Short Fiction, page 45
Next day Sherevsky played the Machine to a dead-level ending. Simon Great offered a draw for the Machine (over an unsuccessful interfering protest from Jandorf that this constituted making a move for the Machine) but Sherevsky refused and sealed his move.
“He wants to have it proved to him that the Machine can play end games,” Dave commented to Sandra up in the stands. “I don’t blame him.”
At the beginning of today’s session Sandra had noticed that Bill and Judy were following each game in a very new-looking book they shared jealously between them. Won’t look new for long, Sandra had thought.
“That’s the ‘Bible’ they got there,” Dave had explained. “M.C.O.—Modern Chess Openings. It lists all the best open-moves in chess, thousands and thousands of variations. That is, what masters think are the best moves. The moves that have won in the past, really. We chipped in together to buy the latest edition—the 13th—just hot off the press,” he had finished proudly.
Now with the Machine-Sherevsky ending the center of interest, the kids were consulting another book, one with grimy, dog-eared pages. “That’s the ‘New Testament’—Basic Chess Endings,” Dave said when he noticed her looking. “There’s so much you must know in endings that it’s amazing the Machine can play them at all. I guess as the pieces get fewer it starts to look deeper.”
* * *
Sandra nodded. She was feeling virtuous. She had got her interview with Jandorf and then this morning one with Grabo (“How it Feels to Have a Machine Out-Think You”). The latter had made her think of herself as a real vulture of the press, circling over the doomed. The Hungarian had seemed in a positively suicidal depression.
One newspaper article made much of the Machine’s “psychological tactics,” hinting that the blinking lights were designed to hypnotize opponents. The general press coverage was somewhat startling. A game that in America normally rated only a fine-print column in the back sections of a very few Sunday papers was now getting boxes on the front page. The defeat of a man by a machine seemed everywhere to awaken nervous feelings of insecurity, like the launching of the first sputnik.
Sandra had rather hesitantly sought out Dr. Krakatower during the close of the morning session of play, still feeling a little guilty from her interview with Grabo. But Doc had seemed happy to see her and quite recovered from last night’s defeat, though when she had addressed him as “Master Krakatower” he had winced and said, “Please, not that!” Another session of coffee and wine-and-seltzer had resulted in her getting an introduction to her first Soviet grandmaster, Serek, who had proved to be unexpectedly charming. He had just managed to draw his game with Sherevsky (to the great amazement of the kibitzers, Sandra learned) and was most obliging about arranging for an interview.
Not to be outdone in gallantry, Doc had insisted on escorting Sandra to her seat in the stands—at the price of once more losing a couple of minutes on his clock. As a result her stock went up considerably with Dave, Bill and Judy. Thereafter they treated anything she had to say with almost annoying deference—Bill especially, probably in penance for his thoughtless cracks at Doc. Sandra later came to suspect that the kids had privately decided that she was Dr. Krakatower’s mistress—probably a new one because she was so scandalously ignorant of chess. She did not disillusion them.
Doc lost again in the second round—to Jal.
* * *
In the third round Lysmov defeated the Machine in 27 moves. There was a flaring of flashbulbs, a rush of newsmen to the phones, jabbering in the stands and much comment and analysis that was way over Sandra’s head—except she got the impression that Lysmov had done something tricky.
The general emotional reaction in America, as reflected by the newspapers, was not too happy. One read between the lines that for the Machine to beat a man was bad, but for a Russian to beat an American machine was worse. A widely-read sports columnist, two football coaches, and several rural politicians announced that chess was a morbid game played only by weirdies. Despite these thick-chested he-man statements, the elusive mood of insecurity deepened.
Besides the excitement of the Lysmov win, a squabble had arisen in connection with the Machine’s still-unfinished end game with Sherevsky, which had been continued through one morning session and was now headed for another.
Finally there were rumors that World Business Machines was planning to replace Simon Great with a nationally famous physicist.
Sandra begged Doc to try to explain it all to her in kindergarten language. She was feeling uncertain of herself again and quite subdued after being completely rebuffed in her efforts to get an interview with Lysmov, who had fled her as if she were a threat to his Soviet virtue.
Doc on the other hand was quite vivacious, cheered by his third-round draw with Jandorf.
“Most willingly, my dear,” he said. “Have you ever noticed that kindergarten language can be far honester than the adult tongues? Fewer fictions. Well, several of us hashed over the Lysmov game until three o’clock this morning. Lysmov wouldn’t, though. Neither would Votbinnik or Jal. You see, I have my communication problems with the Russians too.
“We finally decided that Lysmov had managed to guess with complete accuracy both the depth at which the Machine is analyzing in the opening and middle game (ten moves ahead instead of eight, we think—a prodigious achievement!) and also the main value scale in terms of which the Machine selects its move.
“Having that information, Lysmov managed to play into a combination which would give the Machine a maximum plus value in its value scale (win of Lysmov’s queen, it was) after ten moves but a checkmate for Lysmov on his second move after the first ten. A human chess master would have seen a trap like that, but the Machine could not, because Lysmov was maneuvering in an area that did not exist for the Machine’s perfect but limited mind. Of course the Machine changed its tactics after the first three moves of the ten had been played—it could see the checkmate then—but by that time it was too late for it to avert a disastrous loss of material. It was tricky of Lysmov, but completely fair. After this we’ll all be watching for the opportunity to play the same sort of trick on the Machine.
* * *
“Lysmov was the first of us to realize fully that we are not playing against a metal monster but against a certain kind of programming. If there are any weaknesses we can spot in that programming, we can win. Very much in the same way that we can again and again defeat a flesh-and-blood player when we discover that he consistently attacks without having an advantage in position or is regularly overcautious about launching a counterattack when he himself is attacked without justification.”
Sandra nodded eagerly. “So from now on your chances of beating the Machine should keep improving, shouldn’t they? I mean as you find out more and more about the programming.”
Doc smiled. “You forget,” he said gently, “that Simon Great can change the programming before each new game. Now I see why he fought so hard for that point.”
“Oh. Say, Doc, what’s this about the Sherevsky end game?”
“You are picking up the language, aren’t you?” he observed. “Sherevsky got a little angry when he discovered that Great had the Machine programmed to analyze steadily on the next move after an adjournment until the game was resumed next morning. Sherevsky questioned whether it was fair for the Machine to ‘think’ all night while its opponent had to get some rest. Vanderhoef decided for the Machine, though Sherevsky may carry the protest to F.I.D.E.
“Bah—I think Great wants us to get heated up over such minor matters, just as he is happy (and oh so obliging!) when we complain about how the Machine blinks or hums or smells. It keeps our minds off the main business of trying to outguess his programming. Incidentally, that is one thing we decided last night—Sherevsky, Willie Angler, Jandorf, Serek, and myself—that we are all going to have to learn to play the Machine without letting it get on our nerves and without asking to be protected from it. As Willie puts it, ‘So suppose it sounds like a boiler factory even—okay, you can think in a boiler factory.’ Myself, I am not so sure of that, but his spirit is right.”
Sandra felt herself perking up as a new article began to shape itself in her mind. She said, “And what about W.B.M. replacing Simon Great?”
Again Doc smiled. “I think, my dear, that you can safely dismiss that as just a rumor. I think that Simon Great has just begun to fight.”
IV
Round Four saw the Machine spring the first of its surprises.
It had finally forced a draw against Sherevsky in the morning session, ending the long second-round game, and now was matched against Votbinnik.
The Machine opened Pawn to King Four, Votbinnik replied Pawn to King Three.
“The French Defense, Binny’s favorite,” Dave muttered and they settled back for the Machine’s customary four-minute wait.
Instead the Machine moved at once and punched its clock.
Sandra, studying Votbinnik through her glasses, decided that the Russian grandmaster looked just a trifle startled. Then he made his move.
Once again the Machine responded instantly.
There was a flurry of comment from the stands and a scurrying-about of officials to shush it. Meanwhile the Machine continued to make its moves at better than rapid-transit speed, although Votbinnik soon began to take rather more time on his.
The upshot was that the Machine made eleven moves before it started to take time to “think” at all.
Sandra clamored so excitedly to Dave for an explanation that she had two officials waving at her angrily.
As soon as he dared, Dave whispered, “Great must have banked on Votbinnik playing the French—almost always does—and fed all the variations of the French into the Machine’s ‘memory’ from M.C.O. and maybe some other books. So long as Votbinnik stuck to a known variation of the French, why, the Machine could play from memory without analyzing at all. Then when a strange move came along—one that wasn’t in its memory—only on the twelfth move yet!—the Machine went back to analyzing, only now it’s taking longer and going deeper because it’s got more time—six minutes a move, about. The only thing I wonder is why Great didn’t have the Machine do it in the first three games. It seems so obvious.”
Sandra ticketed that in her mind as a question for Doc. She slipped off to her room to write her “Don’t Let a Robot Get Your Goat” article (drawing heavily on Doc’s observations) and got back to the stands twenty minutes before the second time-control point. It was becoming a regular routine.
Votbinnik was a knight down—almost certainly busted, Dave explained.
“It got terrifically complicated while you were gone,” he said. “A real Votbinnik position.”
“Only the Machine out-binniked him,” Bill finished.
Judy hummed Beethoven’s “Funeral March for the Death of a Hero.”
Nevertheless Votbinnik did not resign. The Machine sealed a move. Its board blacked out and Vanderhoef, with one of his assistants standing beside him to witness, privately read the move off a small indicator on the console. Tomorrow he would feed the move back into the Machine when play was resumed at the morning session.
Doc sealed a move too although he was two pawns down in his game against Grabo and looked tired to death.
“They don’t give up easily, do they?” Sandra observed to Dave. “They must really love the game. Or do they hate it?”
“When you get to psychology it’s all beyond me,” Dave replied. “Ask me something else.”
Sandra smiled. “Thank you, Dave,” she said. “I will.”
* * *
Come the morning session, Votbinnik played on for a dozen moves then resigned.
A little later Doc managed to draw his game with Grabo by perpetual check. He caught sight of Sandra coming down from the stands and waved to her, then made the motions of drinking.
Now he looks almost like a boy, Sandra thought as she joined him.
“Say, Doc,” she asked when they had secured a table, “why is a rook worth more than a bishop?”
He darted a suspicious glance at her. “That is not your kind of question,” he said sternly. “Exactly what have you been up to?”
Sandra confessed that she had asked Dave to teach her how to play chess.
“I knew those children would corrupt you,” Doc said somberly. “Look, my dear, if you learn to play chess you won’t be able to write your clever little articles about it. Besides, as I warned you the first day, chess is a madness. Women are ordinarily immune, but that doesn’t justify you taking chances with your sanity.”
“But I’ve kind of gotten interested, watching the tournament,” Sandra objected. “At least I’d like to know how the pieces move.”
“Stop!” Doc commanded. “You’re already in danger. Direct your mind somewhere else. Ask me a sensible, down-to-earth journalist’s question—something completely irrational!”
“Okay, why didn’t Simon Great have the Machine set to play the openings fast in the first three games?”
“Hah! I think Great plays Lasker-chess in his programming. He hides his strength and tries to win no more easily than he has to, so he will have resources in reserve. The Machine loses to Lysmov and immediately starts playing more strongly—the psychological impression made on the other players by such tactics is formidable.”
“But the Machine isn’t ahead yet?”
“No, of course not. After four rounds Lysmov is leading the tournament with 3½—½, meaning 3½ in the win column and ½ in the loss column …”
“How do you half win a game of chess? Or half lose one?” Sandra interrupted.
“By drawing a game—playing to a tie. Lysmov’s 3½—½ is notational shorthand for three wins and a draw. Understand? My dear, I don’t usually have to explain things to you in such detail.”
“I just didn’t want you to think I was learning too much about chess.”
“Ho! Well, to get on with the score after four rounds, Angler and Votbinnik both have 3—1, while the Machine is bracketed at 2½—1½ with Jal. But the Machine has created an impression of strength, as if it were all set to come from behind with a rush.” He shook his head. “At the moment, my dear,” he said, “I feel very pessimistic about the chances of neurons against relays in this tournament. Relays don’t panic and fag. But the oddest thing …”
“Yes?” Sandra prompted.
“Well, the oddest thing is that the Machine doesn’t play ‘like a machine’ at all. It uses dynamic strategy, the kind we sometimes call ‘Russian,’ complicating each position as much as possible and creating maximum tension. But that too is a matter of the programming …”
* * *
Doc’s foreboding was fulfilled as round followed hard-fought round. In the next five days (there was a weekend recess) the Machine successively smashed Jandorf, Serek and Jal and after seven rounds was out in front by a full point.
Jandorf, evidently impressed by the Machine’s flawless opening play against Votbinnik, chose an inferior line in the Ruy Lopez to get the Machine “out of the books.” Perhaps he hoped that the Machine would go on blindly making book moves, but the Machine did not oblige. It immediately slowed its play, “thought hard” and annihilated the Argentinian in 25 moves.
Doc commented, “The Wild Bull of the Pampas tried to use the living force of his human personality to pull a fast one and swindle the Machine. Only the Machine didn’t swindle.”
Against Jal, the Machine used a new wrinkle. It used a variable amount of time on moves, apparently according to how difficult it “judged” the position to be.
When Serek got a poor pawn-position the Machine simplified the game relentlessly, suddenly discarding its hitherto “Russian” strategy. “It plays like anything but a machine,” Doc commented. “We know the reason all too well—Simon Great—but doing something about it is something else again. Great is hitting at our individual weaknesses wonderfully well. Though I think I could play brilliant psychological chess myself if I had a machine to do the detail work.” Doc sounded a bit wistful.
The audiences grew in size and in expensiveness of wardrobe, though most of the café society types made their visits fleeting ones. Additional stands were erected. A hard-liquor bar was put in and then taken out. The problem of keeping reasonable order and quiet became an unending one for Vanderhoef, who had to ask for more “hushers.” The number of scientists and computer men, Navy, Army and Space Force uniforms were more in evidence. Dave and Bill turned up one morning with a three-dimensional chess set of transparent plastic and staggered Sandra by assuring her that most bright young space scientists were moderately adept at this 512-square game.
Sandra heard that W.B.M. had snagged a big order from the War Department. She also heard that a Syndicate man had turned up with a book on the tournament, taking bets from the more heavily heeled types and that a detective was circulating about, trying to spot him.
The newspapers kept up their front-page reporting, most of the writers personalizing the Machine heavily and rather too cutely. Several of the papers started regular chess columns and “How to Play Chess” features. There was a flurry of pictures of movie starlets and such sitting at chess boards. Hollywood revealed plans for two chess movies: “They Made Her a Black Pawn” and “The Monster From King Rook Square.” Chess novelties and costume jewelry appeared. The United States Chess Federation proudly reported a phenomenal rise in membership.
* * *
Sandra learned enough chess to be able to blunder through a game with Dave without attempting more than one illegal move in five, to avoid the Scholar’s Mate most of the time and to be able to checkmate with two rooks though not with one. Judy had asked her, “Is he pleased that you’re learning chess?”
“He wants to have it proved to him that the Machine can play end games,” Dave commented to Sandra up in the stands. “I don’t blame him.”
At the beginning of today’s session Sandra had noticed that Bill and Judy were following each game in a very new-looking book they shared jealously between them. Won’t look new for long, Sandra had thought.
“That’s the ‘Bible’ they got there,” Dave had explained. “M.C.O.—Modern Chess Openings. It lists all the best open-moves in chess, thousands and thousands of variations. That is, what masters think are the best moves. The moves that have won in the past, really. We chipped in together to buy the latest edition—the 13th—just hot off the press,” he had finished proudly.
Now with the Machine-Sherevsky ending the center of interest, the kids were consulting another book, one with grimy, dog-eared pages. “That’s the ‘New Testament’—Basic Chess Endings,” Dave said when he noticed her looking. “There’s so much you must know in endings that it’s amazing the Machine can play them at all. I guess as the pieces get fewer it starts to look deeper.”
* * *
Sandra nodded. She was feeling virtuous. She had got her interview with Jandorf and then this morning one with Grabo (“How it Feels to Have a Machine Out-Think You”). The latter had made her think of herself as a real vulture of the press, circling over the doomed. The Hungarian had seemed in a positively suicidal depression.
One newspaper article made much of the Machine’s “psychological tactics,” hinting that the blinking lights were designed to hypnotize opponents. The general press coverage was somewhat startling. A game that in America normally rated only a fine-print column in the back sections of a very few Sunday papers was now getting boxes on the front page. The defeat of a man by a machine seemed everywhere to awaken nervous feelings of insecurity, like the launching of the first sputnik.
Sandra had rather hesitantly sought out Dr. Krakatower during the close of the morning session of play, still feeling a little guilty from her interview with Grabo. But Doc had seemed happy to see her and quite recovered from last night’s defeat, though when she had addressed him as “Master Krakatower” he had winced and said, “Please, not that!” Another session of coffee and wine-and-seltzer had resulted in her getting an introduction to her first Soviet grandmaster, Serek, who had proved to be unexpectedly charming. He had just managed to draw his game with Sherevsky (to the great amazement of the kibitzers, Sandra learned) and was most obliging about arranging for an interview.
Not to be outdone in gallantry, Doc had insisted on escorting Sandra to her seat in the stands—at the price of once more losing a couple of minutes on his clock. As a result her stock went up considerably with Dave, Bill and Judy. Thereafter they treated anything she had to say with almost annoying deference—Bill especially, probably in penance for his thoughtless cracks at Doc. Sandra later came to suspect that the kids had privately decided that she was Dr. Krakatower’s mistress—probably a new one because she was so scandalously ignorant of chess. She did not disillusion them.
Doc lost again in the second round—to Jal.
* * *
In the third round Lysmov defeated the Machine in 27 moves. There was a flaring of flashbulbs, a rush of newsmen to the phones, jabbering in the stands and much comment and analysis that was way over Sandra’s head—except she got the impression that Lysmov had done something tricky.
The general emotional reaction in America, as reflected by the newspapers, was not too happy. One read between the lines that for the Machine to beat a man was bad, but for a Russian to beat an American machine was worse. A widely-read sports columnist, two football coaches, and several rural politicians announced that chess was a morbid game played only by weirdies. Despite these thick-chested he-man statements, the elusive mood of insecurity deepened.
Besides the excitement of the Lysmov win, a squabble had arisen in connection with the Machine’s still-unfinished end game with Sherevsky, which had been continued through one morning session and was now headed for another.
Finally there were rumors that World Business Machines was planning to replace Simon Great with a nationally famous physicist.
Sandra begged Doc to try to explain it all to her in kindergarten language. She was feeling uncertain of herself again and quite subdued after being completely rebuffed in her efforts to get an interview with Lysmov, who had fled her as if she were a threat to his Soviet virtue.
Doc on the other hand was quite vivacious, cheered by his third-round draw with Jandorf.
“Most willingly, my dear,” he said. “Have you ever noticed that kindergarten language can be far honester than the adult tongues? Fewer fictions. Well, several of us hashed over the Lysmov game until three o’clock this morning. Lysmov wouldn’t, though. Neither would Votbinnik or Jal. You see, I have my communication problems with the Russians too.
“We finally decided that Lysmov had managed to guess with complete accuracy both the depth at which the Machine is analyzing in the opening and middle game (ten moves ahead instead of eight, we think—a prodigious achievement!) and also the main value scale in terms of which the Machine selects its move.
“Having that information, Lysmov managed to play into a combination which would give the Machine a maximum plus value in its value scale (win of Lysmov’s queen, it was) after ten moves but a checkmate for Lysmov on his second move after the first ten. A human chess master would have seen a trap like that, but the Machine could not, because Lysmov was maneuvering in an area that did not exist for the Machine’s perfect but limited mind. Of course the Machine changed its tactics after the first three moves of the ten had been played—it could see the checkmate then—but by that time it was too late for it to avert a disastrous loss of material. It was tricky of Lysmov, but completely fair. After this we’ll all be watching for the opportunity to play the same sort of trick on the Machine.
* * *
“Lysmov was the first of us to realize fully that we are not playing against a metal monster but against a certain kind of programming. If there are any weaknesses we can spot in that programming, we can win. Very much in the same way that we can again and again defeat a flesh-and-blood player when we discover that he consistently attacks without having an advantage in position or is regularly overcautious about launching a counterattack when he himself is attacked without justification.”
Sandra nodded eagerly. “So from now on your chances of beating the Machine should keep improving, shouldn’t they? I mean as you find out more and more about the programming.”
Doc smiled. “You forget,” he said gently, “that Simon Great can change the programming before each new game. Now I see why he fought so hard for that point.”
“Oh. Say, Doc, what’s this about the Sherevsky end game?”
“You are picking up the language, aren’t you?” he observed. “Sherevsky got a little angry when he discovered that Great had the Machine programmed to analyze steadily on the next move after an adjournment until the game was resumed next morning. Sherevsky questioned whether it was fair for the Machine to ‘think’ all night while its opponent had to get some rest. Vanderhoef decided for the Machine, though Sherevsky may carry the protest to F.I.D.E.
“Bah—I think Great wants us to get heated up over such minor matters, just as he is happy (and oh so obliging!) when we complain about how the Machine blinks or hums or smells. It keeps our minds off the main business of trying to outguess his programming. Incidentally, that is one thing we decided last night—Sherevsky, Willie Angler, Jandorf, Serek, and myself—that we are all going to have to learn to play the Machine without letting it get on our nerves and without asking to be protected from it. As Willie puts it, ‘So suppose it sounds like a boiler factory even—okay, you can think in a boiler factory.’ Myself, I am not so sure of that, but his spirit is right.”
Sandra felt herself perking up as a new article began to shape itself in her mind. She said, “And what about W.B.M. replacing Simon Great?”
Again Doc smiled. “I think, my dear, that you can safely dismiss that as just a rumor. I think that Simon Great has just begun to fight.”
IV
Round Four saw the Machine spring the first of its surprises.
It had finally forced a draw against Sherevsky in the morning session, ending the long second-round game, and now was matched against Votbinnik.
The Machine opened Pawn to King Four, Votbinnik replied Pawn to King Three.
“The French Defense, Binny’s favorite,” Dave muttered and they settled back for the Machine’s customary four-minute wait.
Instead the Machine moved at once and punched its clock.
Sandra, studying Votbinnik through her glasses, decided that the Russian grandmaster looked just a trifle startled. Then he made his move.
Once again the Machine responded instantly.
There was a flurry of comment from the stands and a scurrying-about of officials to shush it. Meanwhile the Machine continued to make its moves at better than rapid-transit speed, although Votbinnik soon began to take rather more time on his.
The upshot was that the Machine made eleven moves before it started to take time to “think” at all.
Sandra clamored so excitedly to Dave for an explanation that she had two officials waving at her angrily.
As soon as he dared, Dave whispered, “Great must have banked on Votbinnik playing the French—almost always does—and fed all the variations of the French into the Machine’s ‘memory’ from M.C.O. and maybe some other books. So long as Votbinnik stuck to a known variation of the French, why, the Machine could play from memory without analyzing at all. Then when a strange move came along—one that wasn’t in its memory—only on the twelfth move yet!—the Machine went back to analyzing, only now it’s taking longer and going deeper because it’s got more time—six minutes a move, about. The only thing I wonder is why Great didn’t have the Machine do it in the first three games. It seems so obvious.”
Sandra ticketed that in her mind as a question for Doc. She slipped off to her room to write her “Don’t Let a Robot Get Your Goat” article (drawing heavily on Doc’s observations) and got back to the stands twenty minutes before the second time-control point. It was becoming a regular routine.
Votbinnik was a knight down—almost certainly busted, Dave explained.
“It got terrifically complicated while you were gone,” he said. “A real Votbinnik position.”
“Only the Machine out-binniked him,” Bill finished.
Judy hummed Beethoven’s “Funeral March for the Death of a Hero.”
Nevertheless Votbinnik did not resign. The Machine sealed a move. Its board blacked out and Vanderhoef, with one of his assistants standing beside him to witness, privately read the move off a small indicator on the console. Tomorrow he would feed the move back into the Machine when play was resumed at the morning session.
Doc sealed a move too although he was two pawns down in his game against Grabo and looked tired to death.
“They don’t give up easily, do they?” Sandra observed to Dave. “They must really love the game. Or do they hate it?”
“When you get to psychology it’s all beyond me,” Dave replied. “Ask me something else.”
Sandra smiled. “Thank you, Dave,” she said. “I will.”
* * *
Come the morning session, Votbinnik played on for a dozen moves then resigned.
A little later Doc managed to draw his game with Grabo by perpetual check. He caught sight of Sandra coming down from the stands and waved to her, then made the motions of drinking.
Now he looks almost like a boy, Sandra thought as she joined him.
“Say, Doc,” she asked when they had secured a table, “why is a rook worth more than a bishop?”
He darted a suspicious glance at her. “That is not your kind of question,” he said sternly. “Exactly what have you been up to?”
Sandra confessed that she had asked Dave to teach her how to play chess.
“I knew those children would corrupt you,” Doc said somberly. “Look, my dear, if you learn to play chess you won’t be able to write your clever little articles about it. Besides, as I warned you the first day, chess is a madness. Women are ordinarily immune, but that doesn’t justify you taking chances with your sanity.”
“But I’ve kind of gotten interested, watching the tournament,” Sandra objected. “At least I’d like to know how the pieces move.”
“Stop!” Doc commanded. “You’re already in danger. Direct your mind somewhere else. Ask me a sensible, down-to-earth journalist’s question—something completely irrational!”
“Okay, why didn’t Simon Great have the Machine set to play the openings fast in the first three games?”
“Hah! I think Great plays Lasker-chess in his programming. He hides his strength and tries to win no more easily than he has to, so he will have resources in reserve. The Machine loses to Lysmov and immediately starts playing more strongly—the psychological impression made on the other players by such tactics is formidable.”
“But the Machine isn’t ahead yet?”
“No, of course not. After four rounds Lysmov is leading the tournament with 3½—½, meaning 3½ in the win column and ½ in the loss column …”
“How do you half win a game of chess? Or half lose one?” Sandra interrupted.
“By drawing a game—playing to a tie. Lysmov’s 3½—½ is notational shorthand for three wins and a draw. Understand? My dear, I don’t usually have to explain things to you in such detail.”
“I just didn’t want you to think I was learning too much about chess.”
“Ho! Well, to get on with the score after four rounds, Angler and Votbinnik both have 3—1, while the Machine is bracketed at 2½—1½ with Jal. But the Machine has created an impression of strength, as if it were all set to come from behind with a rush.” He shook his head. “At the moment, my dear,” he said, “I feel very pessimistic about the chances of neurons against relays in this tournament. Relays don’t panic and fag. But the oddest thing …”
“Yes?” Sandra prompted.
“Well, the oddest thing is that the Machine doesn’t play ‘like a machine’ at all. It uses dynamic strategy, the kind we sometimes call ‘Russian,’ complicating each position as much as possible and creating maximum tension. But that too is a matter of the programming …”
* * *
Doc’s foreboding was fulfilled as round followed hard-fought round. In the next five days (there was a weekend recess) the Machine successively smashed Jandorf, Serek and Jal and after seven rounds was out in front by a full point.
Jandorf, evidently impressed by the Machine’s flawless opening play against Votbinnik, chose an inferior line in the Ruy Lopez to get the Machine “out of the books.” Perhaps he hoped that the Machine would go on blindly making book moves, but the Machine did not oblige. It immediately slowed its play, “thought hard” and annihilated the Argentinian in 25 moves.
Doc commented, “The Wild Bull of the Pampas tried to use the living force of his human personality to pull a fast one and swindle the Machine. Only the Machine didn’t swindle.”
Against Jal, the Machine used a new wrinkle. It used a variable amount of time on moves, apparently according to how difficult it “judged” the position to be.
When Serek got a poor pawn-position the Machine simplified the game relentlessly, suddenly discarding its hitherto “Russian” strategy. “It plays like anything but a machine,” Doc commented. “We know the reason all too well—Simon Great—but doing something about it is something else again. Great is hitting at our individual weaknesses wonderfully well. Though I think I could play brilliant psychological chess myself if I had a machine to do the detail work.” Doc sounded a bit wistful.
The audiences grew in size and in expensiveness of wardrobe, though most of the café society types made their visits fleeting ones. Additional stands were erected. A hard-liquor bar was put in and then taken out. The problem of keeping reasonable order and quiet became an unending one for Vanderhoef, who had to ask for more “hushers.” The number of scientists and computer men, Navy, Army and Space Force uniforms were more in evidence. Dave and Bill turned up one morning with a three-dimensional chess set of transparent plastic and staggered Sandra by assuring her that most bright young space scientists were moderately adept at this 512-square game.
Sandra heard that W.B.M. had snagged a big order from the War Department. She also heard that a Syndicate man had turned up with a book on the tournament, taking bets from the more heavily heeled types and that a detective was circulating about, trying to spot him.
The newspapers kept up their front-page reporting, most of the writers personalizing the Machine heavily and rather too cutely. Several of the papers started regular chess columns and “How to Play Chess” features. There was a flurry of pictures of movie starlets and such sitting at chess boards. Hollywood revealed plans for two chess movies: “They Made Her a Black Pawn” and “The Monster From King Rook Square.” Chess novelties and costume jewelry appeared. The United States Chess Federation proudly reported a phenomenal rise in membership.
* * *
Sandra learned enough chess to be able to blunder through a game with Dave without attempting more than one illegal move in five, to avoid the Scholar’s Mate most of the time and to be able to checkmate with two rooks though not with one. Judy had asked her, “Is he pleased that you’re learning chess?”
