ROBERT FALCONER, page 19
All the time she was hushing and fondling the child, who went on fretting when not actually crying.
‘Is he yer brither, than?’ asked Robert.
‘Ay, what ither? I maun tak him, I see. But ye can sit there as lang ‘s ye like; and gin ye gang afore I come back, jist turn the key ‘i the door to lat onybody ken that there’s naebody i’ the hoose.’
Robert thanked her, and remained in the shadow by the chimney, which was formed of two smoke-browned planks fastened up the wall, one on each side, and an inverted wooden funnel above to conduct the smoke through the roof. He sat for some time gloomily gazing at a spot of sunlight which burned on the brown clay floor. All was still as death. And he felt the white-washed walls even more desolate than if they had been smoke-begrimed.
Looking about him, he found over his head something which he did not understand. It was as big as the stump of a great tree. Apparently it belonged to the structure of the cottage, but he could not, in the imperfect light, and the dazzling of the sun-spot at which he had been staring, make out what it was, or how it came to be up there — unsupported as far as he could see. He rose to examine it, lifted a bit of tarpaulin which hung before it, and found a rickety box, suspended by a rope from a great nail in the wall. It had two shelves in it full of books.
Now, although there were more books in Mr. Lammie’s house than in his grandmother’s, the only one he had found that in the least enticed him to read, was a translation of George Buchanan’s History of Scotland. This he had begun to read faithfully, believing every word of it, but had at last broken down at the fiftieth king or so. Imagine, then, the moon that arose on the boy when, having pulled a ragged and thumb-worn book from among those of James Hewson the cottar, he, for the first time, found himself in the midst of The Arabian Nights. I shrink from all attempt to set forth in words the rainbow-coloured delight that coruscated in his brain. When Jessie Hewson returned, she found him seated where she had left him, so buried in his volume that he did not lift his head when she entered.
‘Ye hae gotten a buik,’ she said.
‘Ay have I,’ answered Robert, decisively.
‘It’s a fine buik, that. Did ye ever see ‘t afore?’
‘Na, never.’
‘There’s three wolums o’ ‘t about, here and there,’ said Jessie; and with the child on one arm, she proceeded with the other hand to search for them in the crap o’ the wa’, that is, on the top of the wall where the rafters rest.
There she found two or three books, which, after examining them, she placed on the dresser beside Robert.
‘There’s nane o’ them there,’ she said; ‘but maybe ye wad like to luik at that anes.’
Robert thanked her, but was too busy to feel the least curiosity about any book in the world but the one he was reading. He read on, heart and soul and mind absorbed in the marvels of the eastern skald; the stories told in the streets of Cairo, amidst gorgeous costumes, and camels, and white-veiled women, vibrating here in the heart of a Scotch boy, in the darkest corner of a mud cottage, at the foot of a hill of cold-loving pines, with a barefooted girl and a baby for his companions.
But the pleasure he had been having was of a sort rather to expedite than to delay the subjective arrival of dinner-time. There was, however, happily no occasion to go home in order to appease his hunger; he had but to join the men and women in the barley-field: there was sure to be enough, for Miss Lammie was at the head of the commissariat.
When he had had as much milk-porridge as he could eat, and a good slice of swack (elastic) cheese, with a cap (wooden bowl) of ale, all of which he consumed as if the good of them lay in the haste of their appropriation, he hurried back to the cottage, and sat there reading The Arabian Nights, till the sun went down in the orange-hued west, and the gloamin’ came, and with it the reapers, John and Elspet Hewson, and their son George, to their supper and early bed.
John was a cheerful, rough, Roman-nosed, black-eyed man, who took snuff largely, and was not careful to remove the traces of the habit. He had a loud voice, and an original way of regarding things, which, with his vivacity, made every remark sound like the proclamation of a discovery.
‘Are ye there, Robert?’ said he, as he entered. Robert rose, absorbed and silent.
‘He’s been here a’ day, readin’ like a colliginer,’ said Jessie.
‘What are ye readin’ sae eident (diligent), man?’ asked John.
‘A buik o’ stories, here,’ answered Robert, carelessly, shy of being supposed so much engrossed with them as he really was.
I should never expect much of a young poet who was not rather ashamed of the distinction which yet he chiefly coveted. There is a modesty in all young delight. It is wild and shy, and would hide itself, like a boy’s or maiden’s first love, from the gaze of the people. Something like this was Robert’s feeling over The Arabian Nights.
‘Ay,’ said John, taking snuff from a small bone spoon, ‘it’s a gran’ buik that. But my son Charley, him ‘at ‘s deid an’ gane hame, wad hae tell’t ye it was idle time readin’ that, wi’ sic a buik as that ither lyin’ at yer elbuck.’
He pointed to one of the books Jessie had taken from the crap o’ the wa’ and laid down beside him on the well-scoured dresser. Robert took up the volume and opened it. There was no title-page.
‘The Tempest?’ he said. ‘What is ‘t? Poetry?’
‘Ay is ‘t. It’s Shackspear.’
‘I hae heard o’ him,’ said Robert. ‘What was he?’
‘A player kin’ o’ a chiel’, wi’ an unco sicht o’ brains,’ answered John. ‘He cudna hae had muckle time to gang skelpin’ and sornin’ aboot the country like maist o’ thae cattle, gin he vrote a’ that, I’m thinkin’.’
‘Whaur did he bide?’
‘Awa’ in Englan’ — maistly aboot Lonnon, I’m thinkin’. That’s the place for a’ by-ordinar fowk, they tell me.’
‘Hoo lang is ‘t sin he deid?’
‘I dinna ken. A hunner year or twa, I s’ warran’. It’s a lang time. But I’m thinkin’ fowk than was jist something like what they are noo. But I ken unco little aboot him, for the prent ‘s some sma’, and I’m some ill for losin’ my characters, and sae I dinna win that far benn wi’ him. Geordie there ‘ll tell ye mair aboot him.’
But George Hewson had not much to communicate, for he had but lately landed in Shakspere’s country, and had got but a little way inland yet. Nor did Robert much care, for his head was full of The Arabian Nights. This, however, was his first introduction to Shakspere.
Finding himself much at home, he stopped yet a while, shared in the supper, and resumed his seat in the corner when the book was brought out for worship. The iron lamp, with its wick of rush-pith, which hung against the side of the chimney, was lighted, and John sat down to read. But as his eyes and the print, too, had grown a little dim with years, the lamp was not enough, and he asked for a ‘fir-can’le.’ A splint of fir dug from the peat-bog was handed to him. He lighted it at the lamp, and held it in his hand over the page. Its clear resinous flame enabled him to read a short psalm. Then they sang a most wailful tune, and John prayed. If I were to give the prayer as he uttered it, I might make my reader laugh, therefore I abstain, assuring him only that, although full of long words — amongst the rest, aspiration and ravishment — the prayer of the cheerful, joke-loving cottar contained evidence of a degree of religious development rare, I doubt, amongst bishops.
When Robert left the cottage, he found the sky partly clouded and the air cold. The nearest way home was across the barley-stubble of the day’s reaping, which lay under a little hill covered with various species of the pine. His own soul, after the restful day he had spent, and under the reaction from the new excitement of the stories he had been reading, was like a quiet, moonless night. The thought of his mother came back upon him, and her written words, ‘O Lord, my heart is very sore’; and the thought of his father followed that, and he limped slowly home, laden with mournfulness. As he reached the middle of the field, the wind was suddenly there with a low sough from out of the north-west. The heads of barley in the sheaves leaned away with a soft rustling from before it; and Robert felt for the first time the sadness of a harvest-field. Then the wind swept away to the pine-covered hill, and raised a rushing and a wailing amongst its thin-clad branches, and to the ear of Robert the trees were singing over again in their night solitudes the air sung by the cottar’s family. When he looked to the north-west, whence the wind came, he saw nothing but a pale cleft in the sky. The meaning, the music of the night awoke in his soul; he forgot his lame foot, and the weight of Mr. Lammie’s great boots, ran home and up the stair to his own room, seized his violin with eager haste, nor laid it down again till he could draw from it, at will, a sound like the moaning of the wind over the stubble-field. Then he knew that he could play the Flowers of the Forest. The Wind that Shakes the Barley cannot have been named from the barley after it was cut, but while it stood in the field: the Flowers of the Forest was of the gathered harvest.
He tried the air once over in the dark, and then carried his violin down to the room where Mr. and Miss Lammie sat.
‘I think I can play ‘t noo, Mr. Lammie,’ he said abruptly.
‘Play what, callant?’ asked his host.
‘The Flooers o’ the Forest.’
‘Play awa’ than.’
And Robert played — not so well as he had hoped. I dare say it was a humble enough performance, but he gave something at least of the expression Mr. Lammie desired. For, the moment the tune was over, he exclaimed,
‘Weel dune, Robert man! ye’ll be a fiddler some day yet!’
And Robert was well satisfied with the praise.
‘I wish yer mother had been alive,’ the farmer went on. ‘She wad hae been rael prood to hear ye play like that. Eh! she likit the fiddle weel. And she culd play bonny upo’ the piana hersel’. It was something to hear the twa o’ them playing thegither, him on the fiddle — that verra fiddle o’ ‘s father’s ‘at ye hae i’ yer han’ — and her on the piana. Eh! but she was a bonnie wuman as ever I saw, an’ that quaiet! It’s my belief she never thocht aboot her ain beowty frae week’s en’ to week’s en’, and that’s no sayin’ little — is ‘t, Aggy?’
‘I never preten’t ony richt to think aboot sic,’ returned Miss Lammie, with a mild indignation.
‘That’s richt, lass. Od, ye’re aye i’ the richt — though I say ‘t ‘at sudna.’
Miss Lammie must indeed have been good-natured, to answer only with a genuine laugh. Shargar looked explosive with anger. But Robert would fain hear more of his mother.
‘What was my mother like, Mr. Lammie?’ he asked.
‘Eh, my man! ye suld hae seen her upon a bonnie bay mere that yer father gae her. Faith! she sat as straught as a rash, wi’ jist a hing i’ the heid o’ her, like the heid o’ a halm o’ wild aits.’
‘My father wasna that ill till her than?’ suggested Robert.
‘Wha ever daured say sic a thing?’ returned Mr. Lammie, but in a tone so far from satisfactory to Robert, that he inquired no more in that direction.
I need hardly say that from that night Robert was more than ever diligent with his violin.
CHAPTER XXI. THE DRAGON.
Next day, his foot was so much better that he sent Shargar to Rothieden to buy the string, taking with him Robert’s school-bag, in which to carry off his Sunday shoes; for as to those left at Dooble Sanny’s, they judged it unsafe to go in quest of them: the soutar could hardly be in a humour fit to be intruded upon.
Having procured the string, Shargar went to Mrs. Falconer’s. Anxious not to encounter her, but, if possible, to bag the boots quietly, he opened the door, peeped in, and seeing no one, made his way towards the kitchen. He was arrested, however, as he crossed the passage by the voice of Mrs. Falconer calling, ‘Wha’s that?’ There she was at the parlour door. It paralyzed him. His first impulse was to make a rush and escape. But the boots — he could not go without at least an attempt upon them. So he turned and faced her with inward trembling.
‘Wha’s that?’ repeated the old lady, regarding him fixedly. ‘Ow, it’s you! What duv ye want? Ye camna to see me, I’m thinkin’! What hae ye i’ that bag?’
‘I cam to coff (buy) twine for the draigon,’ answered Shargar.
‘Ye had twine eneuch afore!’
‘It bruik. It wasna strang eneuch.’
‘Whaur got ye the siller to buy mair? Lat’s see ‘t?’
Shargar took the string from the bag.
‘Sic a sicht o’ twine! What paid ye for ‘t?’
‘A shillin’.’
‘Whaur got ye the shillin’?’
‘Mr. Lammie gae ‘t to Robert.’
‘I winna hae ye tak siller frae naebody. It’s ill mainners. Hae!’ said the old lady, putting her hand in her pocket, and taking out a shilling. ‘Hae,’ she said. ‘Gie Mr. Lammie back his shillin’, an’ tell ‘im ‘at I wadna hae ye learn sic ill customs as tak siller. It’s eneuch to gang sornin’ upon ‘im (exacting free quarters) as ye du, ohn beggit for siller. Are they a’ weel?’
‘Ay, brawly,’ answered Shargar, putting the shilling in his pocket.
In another moment Shargar had, without a word of adieu, embezzled the shoes, and escaped from the house without seeing Betty. He went straight to the shop he had just left, and bought another shilling’s worth of string.
When he got home, he concealed nothing from Robert, whom he found seated in the barn, with his fiddle, waiting his return.
Robert started to his feet. He could appropriate his grandfather’s violin, to which, possibly, he might have shown as good a right as his grandmother — certainly his grandfather would have accorded it him — but her money was sacred.
‘Shargar, ye vratch!’ he cried, ‘fess that shillin’ here direckly. Tak the twine wi’ ye, and gar them gie ye back the shillin’.’
‘They winna brak the bargain,’ cried Shargar, beginning almost to whimper, for a savoury smell of dinner was coming across the yard.
‘Tell them it’s stown siller, and they’ll be in het watter aboot it gin they dinna gie ye ‘t back.’
‘I maun hae my denner first,’ remonstrated Shargar.
But the spirit of his grandmother was strong in Robert, and in a matter of rectitude there must be no temporizing. Therein he could be as tyrannical as the old lady herself.
‘De’il a bite or a sup s’ gang ower your thrapple till I see that shillin’.’
There was no help for it. Six hungry miles must be trudged by Shargar ere he got a morsel to eat. Two hours and a half passed before he reappeared. But he brought the shilling. As to how he recovered it, Robert questioned him in vain. Shargar, in his turn, was obstinate.
‘She’s a some camstairy (unmanageable) wife, that grannie o’ yours,’ said Mr. Lammie, when Robert returned the shilling with Mrs. Falconer’s message, ‘but I reckon I maun pit it i’ my pooch, for she will hae her ain gait, an’ I dinna want to strive wi’ her. But gin ony o’ ye be in want o’ a shillin’ ony day, lads, as lang ‘s I’m abune the yird — this ane ‘ll be grown twa, or maybe mair, ‘gen that time.’
So saying, the farmer put the shilling into his pocket, and buttoned it up.
The dragon flew splendidly now, and its strength was mighty. It was Robert’s custom to drive a stake in the ground, slanting against the wind, and thereby tether the animal, as if it were up there grazing in its own natural region. Then he would lie down by the stake and read The Arabian Nights, every now and then casting a glance upward at the creature alone in the waste air, yet all in his power by the string at his side. Somehow the high-flown dragon was a bond between him and the blue; he seemed nearer to the sky while it flew, or at least the heaven seemed less far away and inaccessible. While he lay there gazing, all at once he would find that his soul was up with the dragon, feeling as it felt, tossing about with it in the torrents of the air. Out at his eyes it would go, traverse the dim stairless space, and sport with the wind-blown monster. Sometimes, to aid his aspiration, he would take a bit of paper, make a hole in it, pass the end of the string through the hole, and send the messenger scudding along the line athwart the depth of the wind. If it stuck by the way, he would get a telescope of Mr. Lammie’s, and therewith watch its struggles till it broke loose, then follow it careering up to the kite. Away with each successive paper his imagination would fly, and a sense of air, and height, and freedom settled from his play into his very soul, a germ to sprout hereafter, and enrich the forms of his aspirations. And all his after-memories of kite-flying were mingled with pictures of eastern magnificence, for from the airy height of the dragon his eyes always came down upon the enchanted pages of John Hewson’s book.
Sometimes, again, he would throw down his book, and sitting up with his back against the stake, lift his bonny leddy from his side, and play as he had never played in Rothieden, playing to the dragon aloft, to keep him strong in his soaring, and fierce in his battling with the winds of heaven. Then he fancied that the monster swooped and swept in arcs, and swayed curving to and fro, in rhythmic response to the music floating up through the wind.
What a full globated symbolism lay then around the heart of the boy in his book, his violin, his kite!
CHAPTER XXII. DR. ANDERSON.
One afternoon, as they were sitting at their tea, a footstep in the garden approached the house, and then a figure passed the window. Mr. Lammie started to his feet.
‘Bless my sowl, Aggy! that’s Anderson!’ he cried, and hurried to the door.
His daughter followed. The boys kept their seats. A loud and hearty salutation reached their ears; but the voice of the farmer was all they heard. Presently he returned, bringing with him the tallest and slenderest man Robert had ever seen. He was considerably over six feet, with a small head, and delicate, if not fine features, a gentle look in his blue eyes, and a slow clear voice, which sounded as if it were thinking about every word it uttered. The hot sun of India seemed to have burned out everything self-assertive, leaving him quietly and rather sadly contemplative.
