Broad Strokes, page 17
Smith, Roberta. “After the Deluge.” The New York Times, March 24, 2006.
Sontag, Susan. Against Interpretation. New York: Anchor Books/Doubleday, 1964.
Spalding, Frances. Vanessa Bell. New Haven, CT, and New York: Ticknor & Fields, 1983.
Stokstad, Marilyn. Art History. Upper Saddle River, NJ: Prentice Hall, 2005.
Straussman-Pflanzer, Eve. Violence & Virtue: Artemisia Gentileschi’s Judith Slaying Holofernes. New Haven, CT, and London: Yale University Press, 2013.
Tsui, Bonnie. “Trick Your Brain and Smile.” San Francisco Magazine, December 21, 2015.
Walker, Kara, and Larry Walker. “Artists in Conversation.” BOMB Magazine, May 8, 2014.
Wallach, Amei. “The Lee Krasner Who Was Herself amd Only Herself.” The New York Times. Oct. 3, 1999.
Welu, James A., and Pieter Biesboer. Judith Leyster: A Dutch Master and Her World. New Haven, CT, and London: Yale University Press, 1993.
Winterson, Jeanette. Art [Objects]. New York: Alfred A. Knopf, 1996.
Woolf, Virginia. A Writer’s Diary. San Diego/New York/London: Harcourt Brace & Company, 1982.
ART CREDITS
ARTEMISIA GENTILESCHI:
Judith Severing the Head of Holofernes. Uffizi. Alinari / Art Resource, NY.
Susanna and the Elders. Private Collection / Bridgeman Images.
Self-Portrait as La Pittura. Royal Collection Trust / © Her Majesty Queen Elizabeth II, 2015.
CESARE RIPA:
Illustrated title page from Iconologia. © British Library Board / Robana / Art Resource, NY.
JUDITH LEYSTER:
Monogram (detail of Carousing Couple). Musée du Louvre. Erich Lessing / Art Resource, NY.
Self-Portrait. National Gallery of Art, Washington, DC / Bridgeman Images.
The Proposition. Mauritshuis. Scala / Art Resource, NY.
Early Brabantian Tulip. Frans Hals Museum / de Hallen Haarlem. Photo: Mooie Boeken. Purchased with the support of the Rembrandt Society.
ADÉLAÏDE LABILLE-GUIARD:
Self-portrait with Two Pupils, Mademoiselle Marie Gabrielle Capet (1761–1818) and Mademoiselle Carreaux de Rosemond (died 1788). 1785. Oil on canvas, 83 x 591/2 inches. Gift of Julia A. Berwind, 1953 (53.225.5). The Metropolitan Museum of Art. Image Copyright © The Metropolitan Museum of Art / Art Resource, NY.
Portrait of Madame Adélaïde. Châteaux de Versailles et de Trianon. Photo: Gérard Blot / Jean Schormans. © RMN-Grand Palais / Art Resource, NY.
Portrait of François-André Vincent. 1795. Musée du Louvre. Photo: Jean-Gilles Berizzi. © RMN-Grand Palais / Art Resource, NY.
PIETRO ANTONIO MARTINI:
Paintings Exhibition at the Salon of the Louvre. Hamburger Kunsthalle / Christoph Irrgang / Art Resource, NY.
MARIE DENISE VILLERS:
Portrait of Charlotte du Val d’Ognes. Oil on canvas, 631/2 x 505/8 inches. Mr. and Mrs. Isaac D. Fletcher Collection, Bequest of Isaac D. Fletcher, 1917 (17.120.204). The Metropolitan Museum of Art. Image Copyright © The Metropolitan Museum of Art / Art Resource, NY.
A Young Woman Seated by a Window. Private Collection. Courtesy of Sotheby’s.
Study of a Woman from Nature (also called Madame Soustra). Musée du Louvre. Photo: Jean-Gilles Berizzi. © RMN-Grand Palais / Art Resource, NY.
MARIE VICTOIRE LEMOINE:
The Interior of an Atelier of a Woman Painter. Oil on canvas, 457/8 x 35 inches. Gift of Mrs. Thorneycroft Ryle, 1957 (57.103). The Metropolitan Museum of Art. Image Copyright © The Metropolitan Museum of Art / Art Resource, NY.
ROSA BONHEUR:
Portrait of “Buffalo Bill” Cody. Buffalo Bill Center of the West / The Art Archive at Art Resource, NY.
The Horse Fair. Oil on canvas, 961/4 x 1991/2 inches. Gift of Cornelius Vanderbilt, 1887 (87.25). The Metropolitan Museum of Art. Image Copyright © The Metropolitan Museum of Art / Art Resource, NY.
Ploughing in the Nivernais. Musée d’Orsay. Photo: Gérard Blot. © RMN-Grand Palais / Art Resource, NY.
ÉDOUARD LOUIS DUBUFE:
Portrait of Rosa Bonheur. Châteaux de Versailles et de Trianon. Photo: Gérard Blot. © RMN-Grand Palais / Art Resource, NY.
EDMONIA LEWIS:
The Death of Cleopatra. Smithsonian American Art Museum, Washington, DC / Art Resource, NY.
Forever Free (The Morning of Liberty). Howard University Gallery of Art, Washington, DC.
The Wooing of Hiawatha (Old Arrow-Maker and His Daughter). Smithsonian American Art Museum, Washington, DC / Art Resource, NY.
HENRY ROCHER:
Carte-de-Visite of Edmonia Lewis. National Portrait Gallery, Smithsonian Institution / Art Resource, NY.
PAULA MODERSOHN-BECKER:
Self-Portrait, Age 30, 6th Wedding Day. Museen Böttcherstraße, Bremen.
Portrait of Clara Rilke-Westhoff. Hamburger Kunsthalle / Elke Walford / Art Resource, NY.
Reclining Mother and Child II. Museen Böttcherstraße, Bremen.
Self-Portrait with Amber Necklace II. Kunstmuseum Basil / Martin P. Bühler.
VANESSA BELL:
Virginia Woolf. © National Portrait Gallery, London. © Estate of Vanessa Bell, courtesy Henrietta Garnett.
Frederick and Jessie Etchells Painting. Tate, London / Art Resource, NY. © Estate of Vanessa Bell, courtesy Henrietta Garnett.
Studland Beach. Tate, London / Art Resource, NY. © Estate of Vanessa Bell, courtesy Henrietta Garnett.
Cover of First Edition of ‘The Waves’ by Virginia Woolf. Private Collection / The Stapleton Collection / Bridgeman Images. © Estate of Vanessa Bell, courtesy Henrietta Garnett.
ALICE NEEL:
Portrait of Alice Neel based on a photograph © The Estate of Alice Neel / Courtesy David Zwirner, New York / London.
Self-Portrait. National Portrait Gallery, Smithsonian Institution / Art Resource, NY. © The Estate of Alice Neel / Courtesy David Zwirner, New York / London.
Frank O’Hara. National Portrait Gallery, Smithsonian Institution / Art Resource, NY. © The Estate of Alice Neel / Courtesy David Zwirner, New York / London.
Jackie Curtis and Ritta Redd. Cleveland Museum of Art / Leonard C. Hanna Jr. Fund / Bridgeman Images. © The Estate of Alice Neel / Courtesy David Zwirner, New York / London.
Kate Millett. National Portrait Gallery, Smithsonian Institution / Art Resource, NY. © The Estate of Alice Neel / Courtesy David Zwirner, New York / London.
LEE KRASNER:
Portrait of Lee Krasner based on a photograph © Fred W. McDarrah / Getty Images.
Self-Portrait. The Jewish Museum, New York / Art Resource, NY. @ The Pollock-Krasner Foundation / Artists Rights Society (ARS), New York.
Seated Nude. 1940. Charcoal on paper, 25 x 18 7/8”. Gift of Constance B. Cartwright. The Museum of Modern Art / Licensed by SCALA / Art Resource, NY. @ The Pollock-Krasner Foundation / Artists Rights Society (ARS), New York.
Composition. The Philadelphia Museum of Art / Art Resource, NY. @ The Pollock-Krasner Foundation / Artists Rights Society (ARS), New York.
Milkweed. Albright-Knox Art Gallery / Art Resource, NY. @ The Pollock-Krasner Foundation / Artists Rights Society (ARS), New York.
LOUISE BOURGEOIS:
Portrait of Louise Bourgeois based on a photograph © Satoshi Saikusa / Trunk Archive.
Femme Maison. © The Museum of Modern Art / Licensed by SCALA / Art Resource, NY.
Fillette. © The Museum of Modern Art / Licensed by SCALA / Art Resource, NY.
The Institute. Institute of Fine Arts, New York University / Christopher Burke / © The Easton Foundation / Licensed by VAGA, NY.
Maman. Manuel Cohen / The Art Archive at Art Resource, NY.
RUTH ASAWA:
Portrait of Ruth Asawa based on a photograph from Nat Farbman / Getty Images / Ruth Asawa Estate. Courtesy Christies.
Untitled. c. 1955. Iron and galvanized steel wire. 123 x 16 x 16 in. The Fine Arts Museums of San Francisco, gift of Jacqueline Hoefer.
Andrea fountain. Ghirardelli Square, San Francisco, CA. 1968. Photo and Artwork © Estate of Ruth Asawa.
Untitled. c. 1962. Galvanized steel wire. 24 x 24 x 24 in (61 x 61 x 61 cm). The Fine Arts Museums of San Francisco, gift of the artist.
IMOGEN CUNNINGHAM:
Ruth Asawa at work with children. 1957. Imogen Cunningham Trust.
ANA MENDIETA:
Portrait of Ana Mendieta based on a photograph © The Estate of Ana Mendieta Collection, LLC/Courtesy Galerie Lelong, New York.
Silueta Muerta. The Solomon R. Guggenheim Foundation / Art Resource, NY. © The Estate of Ana Mendieta Collection, LLC / Courtesy Galerie Lelong, New York.
Volcano Series no. 2. Los Angeles County Museum of Art. © LACMA. Licensed by Art Resource, NY. © The Estate of Ana Mendieta Collection, LLC / Courtesy Galerie Lelong, New York.
Volcano Series no. 2. Los Angeles County Museum of Art. © LACMA. Licensed by Art Resource, NY. © The Estate of Ana Mendieta Collection, LLC / Courtesy Galerie Lelong, New York.
Untitled. Davis Museum at Wellesley College / Art Resource, NY. © The Estate of Ana Mendieta Collection, LLC / Courtesy Galerie Lelong, New York.
KARA WALKER:
Portrait of Kara Walker based on a photograph © Michele Asselin / Contour / Getty Images / Sillema Jenkins & CO., New York.
At the behest of Creative Time Kara E. Walker has confected: A Subtlety, or the Marvelous Sugar Baby, an Homage to the unpaid and overworked Artisans who have refined our Sweet tastes from the cane fields to the Kitchens of the New World on the Occasion of the demolition of the Domino Sugar Refining Plant. Photo: Jason Wyche.
Gone, An Historical Romance of a Civil War as it Occurred between the Dusky Thighs of One Young Negress and Her Heart. © The Museum of Modern Art / Licensed by SCALA / Art Resource, NY.
Rebel Leader (from Testimony). © The Museum of Modern Art / Licensed by SCALA / Art Resource, NY.
Alabama Loyalists Greeting the Federal Gun-Boats from Harper’s Pictorial History of the Civil War (Annotated). © The Museum of Modern Art / Licensed by SCALA / Art Resource, NY.
SUSAN O’MALLEY:
Portrait of Susan O’Malley based on a photograph © Christina Amini / Courtesy of the Susan O’Malley Estate.
Installation image of My Healing Garden is Green at Romer Young Gallery, featuring I’m Whole Healing Healed + Holy I’m Home and I Love You Baby. Copyright © Estate of Susan O’Malley.
Lawn. Copyright © Estate of Susan O’Malley.
Less Internet, More Love. Copyright © Estate of Susan O’Malley.
Art Before Dishes. Copyright © Estate of Susan O’Malley.
INDEX
A
Abbott, Berenice, 17
Abstract Expressionism, 117–20
Adélaïde, Princess, 46, 47
Advice from My 80-Year-Old Self (O’Malley), 171
Alabama Loyalists Greeting the Federal Gun-Boats (Walker), 160
Albers, Josef, 136–37, 141, 142
Alvarado Arts Workshop, 143
Amini, Christina, 166, 168
Andre, Carl, 145–47, 151
Andrea Fountain (Asawa), 138
Anguissola, Sofonisba, 45
Arbuckle, John, 70
The Arnolfini Wedding Portrait (van Eyck), 88
Art Before Dishes (O’Malley), 171, 172
Art Institute of Chicago, 143
The Artist’s Studio (Courbet), 41
The Art of Painting (Vermeer), 45
Asawa, Lois (Masako), 136
Asawa, Nancy (Kimiko), 135
Asawa, Ruth, 134–43
Asawa, Umakichi, 135
Ashton, Dore, 70
Auricchio, Laura, 45
B
Battcock, Gregory, 111
Baudelaire, Charles, 85
Bauhaus, 137
Bell, Clive, 98, 100
Bell, Vanessa, 96–103, 164
Beltran, JD, 169
Berenson, Bernard, 56
Beuys, Joseph, 167
Black Mountain College, 136–39, 141, 143
Blocker, Jane, 148
Bloomsbury Group, 100
Blue Nude (Matisse), 85, 94
Bonheur, Raimond, 66, 67
Bonheur, Rosa, 15, 17, 60–71
Botticelli, 25, 87
Bourdon, David, 111
Bourgeois, Louise, 124–33, 164
Bourke-White, Margaret, 17
Brackett, Edward A., 76
Brancusi, Constantin, 142
Brody, Sam, 108
Brutus (David), 45
Buonarroti, Michelangelo, the Younger, 24
C
Cage, John, 138
Cameron, Julia Margaret, 99
Canova, Antonio, 77
Capet, Marie Gabrielle, 40, 41, 45
Caravaggio, 21, 24, 25, 26, 52
Caro-Bruce, Tim, 168
Carousing Couple (Leyster), 31–32
Cassatt, Mary, 15, 17
Castle, Ted, 107
Cézanne, Paul, 86
Chadwick, Whitney, 34
Charpentier, Constance, 55
Church, Frederic, 139
Cleopatra, 73–75, 82–83
Cody, Buffalo Bill, 61–62, 70
Colescott, Robert, 158
Composition (Krasner), 121
Condon, “Blind John,” 83
Conwell, Donna, 165, 171
Courbet, Gustave, 41, 63
Cubism, 85–86
Cunningham, Imogen, 140, 141
Cunningham, Merce, 138
Curtis, Jackie, 110, 111
D
Dante, 22, 165
David, Jacques Louis, 15, 39, 41, 45, 52, 55, 56
The Death of Cleopatra (Lewis), 73–75, 82–83
de Kooning, Willem, 118
Delacroix, Eugène, 63
della Francesca, Piero, 102, 109
De Maria, Walter, 148
de Rosemond, Carreaux, 40, 41, 45
The Destruction of the Father (Bourgeois), 127
de Young Museum, 138–39
Dia Art Foundation, 151
Diebenkorn, Richard, 139
Dillard, Annie, 10, 163
Divine Comedy (Dante), 165
Doolittle, Kenneth, 108
Double Negative (Heizer), 148
Drawing Center, 156, 157
Dubufe, Édouard Louis, 69
Duke of Urbino (della Francesca), 109
du Val d’Ognes, Charlotte, 51, 52–59
Du Vernay, Ava, 155
E
Early Brabantian Tulip (Leyster), 36, 37
Earth Art, 148
Eat Dem Taters (Colescott), 158
Emshwiller, Susan, 123
Enríquez, Carlos, 108
Etchells, Frederick and Jessie, 101
F
Femme Maison (Bourgeois), 125–26, 129
A Few Yards in San Jose (O’Malley), 167
Fillette (Bourgeois), 128, 129
Flack, Audrey, 17
Fletcher, Isaac Dudley, 52
Foley, Margaret, 77
Forever Free (Lewis), 77
Frankenthaler, Helen, 17
Frank O’Hara (Neel), 109, 111
Frederick and Jessie Etchells Painting (Bell), 101
The Freedwoman on First Hearing of Her Liberty (Lewis), 76–77
From the Center (Lippard), 125, 127
Fry, Roger, 98, 100, 101
Fuller, Buckminster, 138
G
Gabiou, Marie Elisabeth, 56
Galileo Galilei, 24
Galton, Francis, 67
Garnett, Bunny, 100
Garrard, Mary, 19, 21
Garrison, William Lloyd, 76
Gauguin, Paul, 61, 76
Geldzahler, Henry, 111
Gentileschi, Artemisia, 14, 15, 17, 18–29, 52, 87, 156, 164
Gentileschi, Orazio, 21–23
Goldwater, Robert, 129, 130
Gone (Walker), 157–58
Gorky, Arshile, 118
Graham, John, 120
Grant, Duncan, 100
Greenberg, Clement, 120
The Green Stripe (Matisse), 106
Greer, Germaine, 25, 32, 39, 44, 173
Guggenheim, Peggy, 120
Guggenheim Museum, 146–47
Gulf Stream (Homer), 161
H
Hals, Frans, 31–32, 34–35, 36
Harden, Marcia Gay, 123
Harper’s Pictorial History of the Civil War (Annotated) (Walker), 160, 161
Hawthorne, Nathaniel, 78
A Healing Walk (O’Malley), 165, 171
Heizer, Michael, 148
Hepworth, Barbara, 17
Hess, Thomas B., 51, 52
Higonnet, Ann, 58
History of Art (Janson), 14–15, 173
Hofmann, Hans, 118–19, 120, 140
Hofrichter, Frima Fox, 37
Hofstede de Groot, Cornelis, 32
Hogarth Press, 102
Homer, Winslow, 161
The Horse Fair (Bonheur), 62–66, 70, 71
Hosmer, Harriet, 77, 80
How to Be an Artist in Residence (O’Malley), 167
I
Iconologia (Ripa), 28–29
I Love You Baby (O’Malley), 164
The Institute (Bourgeois), 131–32, 133
Institute of Fine Arts, 15, 39, 56, 130–32
The Interior of an Atelier of a Woman Painter (Lemoine), 56–57
Intersection for the Arts, 169
J
Jackie Curtis and Ritta Redd (Neel), 110, 111
James, Henry, 78
Jameson, Anna, 25–26
Janson, H. W., 14–15, 173
Johnson, Ray, 138
Jolly Topper (Leyster), 34
Judith Severing the Head of Holofernes (Gentileschi), 19–21, 24–26, 29
Just Kids (Smith), 93
K
Kahlo, Frida, 15, 86
Käsebier, Gertrude, 17
Kate Millett (Neel), 112–13
Katz, Robert, 150
Keep, John, 75
Kim, Byron, 156–57
King, Martin Luther, 161
Klumpke, Anna, 70–71
Krasner, Lee, 14–15, 17, 114–23, 140
Kroll, Leon, 118
L
Labille-Guiard, Adélaïde, 15–16, 38–49, 54, 109, 111, 127, 164
Lange, Dorothea, 17
Langston, John Mercer, 76
Lanier, Albert, 141
La Primavera (Botticelli), 87–88
Laver, James, 34, 56
Lawn (O’Malley), 166–67
Lawrence, Jacob, 138
Léger, Fernand, 129
Sontag, Susan. Against Interpretation. New York: Anchor Books/Doubleday, 1964.
Spalding, Frances. Vanessa Bell. New Haven, CT, and New York: Ticknor & Fields, 1983.
Stokstad, Marilyn. Art History. Upper Saddle River, NJ: Prentice Hall, 2005.
Straussman-Pflanzer, Eve. Violence & Virtue: Artemisia Gentileschi’s Judith Slaying Holofernes. New Haven, CT, and London: Yale University Press, 2013.
Tsui, Bonnie. “Trick Your Brain and Smile.” San Francisco Magazine, December 21, 2015.
Walker, Kara, and Larry Walker. “Artists in Conversation.” BOMB Magazine, May 8, 2014.
Wallach, Amei. “The Lee Krasner Who Was Herself amd Only Herself.” The New York Times. Oct. 3, 1999.
Welu, James A., and Pieter Biesboer. Judith Leyster: A Dutch Master and Her World. New Haven, CT, and London: Yale University Press, 1993.
Winterson, Jeanette. Art [Objects]. New York: Alfred A. Knopf, 1996.
Woolf, Virginia. A Writer’s Diary. San Diego/New York/London: Harcourt Brace & Company, 1982.
ART CREDITS
ARTEMISIA GENTILESCHI:
Judith Severing the Head of Holofernes. Uffizi. Alinari / Art Resource, NY.
Susanna and the Elders. Private Collection / Bridgeman Images.
Self-Portrait as La Pittura. Royal Collection Trust / © Her Majesty Queen Elizabeth II, 2015.
CESARE RIPA:
Illustrated title page from Iconologia. © British Library Board / Robana / Art Resource, NY.
JUDITH LEYSTER:
Monogram (detail of Carousing Couple). Musée du Louvre. Erich Lessing / Art Resource, NY.
Self-Portrait. National Gallery of Art, Washington, DC / Bridgeman Images.
The Proposition. Mauritshuis. Scala / Art Resource, NY.
Early Brabantian Tulip. Frans Hals Museum / de Hallen Haarlem. Photo: Mooie Boeken. Purchased with the support of the Rembrandt Society.
ADÉLAÏDE LABILLE-GUIARD:
Self-portrait with Two Pupils, Mademoiselle Marie Gabrielle Capet (1761–1818) and Mademoiselle Carreaux de Rosemond (died 1788). 1785. Oil on canvas, 83 x 591/2 inches. Gift of Julia A. Berwind, 1953 (53.225.5). The Metropolitan Museum of Art. Image Copyright © The Metropolitan Museum of Art / Art Resource, NY.
Portrait of Madame Adélaïde. Châteaux de Versailles et de Trianon. Photo: Gérard Blot / Jean Schormans. © RMN-Grand Palais / Art Resource, NY.
Portrait of François-André Vincent. 1795. Musée du Louvre. Photo: Jean-Gilles Berizzi. © RMN-Grand Palais / Art Resource, NY.
PIETRO ANTONIO MARTINI:
Paintings Exhibition at the Salon of the Louvre. Hamburger Kunsthalle / Christoph Irrgang / Art Resource, NY.
MARIE DENISE VILLERS:
Portrait of Charlotte du Val d’Ognes. Oil on canvas, 631/2 x 505/8 inches. Mr. and Mrs. Isaac D. Fletcher Collection, Bequest of Isaac D. Fletcher, 1917 (17.120.204). The Metropolitan Museum of Art. Image Copyright © The Metropolitan Museum of Art / Art Resource, NY.
A Young Woman Seated by a Window. Private Collection. Courtesy of Sotheby’s.
Study of a Woman from Nature (also called Madame Soustra). Musée du Louvre. Photo: Jean-Gilles Berizzi. © RMN-Grand Palais / Art Resource, NY.
MARIE VICTOIRE LEMOINE:
The Interior of an Atelier of a Woman Painter. Oil on canvas, 457/8 x 35 inches. Gift of Mrs. Thorneycroft Ryle, 1957 (57.103). The Metropolitan Museum of Art. Image Copyright © The Metropolitan Museum of Art / Art Resource, NY.
ROSA BONHEUR:
Portrait of “Buffalo Bill” Cody. Buffalo Bill Center of the West / The Art Archive at Art Resource, NY.
The Horse Fair. Oil on canvas, 961/4 x 1991/2 inches. Gift of Cornelius Vanderbilt, 1887 (87.25). The Metropolitan Museum of Art. Image Copyright © The Metropolitan Museum of Art / Art Resource, NY.
Ploughing in the Nivernais. Musée d’Orsay. Photo: Gérard Blot. © RMN-Grand Palais / Art Resource, NY.
ÉDOUARD LOUIS DUBUFE:
Portrait of Rosa Bonheur. Châteaux de Versailles et de Trianon. Photo: Gérard Blot. © RMN-Grand Palais / Art Resource, NY.
EDMONIA LEWIS:
The Death of Cleopatra. Smithsonian American Art Museum, Washington, DC / Art Resource, NY.
Forever Free (The Morning of Liberty). Howard University Gallery of Art, Washington, DC.
The Wooing of Hiawatha (Old Arrow-Maker and His Daughter). Smithsonian American Art Museum, Washington, DC / Art Resource, NY.
HENRY ROCHER:
Carte-de-Visite of Edmonia Lewis. National Portrait Gallery, Smithsonian Institution / Art Resource, NY.
PAULA MODERSOHN-BECKER:
Self-Portrait, Age 30, 6th Wedding Day. Museen Böttcherstraße, Bremen.
Portrait of Clara Rilke-Westhoff. Hamburger Kunsthalle / Elke Walford / Art Resource, NY.
Reclining Mother and Child II. Museen Böttcherstraße, Bremen.
Self-Portrait with Amber Necklace II. Kunstmuseum Basil / Martin P. Bühler.
VANESSA BELL:
Virginia Woolf. © National Portrait Gallery, London. © Estate of Vanessa Bell, courtesy Henrietta Garnett.
Frederick and Jessie Etchells Painting. Tate, London / Art Resource, NY. © Estate of Vanessa Bell, courtesy Henrietta Garnett.
Studland Beach. Tate, London / Art Resource, NY. © Estate of Vanessa Bell, courtesy Henrietta Garnett.
Cover of First Edition of ‘The Waves’ by Virginia Woolf. Private Collection / The Stapleton Collection / Bridgeman Images. © Estate of Vanessa Bell, courtesy Henrietta Garnett.
ALICE NEEL:
Portrait of Alice Neel based on a photograph © The Estate of Alice Neel / Courtesy David Zwirner, New York / London.
Self-Portrait. National Portrait Gallery, Smithsonian Institution / Art Resource, NY. © The Estate of Alice Neel / Courtesy David Zwirner, New York / London.
Frank O’Hara. National Portrait Gallery, Smithsonian Institution / Art Resource, NY. © The Estate of Alice Neel / Courtesy David Zwirner, New York / London.
Jackie Curtis and Ritta Redd. Cleveland Museum of Art / Leonard C. Hanna Jr. Fund / Bridgeman Images. © The Estate of Alice Neel / Courtesy David Zwirner, New York / London.
Kate Millett. National Portrait Gallery, Smithsonian Institution / Art Resource, NY. © The Estate of Alice Neel / Courtesy David Zwirner, New York / London.
LEE KRASNER:
Portrait of Lee Krasner based on a photograph © Fred W. McDarrah / Getty Images.
Self-Portrait. The Jewish Museum, New York / Art Resource, NY. @ The Pollock-Krasner Foundation / Artists Rights Society (ARS), New York.
Seated Nude. 1940. Charcoal on paper, 25 x 18 7/8”. Gift of Constance B. Cartwright. The Museum of Modern Art / Licensed by SCALA / Art Resource, NY. @ The Pollock-Krasner Foundation / Artists Rights Society (ARS), New York.
Composition. The Philadelphia Museum of Art / Art Resource, NY. @ The Pollock-Krasner Foundation / Artists Rights Society (ARS), New York.
Milkweed. Albright-Knox Art Gallery / Art Resource, NY. @ The Pollock-Krasner Foundation / Artists Rights Society (ARS), New York.
LOUISE BOURGEOIS:
Portrait of Louise Bourgeois based on a photograph © Satoshi Saikusa / Trunk Archive.
Femme Maison. © The Museum of Modern Art / Licensed by SCALA / Art Resource, NY.
Fillette. © The Museum of Modern Art / Licensed by SCALA / Art Resource, NY.
The Institute. Institute of Fine Arts, New York University / Christopher Burke / © The Easton Foundation / Licensed by VAGA, NY.
Maman. Manuel Cohen / The Art Archive at Art Resource, NY.
RUTH ASAWA:
Portrait of Ruth Asawa based on a photograph from Nat Farbman / Getty Images / Ruth Asawa Estate. Courtesy Christies.
Untitled. c. 1955. Iron and galvanized steel wire. 123 x 16 x 16 in. The Fine Arts Museums of San Francisco, gift of Jacqueline Hoefer.
Andrea fountain. Ghirardelli Square, San Francisco, CA. 1968. Photo and Artwork © Estate of Ruth Asawa.
Untitled. c. 1962. Galvanized steel wire. 24 x 24 x 24 in (61 x 61 x 61 cm). The Fine Arts Museums of San Francisco, gift of the artist.
IMOGEN CUNNINGHAM:
Ruth Asawa at work with children. 1957. Imogen Cunningham Trust.
ANA MENDIETA:
Portrait of Ana Mendieta based on a photograph © The Estate of Ana Mendieta Collection, LLC/Courtesy Galerie Lelong, New York.
Silueta Muerta. The Solomon R. Guggenheim Foundation / Art Resource, NY. © The Estate of Ana Mendieta Collection, LLC / Courtesy Galerie Lelong, New York.
Volcano Series no. 2. Los Angeles County Museum of Art. © LACMA. Licensed by Art Resource, NY. © The Estate of Ana Mendieta Collection, LLC / Courtesy Galerie Lelong, New York.
Volcano Series no. 2. Los Angeles County Museum of Art. © LACMA. Licensed by Art Resource, NY. © The Estate of Ana Mendieta Collection, LLC / Courtesy Galerie Lelong, New York.
Untitled. Davis Museum at Wellesley College / Art Resource, NY. © The Estate of Ana Mendieta Collection, LLC / Courtesy Galerie Lelong, New York.
KARA WALKER:
Portrait of Kara Walker based on a photograph © Michele Asselin / Contour / Getty Images / Sillema Jenkins & CO., New York.
At the behest of Creative Time Kara E. Walker has confected: A Subtlety, or the Marvelous Sugar Baby, an Homage to the unpaid and overworked Artisans who have refined our Sweet tastes from the cane fields to the Kitchens of the New World on the Occasion of the demolition of the Domino Sugar Refining Plant. Photo: Jason Wyche.
Gone, An Historical Romance of a Civil War as it Occurred between the Dusky Thighs of One Young Negress and Her Heart. © The Museum of Modern Art / Licensed by SCALA / Art Resource, NY.
Rebel Leader (from Testimony). © The Museum of Modern Art / Licensed by SCALA / Art Resource, NY.
Alabama Loyalists Greeting the Federal Gun-Boats from Harper’s Pictorial History of the Civil War (Annotated). © The Museum of Modern Art / Licensed by SCALA / Art Resource, NY.
SUSAN O’MALLEY:
Portrait of Susan O’Malley based on a photograph © Christina Amini / Courtesy of the Susan O’Malley Estate.
Installation image of My Healing Garden is Green at Romer Young Gallery, featuring I’m Whole Healing Healed + Holy I’m Home and I Love You Baby. Copyright © Estate of Susan O’Malley.
Lawn. Copyright © Estate of Susan O’Malley.
Less Internet, More Love. Copyright © Estate of Susan O’Malley.
Art Before Dishes. Copyright © Estate of Susan O’Malley.
INDEX
A
Abbott, Berenice, 17
Abstract Expressionism, 117–20
Adélaïde, Princess, 46, 47
Advice from My 80-Year-Old Self (O’Malley), 171
Alabama Loyalists Greeting the Federal Gun-Boats (Walker), 160
Albers, Josef, 136–37, 141, 142
Alvarado Arts Workshop, 143
Amini, Christina, 166, 168
Andre, Carl, 145–47, 151
Andrea Fountain (Asawa), 138
Anguissola, Sofonisba, 45
Arbuckle, John, 70
The Arnolfini Wedding Portrait (van Eyck), 88
Art Before Dishes (O’Malley), 171, 172
Art Institute of Chicago, 143
The Artist’s Studio (Courbet), 41
The Art of Painting (Vermeer), 45
Asawa, Lois (Masako), 136
Asawa, Nancy (Kimiko), 135
Asawa, Ruth, 134–43
Asawa, Umakichi, 135
Ashton, Dore, 70
Auricchio, Laura, 45
B
Battcock, Gregory, 111
Baudelaire, Charles, 85
Bauhaus, 137
Bell, Clive, 98, 100
Bell, Vanessa, 96–103, 164
Beltran, JD, 169
Berenson, Bernard, 56
Beuys, Joseph, 167
Black Mountain College, 136–39, 141, 143
Blocker, Jane, 148
Bloomsbury Group, 100
Blue Nude (Matisse), 85, 94
Bonheur, Raimond, 66, 67
Bonheur, Rosa, 15, 17, 60–71
Botticelli, 25, 87
Bourdon, David, 111
Bourgeois, Louise, 124–33, 164
Bourke-White, Margaret, 17
Brackett, Edward A., 76
Brancusi, Constantin, 142
Brody, Sam, 108
Brutus (David), 45
Buonarroti, Michelangelo, the Younger, 24
C
Cage, John, 138
Cameron, Julia Margaret, 99
Canova, Antonio, 77
Capet, Marie Gabrielle, 40, 41, 45
Caravaggio, 21, 24, 25, 26, 52
Caro-Bruce, Tim, 168
Carousing Couple (Leyster), 31–32
Cassatt, Mary, 15, 17
Castle, Ted, 107
Cézanne, Paul, 86
Chadwick, Whitney, 34
Charpentier, Constance, 55
Church, Frederic, 139
Cleopatra, 73–75, 82–83
Cody, Buffalo Bill, 61–62, 70
Colescott, Robert, 158
Composition (Krasner), 121
Condon, “Blind John,” 83
Conwell, Donna, 165, 171
Courbet, Gustave, 41, 63
Cubism, 85–86
Cunningham, Imogen, 140, 141
Cunningham, Merce, 138
Curtis, Jackie, 110, 111
D
Dante, 22, 165
David, Jacques Louis, 15, 39, 41, 45, 52, 55, 56
The Death of Cleopatra (Lewis), 73–75, 82–83
de Kooning, Willem, 118
Delacroix, Eugène, 63
della Francesca, Piero, 102, 109
De Maria, Walter, 148
de Rosemond, Carreaux, 40, 41, 45
The Destruction of the Father (Bourgeois), 127
de Young Museum, 138–39
Dia Art Foundation, 151
Diebenkorn, Richard, 139
Dillard, Annie, 10, 163
Divine Comedy (Dante), 165
Doolittle, Kenneth, 108
Double Negative (Heizer), 148
Drawing Center, 156, 157
Dubufe, Édouard Louis, 69
Duke of Urbino (della Francesca), 109
du Val d’Ognes, Charlotte, 51, 52–59
Du Vernay, Ava, 155
E
Early Brabantian Tulip (Leyster), 36, 37
Earth Art, 148
Eat Dem Taters (Colescott), 158
Emshwiller, Susan, 123
Enríquez, Carlos, 108
Etchells, Frederick and Jessie, 101
F
Femme Maison (Bourgeois), 125–26, 129
A Few Yards in San Jose (O’Malley), 167
Fillette (Bourgeois), 128, 129
Flack, Audrey, 17
Fletcher, Isaac Dudley, 52
Foley, Margaret, 77
Forever Free (Lewis), 77
Frankenthaler, Helen, 17
Frank O’Hara (Neel), 109, 111
Frederick and Jessie Etchells Painting (Bell), 101
The Freedwoman on First Hearing of Her Liberty (Lewis), 76–77
From the Center (Lippard), 125, 127
Fry, Roger, 98, 100, 101
Fuller, Buckminster, 138
G
Gabiou, Marie Elisabeth, 56
Galileo Galilei, 24
Galton, Francis, 67
Garnett, Bunny, 100
Garrard, Mary, 19, 21
Garrison, William Lloyd, 76
Gauguin, Paul, 61, 76
Geldzahler, Henry, 111
Gentileschi, Artemisia, 14, 15, 17, 18–29, 52, 87, 156, 164
Gentileschi, Orazio, 21–23
Goldwater, Robert, 129, 130
Gone (Walker), 157–58
Gorky, Arshile, 118
Graham, John, 120
Grant, Duncan, 100
Greenberg, Clement, 120
The Green Stripe (Matisse), 106
Greer, Germaine, 25, 32, 39, 44, 173
Guggenheim, Peggy, 120
Guggenheim Museum, 146–47
Gulf Stream (Homer), 161
H
Hals, Frans, 31–32, 34–35, 36
Harden, Marcia Gay, 123
Harper’s Pictorial History of the Civil War (Annotated) (Walker), 160, 161
Hawthorne, Nathaniel, 78
A Healing Walk (O’Malley), 165, 171
Heizer, Michael, 148
Hepworth, Barbara, 17
Hess, Thomas B., 51, 52
Higonnet, Ann, 58
History of Art (Janson), 14–15, 173
Hofmann, Hans, 118–19, 120, 140
Hofrichter, Frima Fox, 37
Hofstede de Groot, Cornelis, 32
Hogarth Press, 102
Homer, Winslow, 161
The Horse Fair (Bonheur), 62–66, 70, 71
Hosmer, Harriet, 77, 80
How to Be an Artist in Residence (O’Malley), 167
I
Iconologia (Ripa), 28–29
I Love You Baby (O’Malley), 164
The Institute (Bourgeois), 131–32, 133
Institute of Fine Arts, 15, 39, 56, 130–32
The Interior of an Atelier of a Woman Painter (Lemoine), 56–57
Intersection for the Arts, 169
J
Jackie Curtis and Ritta Redd (Neel), 110, 111
James, Henry, 78
Jameson, Anna, 25–26
Janson, H. W., 14–15, 173
Johnson, Ray, 138
Jolly Topper (Leyster), 34
Judith Severing the Head of Holofernes (Gentileschi), 19–21, 24–26, 29
Just Kids (Smith), 93
K
Kahlo, Frida, 15, 86
Käsebier, Gertrude, 17
Kate Millett (Neel), 112–13
Katz, Robert, 150
Keep, John, 75
Kim, Byron, 156–57
King, Martin Luther, 161
Klumpke, Anna, 70–71
Krasner, Lee, 14–15, 17, 114–23, 140
Kroll, Leon, 118
L
Labille-Guiard, Adélaïde, 15–16, 38–49, 54, 109, 111, 127, 164
Lange, Dorothea, 17
Langston, John Mercer, 76
Lanier, Albert, 141
La Primavera (Botticelli), 87–88
Laver, James, 34, 56
Lawn (O’Malley), 166–67
Lawrence, Jacob, 138
Léger, Fernand, 129
