaret 91, 100, 227, 286, 409–410
The Print Room 361, 410, 441
Proctor, Thea 91, 286, 409–410
Professional Photographers Association of New South Wales 171
psychoanalysis 427
Q
Qantas 378
queer culture 133
R
racism 28
The Rainbow (Lawrence) 140
rationalism 16, 137, 335, 377, 459
Ray Hughes Gallery 362
Ray, Man
contributes cover of Formes Nues 96, 131
eroticism in work of 140
flower studies 410
influence on MD 81, 115–119, 123, 128–129, 134–135, 137, 144, 169, 178, 269, 424
Kiki as model for 125
MD repudiates 278
MD reviews Soby’s book on 116, 410
nude photography 123–124
publishes photographs in Photographie 96
Soby publishes book on 115–116, 123–124, 129, 145, 286, 410
surrealism of 133
work omitted from Commemorative Salon 172
rayographs 97
Razer, Helen 379
Re-constructed Vision (exhibition) 426–427
Read, Gregory 440
realism 269–270, 278–279, 287, 424–425
Redheap (Lindsay) 67, 125
Rees, Lloyd 79, 210, 324
referendum (1967) 395
Reisberg, Leonie 430
religion 112, 166, 321
Rembrandt 60, 134, 392, 418
Renger-Patzsch, Albert 95, 223, 316, 410
Rex Irwin Gallery 423
Rickard, Bruce 334
Riley, Michael 374
The River (Lorentz) 195
Roberts, Russell 103, 173, 282–283
Robertshaw, Freda 79, 377
Rodchenko, Alexander 97, 223
romanticism 16, 57–58, 63, 95, 143, 335–336
Rose Bank (house) 30
Rose Seidler House 342
Ross, Beryl 81
Ross, Peter 394
Royal Australian Air Force 217, 260–261
Royal Australian Institute of Architects 331, 361
Royal Institute of Architects 173
Royal Photographic Society 59
Royal Tour (1954) 323
Rubens 242
Rubie, Noel 282
Rude Timber Buildings in Australia (Cox and Freeland) 337
Russell Roberts Studio 108
S
Sailors Bay 433
St Andrew’s Cathedral, Sydney 227
Salvage, Harold 162, 331, 370–371, 380–381, 382, 383
Sample, Joan (née Rose) 89, 180, 203, 348
Saxon Mills, G.H. 96–98, 172, 360
The Scoundrel (film) 107
Seale, Clement 262
The Search for Meaning (radio program) 457
Secker, Martin 164
Second Australian Imperial Force 184, 222
Second World War
Damien Parer’s service in 183–184, 187, 219, 251–253
encroaches on Sydney 211
end of 267
impact on MD 245, 269, 275–277, 283, 321
MD’s service in 5, 183, 186–187, 217–218, 220–223, 235, 239–242, 245, 247–248, 255–256, 259–265, 445
Pacific theatre 259–264, 267
photography groups suspend activities during 175
responses to outbreak of 182–184
Seidler, Harry
campaigns to have Utzon reinstated 338
designs Australian Embassy in Paris 385
designs flat in Point Piper 299
designs house for his parents 342
designs Wahroonga house 299
in Paris with MD 385, 387–389
MD as photographer for 299, 334, 342–344
MD presents The Paris ‘private’ series to 393
on MD’s pursuit of perfection 6
opens MD’s exhibition 441
relationship with MD 8, 341–344
settles in Australia 342
travels overseas 393
Seidler, Marcell 342
Seidler, Penelope 424
Sélavy, Rrose 116
selective breeding 28, 375
