Why do creative people so frequently live apart from the world, even while coveting closer relationships? Why do they seem to struggle more with anxiety and depression? If creativity is the panacea to the dreariness of the human condition, if art a balm for the weary soul, why do those who devote themselves to their respective crafts often have the hardest time sustaining happiness? And more importantly, what can we do about it?William R. Alger wrote this treatise on solitude as a curative study in human isolation and solitude, and blames increased frequency of social influences as the main source of personal dissatisfaction. The issues he identified over 150 years ago have exponentially multiplied in recent history. But the book goes further, and offers a remedy for creative unhappiness and isolation that is thorough and insightful. This argument can be summarized as follows:First, that especially creative and intelligent people, who see the world differently, may have trouble communicating or expressing themselves and being understood, which leads to solitude and possibly loneliness or depression. Second, that by openly sharing and discussing such feelings of isolation and loneliness, we can see that they are not personal defects, but common to creative individuals. This normalizes the experience of wrestling with our doubts and insecurities, which can reduce feelings of shame or powerlessness.This is a book about art, life and happiness - I've highlighted the most insightful passages, and while the book is dense, the beauty of the writing and historical trivia is worth the effort; this is a book to be absorbed slowly in quiet moments of peaceful reflection.

Why do creative people so frequently live apart from the world, even while coveting closer relationships? Why do they seem to struggle more with anxiety and depression? If creativity is the panacea to the dreariness of the human condition, if art a balm for the weary soul, why do those who devote themselves to their respective crafts often have the hardest time sustaining happiness? And more importantly, what can we do about it?William R. Alger wrote this treatise on solitude as a curative study in human isolation and solitude, and blames increased frequency of social influences as the main source of personal dissatisfaction. The issues he identified over 150 years ago have exponentially multiplied in recent history. But the book goes further, and offers a remedy for creative unhappiness and isolation that is thorough and insightful. This argument can be summarized as follows:First, that especially creative and intelligent people, who see the world differently, may have trouble communicating or expressing themselves and being understood, which leads to solitude and possibly loneliness or depression. Second, that by openly sharing and discussing such feelings of isolation and loneliness, we can see that they are not personal defects, but common to creative individuals. This normalizes the experience of wrestling with our doubts and insecurities, which can reduce feelings of shame or powerlessness.This is a book about art, life and happiness - I've highlighted the most insightful passages, and while the book is dense, the beauty of the writing and historical trivia is worth the effort; this is a book to be absorbed slowly in quiet moments of peaceful reflection.

Why do creative people so frequently live apart from the world, even while coveting closer relationships? Why do they seem to struggle more with anxiety and depression? If creativity is the panacea to the dreariness of the human condition, if art a balm for the weary soul, why do those who devote themselves to their respective crafts often have the hardest time sustaining happiness? And more importantly, what can we do about it?William R. Alger wrote this treatise on solitude as a curative study in human isolation and solitude, and blames increased frequency of social influences as the main source of personal dissatisfaction. The issues he identified over 150 years ago have exponentially multiplied in recent history. But the book goes further, and offers a remedy for creative unhappiness and isolation that is thorough and insightful. This argument can be summarized as follows:First, that especially creative and intelligent people, who see the world differently, may have trouble communicating or expressing themselves and being understood, which leads to solitude and possibly loneliness or depression. Second, that by openly sharing and discussing such feelings of isolation and loneliness, we can see that they are not personal defects, but common to creative individuals. This normalizes the experience of wrestling with our doubts and insecurities, which can reduce feelings of shame or powerlessness.This is a book about art, life and happiness - I've highlighted the most insightful passages, and while the book is dense, the beauty of the writing and historical trivia is worth the effort; this is a book to be absorbed slowly in quiet moments of peaceful reflection.

Cora ReillyCora ReillyCora ReillyCora ReillyCora ReillyCora ReillyCora Reilly

Cora ReillyCora ReillyCora ReillyCora ReillyCora ReillyCora ReillyCora Reilly

Nobody expected them to fall in love. When Aria was given to Luca in marriage, people were sure he’d break her. Aria feared the worst from a man like him. A man without mercy. But somehow she gained his love. Love - a weakness a Capo like Luca shouldn’t risk.

“Some things aren't meant to be broken, and therefore can't be mended, ever. I was one of those things. Whatever had been shattered in the incident would never be whole again.” Amber struggles with the memories of a cruel attack that destroyed her life years ago. Realizing that she’s close to ending it all, something she promised her family to never try again, she moves in with her brother Brian and his friend Zachary to start a new life, and maybe even college. But how can she possibly live a normal life, when even a hug from her brother sends her into a panic attack? While Brian pulls back, Zach seems determined to make her feel relaxed in his presence, and soon her longing to be near him is stronger than her fear. But how can someone like Zach, someone who can have any girl, want someone like her? Someone broken. When Zach spots Amber for the very first time, he can’t believe she is the same girl his friend Brian described as broken. Suddenly, Zach wants to give up his womanizing ways and help Amber live again, show her that closeness can be something wonderful. But her brother Brian isn’t the only one who’s worried about the bond that’s growing between Amber and Zach. Even Zach knows that there’s more at stake than the fury of a scorned woman. Amber isn’t like all the girls Zach discarded after a night together, if he messes up, that could break her for good. But Zach can’t stay away from Amber. Can Zach help her heal? Or will he be the one to push her over the edge?

Born into one of the leading Mob families in Chicago, Aria Scuderi struggles to find her own path in a world where no choices are given. Aria was only fifteen when her parents betrothed her to Luca The Vice Vitiello, the oldest son of the head of the New York Cosa Nostra to ensure peace between the two families. Now at eighteen, the day Aria has been dreading for years is looming dangerously: her wedding to Luca. Aria is terrified of marrying a man she hardly knows, especially someone like Luca who got his nickname the Vice for crushing a man’s throat with his bare hands. Luca might be one of the most sought after men in New York thanks to his good looks, wealth and predator-like charisma that radiates power, but the society girls throwing themselves at him don’t know what Aria does: that the bad boy aura isn’t just a game; blood and death lurk beneath Luca’s striking gray eyes and arrogant smile.In her world a handsome exterior often hides the monster within; a monster who can just as easily kill as kiss you.The only way to escape the marriage to Luca would be to run away and leave everything she’s ever known behind but Aria can’t bear the thought of never seeing her family again. Despite her fear, she decides to go through with the marriage; Aria has grown up among predators like Luca and knows that even most cold-hearted bastards have a heart and she has every intention of working her way into Luca’s.

Dante The Boss Cavallaro’s wife died four years ago. On the verge of becoming the youngest head in the history of the Chicago mafia, Dante needs a new wife and Valentina was chosen for the role. Valentina lost her husband, too, but her first marriage had always been for show. When she was eighteen, she agreed to marry Antonio in order to hide the truth: that he was gay and in love with an outsider. Even after his death, she kept his secret, not only to preserve the honor of a dead man, but also to protect herself. But now that she’s about to marry Dante, her castle of lies threatens to crash. Dante is only thirty-six but already feared and respected in the Familia, and he’s notorious for always getting what he wants. Valentina is terrified the wedding night will reveal her secret, but her worries prove unfounded when Dante shows her the cold shoulder. Soon her fear is replaced by confusion and indignation. Valentina is tired of being ignored. She’s determined to get Dante’s attention and desire, even if she can’t get his heart that still belongs to his dead wife.

When Gianna watched her sister Aria getting married to a man she barely knew, she promised herself she wouldn’t let the same thing happen to her. Matteo The Blade Vitiello set his eyes on Gianna the moment he saw her on his brother Luca’s wedding, and Rocco Scuderi is more than willing to give his daughter to him, but Gianna has no intention of marrying for any other reason than love. A few months before the wedding, Gianna escapes her bodyguards and runs away. She has enough money to flee to Europe and begin a new life. But staying undetected when the mob is searching for her is a challenge that takes everything, especially as one of their best hunters and assassins is after her: Matteo Vitiello. After six months on the run, Gianna finally settles into a tentative routine in Munich, but then Matteo and a couple of her father’s soldiers find her with another man. Despite her pleads they kill her boyfriend, and Gianna is forced to marry Matteo. Her emotions alternating between guilt over having dragged an innocent into her world and hatred toward Matteo, Gianna is determined to make life hell for her husband. But Matteo is a master at mind games and their struggle for power soon turns into hate-fueled nights of passion.

Liliana Scuderi has been in love with Romero from the moment she first saw him. After her sisters were married off for tactical reasons, she hopes she might be allowed to choose a husband for herself, but when her father promises her to a man more than twice her age that hope is crushed. No begging can make him change his mind.Romero has always ignored Lily’s flirting. Her age and status made her off-limits but even someone as dutiful as him has only so much control. Wanting her when she’s supposed to marry another man could mean war between New York and the Chicago Outfit, and Romero has always put the Cosa Nostra first.Lily suspects her sisters and Romero would risk everything for her, but is her happiness worth that much? Is love worth a war between the Cosa Nostra and the Outfit?