Poetry, p.1

Poetry, page 1

 

Poetry
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Poetry


  The Ultimate

  Edgar Allan Poe:

  Poetry

  Edgar Allan Poe

  CONTENTS

  O, Tempora! O, Mores!

  Tamerlane

  Song

  Imitation

  A Dream

  The Lake—To—

  Spirits of the Dead

  Evening Star

  Dreams

  “The Happiest Day”

  Alone

  To The River——

  To——

  To——

  Romance

  Fairy-Land

  Sonnet—To Science

  Al Aaraaf

  To Helen

  A Paean

  The Sleeper

  The City in the Sea

  The Valley of Unrest

  Israfel

  The Coliseum

  To One in Paradise

  Hymn

  To F—S S. O—d (To Elizabeth)

  Bridal Ballad

  To Zante

  The Haunted Palace

  Silence–A Sonnet

  The Conqueror Worm

  Lenore

  Dream-Land

  To F——

  Eulalie

  The Raven

  A Valentine

  To M. L. S——(1847)

  Ulalume

  To Marie Louise

  An Enigma

  To Helen

  A Dream Within A Dream

  Eldorado

  For Annie

  To My Mother

  Annabel Lee

  The Bells

  About the Series

  About the Author

  Copyright

  About the Publisher

  O, TEMPORA! O, MORES!

  O, Times! O, Manners! It is my opinion

  That you are changing sadly your dominion—

  I mean the reign of manners hath long ceased,

  For men have none at all, or bad at least;

  And as for times, altho’ ’tis said by many

  The “good old times” were far the worst of any,

  Of which sound doctrine I believe each tittle,

  Yet still I think these worse than them a little.

  I’ve been a thinking—isn’t that the phrase?—

  I like your Yankee words and Yankee ways—

  I’ve been a thinking, whether it were best

  To take things seriously, or all in jest;

  Whether, with grim Heraclitus of yore,

  To weep, as he did, till his eyes were sore:

  Or rather laugh with him, that queer philosopher,

  Democritus of Thrace, who used to toss over

  The page of life and grin at the dog-ears,

  As though he’d say, “Why who the devil cares?”

  This is a question which, oh heaven, withdraw

  The luckless query from a member’s claw!

  Instead of two sides, Job has nearly eight,

  Each fit to furnish forth four hours debate.

  What shall be done? I’ll lay it on the table,

  And take the matter up when I’m more able;

  And, in the meantime, to prevent all bother,

  I’ll neither laugh with one, nor cry with t’other

  Nor deal in flatt’ry or aspersions foul,

  But, taking one by each hand, merely growl.

  Ah, growl, say you, my friend, and pray at what?

  Why, really, sir, I almost had forgot—

  But, damn it, sir, I deem it a disgrace

  That things should stare us boldly in the face,

  And daily strut the street with bows and scrapes,

  Who would be men by imitating apes.

  I beg your pardon, reader, for the oath,

  The monkeys make me swear, though something loth;

  I’m apt to be discursive in my style,

  But pray be patient; yet a little while

  Will change me, and as politicians do,

  I’ll mend my manners and my measures too.

  Of all the cities—and I’ve seen no few;

  For I have traveled, friend, as well as you—

  I don’t remember one, upon my soul,

  But take it generally upon the whole,

  (As members say they like their logic taken,

  Because divided, it may chance be shaken)

  So pat, agreeable and vastly proper

  As this for a neat, frisky counter-hopper;

  Here he may revel to his heart’s content,

  Flounce like a fish in his own element,

  Toss back his fine curls from his forehead fair,

  And hop o’er counters with a Vester’s air,

  Complete at night what he began A. M.,

  And having cheated ladies, dance with them;

  For, at a ball, what fair one can escape

  The pretty little hand that sold her tape,

  Or who so cold, so callous to refuse

  The youth who cut the ribbon for her shoes!

  One of these fish, par excellence the beau—

  God help me!—it has been my lot to know,

  At least by sight, for I’m a timid man,

  And always keep from laughing, if I can;

  But speak to him, he’ll make you such grimace,

  Lord! to be grave exceeds the power of face.

  The hearts of all the ladies are with him,

  The bright eyes on his Tom and Jerry brim

  And dove-tailed coat, obtained at cost; while then

  Those eyes won’t turn on anything like men.

  His very voice is musical delight,

  His form, once seen, becomes a part of sight;

  In short, his shirt collar, his look, his tone is

  The “beau ideal” fancied for Adonis.

  Philosophers have often held dispute

  As to the seat of thought in man and brute;

  For that the power of thought attends the latter

  My friend, the beau, hath made a settled matter,

  And spite all dogmas, current in all ages,

  One settled fact is better than ten sages.

  For he does think, though I am oft in doubt

  If I can tell exactly what about.

  Ah, yes! his little foot and ankle trim,

  ’Tis there the seat of reason lies in him.

  A wise philosopher would shake his head,

  He then, of course, must shake his foot instead.

  At me, in vengeance, shall that foot be shaken—

  Another proof of thought, I’m not mistaken—

  Because to his cat’s eyes I hold a glass,

  And let him see himself, a proper ass!

  I think he’ll take this likeness to himself,

  But if he wont, he shall, a stupid elf,

  And, lest the guessing throw the fool in fits,

  I close the portrait with the name of Pitts.

  1825

  Tamerlane

  Kind solace in a dying hour!

  Such, father, is not (now) my theme—

  I will not madly deem that power

  Of Earth may shrive me of the sin

  Unearthly pride hath revell’d in—

  I have no time to dote or dream:

  You call it hope—that fire of fire!

  It is but agony of desire:

  If I can hope—Oh God! I can—

  Its fount is holier—more divine—

  I would not call thee fool, old man,

  But such is not a gift of thine.

  Know thou the secret of a spirit

  Bow’d from its wild pride into shame.

  O! yearning heart! I did inherit

  Thy withering portion with the fame,

  The searing glory which hath shone

  Amid the Jewels of my throne,

  Halo of Hell! and with a pain

  Not Hell shall make me fear again—

  O craving heart, for the lost flowers

  And sunshine of my summer hours!

  The undying voice of that dead time,

  With its interminable chime,

  Rings, in the spirit of a spell,

  Upon thy emptiness—a knell.

  I have not always been as now:

  The fever’d diadem on my brow

  I claim’d and won usurpingly—

  Hath not the same fierce heirdom given

  Rome to the Caesar—this to me?

  The heritage of a kingly mind,

  And a proud spirit which hath striven

  Triumphantly with human kind.

  On mountain soil I first drew life:

  The mists of the Taglay have shed

  Nightly their dews upon my head,

  And, I believe, the winged strife

  And tumult of the headlong air

  Have nestled in my very hair.

  So late from Heaven—that dew—it fell

  (Mid dre

ams of an unholy night)

  Upon me—with the touch of Hell,

  While the red flashing of the light

  From clouds that hung, like banners, o’er,

  Appeared to my half-closing eye

  The pageantry of monarchy,

  And the deep trumpet-thunder’s roar

  Came hurriedly upon me, telling

  Of human battle, where my voice,

  My own voice, silly child!—was swelling

  (O! how my spirit would rejoice,

  And leap within me at the cry)

  The battle-cry of Victory!

  The rain came down upon my head

  Unshelter’d—and the heavy wind

  Rendered me mad and deaf and blind

  It was but man, I thought, who shed

  Laurels upon me: and the rush—

  The torrent of the chilly air

  Gurgled within my ear the crush

  Of empires—with the captive’s prayer—

  The hum of suiters—and the tone

  Of flattery ‘round a sovereign’s throne.

  My passions, from that hapless hour,

  Usurp’d a tyranny which men

  Have deem’d, since I have reach’d to power;

  My innate nature—be it so:

  But, father, there liv’d one who, then,

  Then—in my boyhood—when their fire

  Burn’d with a still intenser glow,

  (For passion must, with youth, expire)

  E’en then who knew this iron heart

  In woman’s weakness had a part.

  I have no words—alas!—to tell

  The loveliness of loving well!

  Nor would I now attempt to trace

  The more than beauty of a face

  Whose lineaments, upon my mind,

  Are—shadows on th’ unstable wind:

  Thus I remember having dwelt

  Some page of early lore upon,

  With loitering eye, till I have felt

  The letters—with their meaning—melt

  To fantasies—with none.

  O, she was worthy of all love!

  Love—as in infancy was mine—

  ’Twas such as angel minds above

  Might envy; her young heart the shrine

  On which my ev’ry hope and thought

  Were incense—then a goodly gift,

  For they were childish—and upright—

  Pure—as her young example taught:

  Why did I leave it, and, adrift,

  Trust to the fire within, for light?

  We grew in age—and love—together,

  Roaming the forest, and the wild;

  My breast her shield in wintry weather—

  And, when the friendly sunshine smil’d,

  And she would mark the opening skies,

  I saw no Heaven—but in her eyes.

  Young Love’s first lesson is—the heart:

  For ‘mid that sunshine, and those smiles,

  When, from our little cares apart,

  And laughing at her girlish wiles,

  I’d throw me on her throbbing breast,

  And pour my spirit out in tears—

  There was no need to speak the rest—

  No need to quiet any fears

  Of her—who ask’d no reason why,

  But turn’d on me her quiet eye!

  Yet more than worthy of the love

  My spirit struggled with, and strove,

  When, on the mountain peak, alone,

  Ambition lent it a new tone—

  I had no being—but in thee:

  The world, and all it did contain

  In the earth—the air—the sea—

  Its joy—its little lot of pain

  That was new pleasure—the ideal,

  Dim, vanities of dreams by night—

  And dimmer nothings which were real—

  (Shadows—and a more shadowy light!)

  Parted upon their misty wings,

  And, so, confusedly, became

  Thine image, and—a name—a name!

  Two separate—yet most intimate things.

  I was ambitious—have you known

  The passion, father? You have not:

  A cottager, I mark’d a throne

  Of half the world as all my own,

  And murmur’d at such lowly lot—

  But, just like any other dream,

  Upon the vapour of the dew

  My own had past, did not the beam

  Of beauty which did while it thro’

  The minute—the hour—the day—oppress

  My mind with double loveliness.

  We walk’d together on the crown

  Of a high mountain which look’d down

  Afar from its proud natural towers

  Of rock and forest, on the hills—

  The dwindled hills! begirt with bowers

  And shouting with a thousand rills.

  I spoke to her of power and pride,

  But mystically—in such guise

  That she might deem it nought beside

  The moment’s converse; in her eyes

  I read, perhaps too carelessly—

  A mingled feeling with my own—

  The flush on her bright cheek, to me

  Seem’d to become a queenly throne

  Too well that I should let it be

  Light in the wilderness alone.

  I wrapp’d myself in grandeur then,

  And donn’d a visionary crown—

  Yet it was not that Fantasy

  Had thrown her mantle over me—

  But that, among the rabble—men,

  Lion ambition is chain’d down—

  And crouches to a keeper’s hand—

  Not so in deserts where the grand

  The wild—the terrible conspire

  With their own breath to fan his fire.

  Look ’round thee now on Samarcand!—

  Is not she queen of Earth? her pride

  Above all cities? in her hand

  Their destinies? in all beside

  Of glory which the world hath known

  Stands she not nobly and alone?

  Falling—her veriest stepping-stone

  Shall form the pedestal of a throne—

  And who her sovereign? Timour—he

  Whom the astonished people saw

  Striding o’er empires haughtily

  A diadem’d outlaw—

  O! human love! thou spirit given,

  On Earth, of all we hope in Heaven!

  Which fall’st into the soul like rain

  Upon the Siroc wither’d plain,

  And failing in thy power to bless

  But leav’st the heart a wilderness!

  Idea! which bindest life around

  With music of so strange a sound

  And beauty of so wild a birth—

  Farewell! for I have won the Earth!

  When Hope, the eagle that tower’d, could see

  No cliff beyond him in the sky,

  His pinions were bent droopingly—

  And homeward turn’d his soften’d eye.

  ’Twas sunset: when the sun will part

  There comes a sullenness of heart

  To him who still would look upon

  The glory of the summer sun.

  That soul will hate the ev’ning mist,

  So often lovely, and will list

  To the sound of the coming darkness (known

  To those whose spirits hearken) as one

  Who, in a dream of night, would fly

  But cannot from a danger nigh.

  What tho’ the moon—the white moon

  Shed all the splendour of her noon,

  Her smile is chilly—and her beam,

  In that time of dreariness, will seem

 

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