Collected works of franc.., p.573

Collected Works of Frances Trollope, page 573

 

Collected Works of Frances Trollope
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  In the course of the job I visited Salisbury, and whilst wandering there one midsummer evening round the purlieus of the cathedral I conceived the story of The Warden, — from whence came that series of novels of which Barchester, with its bishops, deans, and archdeacon, was the central site. I may as well declare at once that no one at their commencement could have had less reason than myself to presume himself to be able to write about clergymen. I have been often asked in what period of my early life I had lived so long in a cathedral city as to have become intimate with the ways of a Close. I never lived in any cathedral city, — except London, never knew anything of any Close, and at that time had enjoyed no peculiar intimacy with any clergyman. My archdeacon, who has been said to be life-like, and for whom I confess that I have all a parent’s fond affection, was, I think, the simple result of an effort of my moral consciousness. It was such as that, in my opinion, that an archdeacon should be, — or, at any rate, would be with such advantages as an archdeacon might have; and lo! an archdeacon was produced, who has been declared by competent authorities to be a real archdeacon down to the very ground. And yet, as far as I can remember, I had not then even spoken to an archdeacon. I have felt the compliment to be very great. The archdeacon came whole from my brain after this fashion; — but in writing about clergymen generally, I had to pick up as I went whatever I might know or pretend to know about them. But my first idea had no reference to clergymen in general. I had been struck by two opposite evils, — or what seemed to me to be evils, — and with an absence of all art-judgment in such matters, I thought that I might be able to expose them, or rather to describe them, both in one and the same tale. The first evil was the possession by the Church of certain funds and endowments which had been intended for charitable purposes, but which had been allowed to become incomes for idle Church dignitaries. There had been more than one such case brought to public notice at the time, in which there seemed to have been an egregious malversation of charitable purposes. The second evil was its very opposite. Though I had been much struck by the injustice above described, I had also often been angered by the undeserved severity of the newspapers towards the recipients of such incomes, who could hardly be considered to be the chief sinners in the matter. When a man is appointed to a place, it is natural that he should accept the income allotted to that place without much inquiry. It is seldom that he will be the first to find out that his services are overpaid. Though he be called upon only to look beautiful and to be dignified upon State occasions, he will think £2000 a year little enough for such beauty and dignity as he brings to the task. I felt that there had been some tearing to pieces which might have been spared. But I was altogether wrong in supposing that the two things could be combined. Any writer in advocating a cause must do so after the fashion of an advocate, — or his writing will be ineffective. He should take up one side and cling to that, and then he may be powerful. There should be no scruples of conscience. Such scruples make a man impotent for such work. It was open to me to have described a bloated parson, with a red nose and all other iniquities, openly neglecting every duty required from him, and living riotously on funds purloined from the poor, — defying as he did do so the moderate remonstrances of a virtuous press. Or I might have painted a man as good, as sweet, and as mild as my warden, who should also have been a hard-working, ill-paid minister of God’s word, and might have subjected him to the rancorous venom of some daily Jupiter, who, without a leg to stand on, without any true case, might have been induced, by personal spite, to tear to rags the poor clergyman with poisonous, anonymous, and ferocious leading articles. But neither of these programmes recommended itself to my honesty. Satire, though it may exaggerate the vice it lashes, is not justified in creating it in order that it may be lashed. Caricature may too easily become a slander, and satire a libel. I believed in the existence neither of the red-nosed clerical cormorant, nor in that of the venomous assassin of the journals. I did believe that through want of care and the natural tendency of every class to take care of itself, money had slipped into the pockets of certain clergymen which should have gone elsewhere; and I believed also that through the equally natural propensity of men to be as strong as they know how to be, certain writers of the press had allowed themselves to use language which was cruel, though it was in a good cause. But the two objects should not have been combined — and I now know myself well enough to be aware that I was not the man to have carried out either of them.

  Nevertheless I thought much about it, and on the 29th of July, 1853, — having been then two years without having made any literary effort, — I began The Warden, at Tenbury in Worcestershire. It was then more than twelve months since I had stood for an hour on the little bridge in Salisbury, and had made out to my own satisfaction the spot on which Hiram’s hospital should stand. Certainly no work that I ever did took up so much of my thoughts. On this occasion I did no more than write the first chapter, even if so much. I had determined that my official work should be moderated, so as to allow me some time for writing; but then, just at this time, I was sent to take the postal charge of the northern counties in Ireland, — of Ulster, and the counties Meath and Louth. Hitherto in official language I had been a surveyor’s clerk, — now I was to be a surveyor. The difference consisted mainly in an increase of income from about £450 to about £800; — for at that time the sum netted still depended on the number of miles travelled. Of course that English work to which I had become so warmly wedded had to be abandoned. Other parts of England were being done by other men, and I had nearly finished the area which had been entrusted to me. I should have liked to ride over the whole country, and to have sent a rural post letter-carrier to every parish, every village, every hamlet, and every grange in England.

  We were at this time very much unsettled as regards any residence. While we were living at Clonmel two sons had been born, who certainly were important enough to have been mentioned sooner. At Clonmel we had lived in lodgings, and from there had moved to Mallow, a town in the county Cork, where we had taken a house. Mallow was in the centre of a hunting country, and had been very pleasant to me. But our house there had been given up when it was known that I should be detained in England; and then we had wandered about in the western counties, moving our headquarters from one town to another. During this time we had lived at Exeter, at Bristol, at Caermarthen, at Cheltenham, and at Worcester. Now we again moved, and settled ourselves for eighteen months at Belfast. After that we took a house at Donnybrook, the well-known suburb of Dublin.

  The work of taking up a new district, which requires not only that the man doing it should know the nature of the postal arrangements, but also the characters and the peculiarities of the postmasters and their clerks, was too heavy to allow of my going on with my book at once. It was not till the end of 1852 that I recommenced it, and it was in the autumn of 1853 that I finished the work. It was only one small volume, and in later days would have been completed in six weeks, — or in two months at the longest, if other work had pressed. On looking at the title-page, I find it was not published till 1855. I had made acquaintance, through my friend John Merivale, with William Longman the publisher, and had received from him an assurance that the manuscript should be “looked at.” It was “looked at,” and Messrs. Longman made me an offer to publish it at half profits. I had no reason to love “half profits,” but I was very anxious to have my book published, and I acceded. It was now more than ten years since I had commenced writing The Macdermots, and I thought that if any success was to be achieved, the time surely had come. I had not been impatient; but, if there was to be a time, surely it had come.

  The novel-reading world did not go mad about The Warden; but I soon felt that it had not failed as the others had failed. There were notices of it in the press, and I could discover that people around me knew that I had written a book. Mr. Longman was complimentary, and after a while informed me that there would be profits to divide. At the end of 1855 I received a cheque for £9, 8s. 8d., which was the first money I had ever earned by literary work; — that £20 which poor Mr. Colburn had been made to pay certainly never having been earned at all. At the end of 1856 I received another sum of £10, 15s. 1d. The pecuniary success was not great. Indeed, as regarded remuneration for the time, stone-breaking would have done better. A thousand copies were printed, of which, after a lapse of five or six years, about 300 had to be converted into another form, and sold as belonging to a cheap edition. In its original form The Warden never reached the essential honour of a second edition.

  I have already said of the work that it failed altogether in the purport for which it was intended. But it has a merit of its own, — a merit by my own perception of which I was enabled to see wherein lay whatever strength I did possess. The characters of the bishop, of the archdeacon, of the archdeacon’s wife, and especially of the warden, are all well and clearly drawn. I had realised to myself a series of portraits, and had been able so to put them on the canvas that my readers should see that which I meant them to see. There is no gift which an author can have more useful to him than this. And the style of the English was good, though from most unpardonable carelessness the grammar was not unfrequently faulty. With such results I had no doubt but that I would at once begin another novel.

  I will here say one word as a long-deferred answer to an item of criticism which appeared in the Times newspaper as to The Warden. In an article — if I remember rightly, on The Warden and Barchester Towers combined — which I would call good-natured, but that I take it for granted that the critics of the Timesare actuated by higher motives than good-nature, that little book and its sequel are spoken of in terms which were very pleasant to the author. But there was added to this a gentle word of rebuke at the morbid condition of the author’s mind which had prompted him to indulge in personalities, — the personalities in question having reference to some editor or manager of the Times newspaper. For I had introduced one Tom Towers as being potent among the contributors to the Jupiter, under which name I certainly did allude to the Times. But at that time, living away in Ireland, I had not even heard the name of any gentleman connected with the Times newspaper, and could not have intended to represent any individual by Tom Towers. As I had created an archdeacon, so had I created a journalist, and the one creation was no more personal or indicative of morbid tendencies than the other. If Tom Towers was at all like any gentleman then connected with the Times, my moral consciousness must again have been very powerful.

  CHAPTER VI. BARCHESTER TOWERS AND THE THREE CLERKS. 1855-1858.

  It was, I think, before I started on my English tours among the rural posts that I made my first attempt at writing for a magazine. I had read, soon after they came out, the two first volumes of Charles Merivale’s History of the Romans under the Empire, and had got into some correspondence with the author’s brother as to the author’s views about Cæsar. Hence arose in my mind a tendency to investigate the character of probably the greatest man who ever lived, which tendency in after years produced a little book of which I shall have to speak when its time comes, — and also a taste generally for Latin literature, which has been one of the chief delights of my later life. And I may say that I became at this time as anxious about Cæsar, and as desirous of reaching the truth as to his character, as we have all been in regard to Bismarck in these latter days. I lived in Cæsar, and debated with myself constantly whether he crossed the Rubicon as a tyrant or as a patriot. In order that I might review Mr. Merivale’s book without feeling that I was dealing unwarrantably with a subject beyond me, I studied the Commentaries thoroughly, and went through a mass of other reading which the object of a magazine article hardly justified, — but which has thoroughly justified itself in the subsequent pursuits of my life. I did write two articles, the first mainly on Julius Cæsar, and the second on Augustus, which appeared in the Dublin University Magazine. They were the result of very much labour, but there came from them no pecuniary product. I had been very modest when I sent them to the editor, as I had been when I called on John Forster, not venturing to suggest the subject of money. After a while I did call upon the proprietor of the magazine in Dublin, and was told by him that such articles were generally written to oblige friends, and that articles written to oblige friends were not usually paid for. The Dean of Ely, as the author of the work in question now is, was my friend; but I think I was wronged, as I certainly had no intention of obliging him by my criticism. Afterwards, when I returned to Ireland, I wrote other articles for the same magazine, one of which, intended to be very savage in its denunciation, was on an official blue-book just then brought out, preparatory to the introduction of competitive examinations for the Civil Service. For that and some other article, I now forget what, I was paid. Up to the end of 1857 I had received £55 for the hard work of ten years.

  It was while I was engaged on Barchester Towers that I adopted a system of writing which, for some years afterwards, I found to be very serviceable to me. My time was greatly occupied in travelling, and the nature of my travelling was now changed. I could not any longer do it on horseback. Railroads afforded me my means of conveyance, and I found that I passed in railway-carriages very many hours of my existence. Like others, I used to read, — though Carlyle has since told me that a man when travelling should not read, but “sit still and label his thoughts.” But if I intended to make a profitable business out of my writing, and, at the same time, to do my best for the Post Office, I must turn these hours to more account than I could do even by reading. I made for myself therefore a little tablet, and found after a few days’ exercise that I could write as quickly in a railway-carriage as I could at my desk. I worked with a pencil, and what I wrote my wife copied afterwards. In this way was composed the greater part of Barchester Towers and of the novel which succeeded it, and much also of others subsequent to them. My only objection to the practice came from the appearance of literary ostentation, to which I felt myself to be subject when going to work before four or five fellow-passengers. But I got used to it, as I had done to the amazement of the west country farmers’ wives when asking them after their letters.

  In the writing of Barchester Towers I took great delight. The bishop and Mrs. Proudie were very real to me, as were also the troubles of the archdeacon and the loves of Mr. Slope. When it was done, Mr. W. Longman required that it should be subjected to his reader; and he returned the MS. to me, with a most laborious and voluminous criticism, — coming from whom I never knew. This was accompanied by an offer to print the novel on the half-profit system, with a payment of £100 in advance out of my half-profits, — on condition that I would comply with the suggestions made by his critic. One of these suggestions required that I should cut the novel down to two volumes. In my reply, I went through the criticisms, rejecting one and accepting another, almost alternately, but declaring at last that no consideration should induce me to cut out a third of my work. I am at a loss to know how such a task could be performed. I could burn the MS., no doubt, and write another book on the same story; but how two words out of six are to be withdrawn from a written novel, I cannot conceive. I believe such tasks have been attempted — perhaps performed; but I refused to make even the attempt. Mr. Longman was too gracious to insist on his critic’s terms; and the book was published, certainly none the worse, and I do not think much the better, for the care that had been taken with it.

  The work succeeded just as The Warden had succeeded. It achieved no great reputation, but it was one of the novels which novel readers were called upon to read. Perhaps I may be assuming upon myself more than I have a right to do in saying now that Barchester Towers has become one of those novels which do not die quite at once, which live and are read for perhaps a quarter of a century; but if that be so, its life has been so far prolonged by the vitality of some of its younger brothers. Barchester Towers would hardly be so well known as it is had there been no Framley Parsonage and no Last Chronicle of Barset.

  I received my £100, in advance, with profound delight. It was a positive and most welcome increase to my income, and might probably be regarded as a first real step on the road to substantial success. I am well aware that there are many who think that an author in his authorship should not regard money, — nor a painter, or sculptor, or composer in his art. I do not know that this unnatural self-sacrifice is supposed to extend itself further. A barrister, a clergyman, a doctor, an engineer, and even actors and architects, may without disgrace follow the bent of human nature, and endeavour to fill their bellies and clothe their backs, and also those of their wives and children, as comfortably as they can by the exercise of their abilities and their crafts. They may be as rationally realistic, as may the butchers and the bakers; but the artist and the author forget the high glories of their calling if they condescend to make a money return a first object. They who preach this doctrine will be much offended by my theory, and by this book of mine, if my theory and my book come beneath their notice. They require the practice of a so-called virtue which is contrary to nature, and which, in my eyes, would be no virtue if it were practised. They are like clergymen who preach sermons against the love of money, but who know that the love of money is so distinctive a characteristic of humanity that such sermons are mere platitudes called for by customary but unintelligent piety. All material progress has come from man’s desire to do the best he can for himself and those about him, and civilisation and Christianity itself have been made possible by such progress. Though we do not all of us argue this matter out within our breasts, we do all feel it; and we know that the more a man earns the more useful he is to his fellow-men. The most useful lawyers, as a rule, have been those who have made the greatest incomes, — and it is the same with the doctors. It would be the same in the Church if they who have the choosing of bishops always chose the best man. And it has in truth been so too in art and authorship. Did Titian or Rubens disregard their pecuniary rewards? As far as we know, Shakespeare worked always for money, giving the best of his intellect to support his trade as an actor. In our own century what literary names stand higher than those of Byron, Tennyson, Scott, Dickens, Macaulay, and Carlyle? And I think I may say that none of those great men neglected the pecuniary result of their labours. Now and then a man may arise among us who in any calling, whether it be in law, in physic, in religious teaching, in art, or literature, may in his professional enthusiasm utterly disregard money. All will honour his enthusiasm, and if he be wifeless and childless, his disregard of the great object of men’s work will be blameless. But it is a mistake to suppose that a man is a better man because he despises money. Few do so, and those few in doing so suffer a defeat. Who does not desire to be hospitable to his friends, generous to the poor, liberal to all, munificent to his children, and to be himself free from the carking fear which poverty creates? The subject will not stand an argument; — and yet authors are told that they should disregard payment for their work, and be content to devote their unbought brains to the welfare of the public. Brains that are unbought will never serve the public much. Take away from English authors their copyrights, and you would very soon take away from England her authors.

 

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