The grumpy landlord, p.19

The Grumpy Landlord, page 19

 

The Grumpy Landlord
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  She was terrified.

  Across from her, Marian DeWitt looked like the cat that had not only eaten the canary but had already digested it and was asking for a second course.

  "The evidence is irrefutable, Eleanor," Marian said. Her voice was smooth, cultured, poisoning the air. "The sketches Ms. Hart submitted for the grant are identical to concepts I developed three years ago. I have the dated journals."

  She slid a black leather notebook across the polished wood.

  "It’s a clear case of intellectual property theft. Plagiarism. If we allow her show to proceed, the liability for the gallery would be catastrophic."

  Eleanor picked up the notebook. She flipped through it. She frowned.

  "Ms. Hart?" Eleanor asked. "Do you have a response?"

  Willow opened her mouth. She closed it. She looked at the notebook, then at Marian.

  "I didn't steal them," she whispered. "They're mine. I drew them in my kitchen. I was looking at the way the light hit the..."

  "Inspiration is one thing," Marian cut in, dismissing her with a wave of a manicured hand. "Tracing is another. You’re a mimic, darling. A messy, chaotic mimic. You see real art, and you try to copy it with your finger-paints."

  The insult landed. I saw Willow flinch. I saw her shoulders hunch, making her even smaller.

  The rage in my chest turned cold.

  It wasn't the hot, blinding anger of a brawl. It was the icy, calculated precision of a sniper.

  I pushed off the wall.

  "She's not a mimic."

  My voice filled the room. Low. resonant. It bounced off the high ceilings and silenced the murmurs of the six board members.

  Marian turned. Her eyes narrowed.

  "Dr. Rourke. This is a closed meeting."

  "I'm a stakeholder," I said. "I own the property where Ms. Hart resides and works. And as a significant donor to this hospital system—which shares several board members with this gallery—I believe I have a right to speak."

  I walked to the table. I didn't rush. I moved with the heavy, inevitable momentum of a tank.

  I stopped behind Willow’s chair. I didn't touch her. I didn't need to. My presence was a wall at her back.

  I felt her relax. Just a fraction. She breathed out, a soft exhale that I felt against my knees.

  "Dr. Rourke," Eleanor said, peering over her glasses. "We are discussing a serious legal matter."

  "I know," I said. "I'm here to provide evidence regarding the character of the accuser."

  Marian let out a sharp, incredulous laugh.

  "My character? I have served this board for a decade. I am a pillar of this community."

  "You're a vandal," I said.

  I tossed a manila folder onto the table. It slid across the mahogany and hit the edge of Marian's notebook.

  "What is this?" Marian asked, her smile faltering.

  "A forensic report," I said. "From the night of the break-in at the Chen Gallery."

  The room went deadly silent.

  "The police didn't find anything," Marian scoffed. "It was a random act of violence in a bad neighborhood."

  "The police are overworked," I countered. "I am not."

  I leaned forward, placing my hands on the back of Willow’s chair.

  "I hired a private forensic investigator. A friend from my time in the service. He specializes in trace evidence."

  I nodded at the folder.

  "Open it."

  Eleanor reached out. Her hand shook slightly. She opened the folder.

  "What am I looking at?"

  "You're looking at a chemical analysis of the red paint used to destroy Ms. Hart's centerpiece," I explained. "Industrial grade. High viscosity. And rare. It contains a specific binding agent that isn't sold in retail stores."

  I looked at Marian. She was pale. The makeup couldn't hide the sudden sheen of sweat on her upper lip.

  "It is, however," I continued, "sold to commercial design firms. Like the one owned by DeWitt Interiors."

  "That proves nothing," Marian snapped. "I use that paint for clients. Anyone could have stolen it from my supply shed."

  "Maybe," I agreed. "But could anyone have stolen your shoes?"

  I pulled a USB drive from my pocket. I set it on the table.

  "There was a camera in the alley," I lied.

  There wasn't a camera. Not really. But Marian didn't know that. And fear makes people stupid.

  "It was a private security feed from the building across the street," I said, improvising the tactical narrative. "Grainy. But clear enough to see a woman in a cream coat exiting the back door of the gallery at 11:45 PM. Five minutes before the alarm tripped."

  Marian stood up. Her chair scraped violently against the floor.

  "This is absurd! You are fabricating evidence to protect your... your mistress!"

  "I am protecting an artist," I said. My voice dropped an octave. Dangerous. "And I am exposing a fraud."

  I looked at the board members. I caught the eye of the bank manager. The hospital administrator. The mayor's wife.

  "Marian DeWitt destroyed that gallery," I said clearly. "She slashed the canvases. She poured the paint. She did it because she looked at Willow Hart's work and realized that no amount of money or politics could buy talent."

  I pointed at the black notebook.

  "And now she's accusing Willow of plagiarism? It's a pattern. Sabotage. Deflection. Projection."

  I looked down at Willow. She was looking up at me, her eyes wide, filled with a mixture of shock and adoration that made my heart hammer against my ribs.

  She didn't know about the investigator. She didn't know about the bluff with the camera.

  "Willow paints from her soul," I said, my voice softening, just for her. "I watch her. I see the mess. I see the struggle. I see the joy. You can't fake that. You can't copy it."

  I turned back to Eleanor.

  "If you ban her," I said, "you aren't protecting your brand. You're silencing the only real thing you have."

  Eleanor looked at the report. She looked at the USB drive. She looked at Marian, who was now trembling, her face a mask of fury and fear.

  "Marian?" Eleanor asked quietly. "Is this true? Were you at the gallery?"

  "I..." Marian looked around the room. She saw the judgment. She saw the doubt. "He's twisting it! He's a disturbed man! Everyone knows he has episodes!"

  "The only episode here," Eleanor said, closing the folder, "is yours."

  Eleanor stood up.

  "I move to suspend Marian DeWitt from the board, pending a full investigation into the vandalism charges."

  "Seconded," said the bank manager instantly.

  "All in favor?"

  Every hand went up.

  Marian stared at them. Her empire crumbled in ten seconds flat.

  She grabbed her purse. She grabbed her notebook.

  She looked at me. If looks could kill, I would have been dead on the floor.

  "You'll regret this," she hissed. "Both of you."

  "I doubt it," I said.

  She stormed out. The heavy door slammed behind her, a final punctuation mark on her reign of terror.

  The silence that followed was different. It wasn't hostile. It was stunned.

  Eleanor sat back down. She took off her glasses and rubbed the bridge of her nose.

  "Well," she said. "That was... thorough."

  She looked at Willow.

  "Ms. Hart. I apologize. It seems we were... misled."

  Willow stood up. Her legs were shaking, but she stood tall. She smoothed her blazer.

  "Does this mean the show is back on?" she asked. Her voice was steady. Strong.

  Eleanor smiled. A genuine, tired smile.

  "Yes. And I believe we have an opening on the board, if you'd like to consult on the upcoming season."

  Willow’s jaw dropped.

  "I... I'll think about it."

  "Good." Eleanor looked at me. "Dr. Rourke. Always a pleasure. Though I prefer seeing you at the gala, not dismantling my board members."

  "I protect what's mine," I said.

  I didn't correct myself. I didn't qualify it.

  I took Willow’s hand.

  "We're leaving."

  "Yes," Willow breathed. "Please."

  We walked out.

  We walked through the gallery, past the empty walls waiting for art, past the reception desk.

  We stepped out into the afternoon sun.

  The air tasted sweet. Like rain and victory.

  Willow stopped on the sidewalk. She turned to me.

  She didn't say anything. She just threw her arms around my waist and buried her face in my chest.

  I held her. I wrapped my arms around her, resting my chin on top of her head. I felt the tremors running through her body—relief, adrenaline, shock.

  "You lied," she mumbled into my shirt.

  "About what?"

  "The camera. There wasn't a camera."

  "Tactical deception."

  She pulled back. She looked up at me. Her eyes were shining.

  "And the forensic investigator?"

  "Real," I said. "I sent the samples to a buddy in Quantico. He owes me a kidney."

  She laughed. It was a wet, choked sound.

  "You went to Quantico? For paint?"

  "I would go to the moon for paint if it meant clearing your name."

  She stared at me. Her expression shifted. It went from gratitude to something deeper. Something that terrified and thrilled me in equal measure.

  "You fought for me," she whispered. "You stood up in front of all those people, in your suit, and you fought for me."

  "You're worth fighting for."

  "I'm a mess."

  "You're brilliant."

  I cupped her face. My thumbs brushed away a tear that had escaped.

  "You're the frame," she said, echoing her words from the storm. "You held it together, so I didn't fall apart."

  "We hold each other," I corrected.

  I kissed her.

  Right there on the street. In the middle of the day.

  I didn't care who saw. I didn't care about the whispers.

  I kissed her like I had won the war.

  Because I had.

  "Let's go home," I murmured against her lips. "I have a sudden urge to get paint on this suit."

  Willow grinned. It was blinding.

  "I thought you'd never ask."

  Victory Party

  Willow

  The gallery hummed. It wasn't the polite, muffled buzz of the night Marian had tried to destroy me. This was a roar. It was laughter and clinking glasses and the electric crackle of people actually looking at art.

  My art.

  I stood in the center of the room, wearing a dress that was a riot of emerald green velvet, holding a glass of champagne that tasted like stars.

  "You're vibrating," a deep voice rumbled in my ear.

  A heavy, warm hand settled on the small of my back. It wasn't possessive; it was anchoring.

  I leaned back into him. Ethan.

  "I'm just..." I searched for the word. "Full. I feel full."

  "It's the champagne," he teased, his breath stirring the loose curls at my temple.

  "It's you," I countered, tilting my head back to look at him.

  He looked devastating. He wasn't wearing the suit tonight. He was wearing dark jeans and a black button-down shirt, the sleeves rolled up to expose his forearms. He looked relaxed. The lines of tension that usually bracketed his mouth were gone, smoothed away by the last few days of messy, loud, glorious domesticity.

  He smiled down at me. It was a private smile, one that made my toes curl in my boots.

  "I'm just the accessory," he said. "You're the main event."

  "You're my muse," I whispered.

  He squeezed my waist.

  "Don't let the hospital board hear you say that. They think I'm a serious professional."

  "I know the truth. You're a finger-painting prodigy."

  "Dr. Rourke!"

  A donor—Mrs. Higgins from the grocery store—waved from across the room. She was standing in front of the textured white canvas we had made together. I had painted it gold, just like I promised. It glowed under the track lights, a jagged, beautiful landscape of our shared scars.

  "Duty calls," Ethan murmured. "Do you need saving?"

  "I'm okay," I said. And I was. "Go charm the checkbooks."

  He kissed my temple. A lingering, public press of his lips that made several people stare. He didn't care.

  "I'll be right here," he promised.

  I watched him walk away. He moved through the crowd with an easy confidence, shaking hands, nodding. He wasn't hiding in the corner anymore. He was part of my world, and he fit perfectly.

  "Okay, stop undressing him with your eyes. It's indecent."

  Riley appeared at my elbow, looking fabulous in a silver jumpsuit that looked like tin foil couture.

  "I can't help it," I said, grinning. "Have you seen his forearms?"

  "I try not to. I value my life."

  Riley clinked their glass against mine.

  "To you, babe. You did it. You stared down the dragon and you won."

  I looked around the gallery. The red paint was gone. My landscapes hung on the walls, vibrant and alive. The Boy with the Haunted Eyes—the new version I had painted in a frenzy two nights ago—hung in the center. It wasn't sad anymore. The eyes were still haunted, but there was a sunrise reflecting in them.

  "We did it," I corrected. "Thank you, Riley. for everything."

  "Don't get mushy. I just wanted my commission."

  Riley took a sip of wine, their eyes scanning the room.

  "Speaking of dragons... look who's eating humble pie in the corner."

  I followed Riley's gaze.

  Sadie was standing near the buffet table. She was picking at a cheese plate, looking uncharacteristically nervous. She kept glancing in my direction, then looking away.

  "Go put her out of her misery," Riley said, nudging me. "Before she stress-eats all the brie."

  I walked over to her.

  Sadie saw me coming. She straightened up, wiping her hands on a napkin. She looked like she was preparing for a court martial.

  "Hey," I said.

  "Hey."

  She looked at my dress. She looked at the crowd.

  "It's a great turnout, Willow. Really."

  "Thanks."

  Silence stretched between us. It was the first time we'd really talked since the morning she found Ethan and me in the guest house.

  Sadie took a deep breath.

  "I was wrong," she blurted out.

  I blinked. "Excuse me?"

  "I was wrong," she repeated, faster this time. "About you. About Ethan. About the whole... project thing."

  She looked over at her brother. He was laughing at something the Mayor said. His head was thrown back, his throat exposed. He looked light.

  "I haven't seen him look like that since before he deployed," Sadie whispered. Tears shimmered in her eyes. "I thought... I thought he needed quiet. I thought he needed to be kept in a glass box so he wouldn't break again."

  She turned to me. She grabbed my hands.

  "But he didn't need a box. He needed you. He needed someone to break the glass."

  "I didn't break it," I said softly. "He did. He broke out."

  "Because you were waiting on the other side."

  Sadie squeezed my fingers.

  "I'm sorry, Willow. For doubting you. For thinking you were just a mess. You're... you're exactly what he needed."

  My throat went tight.

  "He's what I needed, too, Sades. He keeps me on the ground."

  "Just... don't hurt him," she said. The old protectiveness flared up, but it wasn't angry anymore. It was pleading. "He loves you so much it scares me."

  "I won't," I promised. "I'm all in. No running."

  Sadie let out a wet laugh and pulled me into a hug.

  "Good. Because if you leave now, I'm pretty sure he'd burn the whole town down."

  "He might just paint it gray," I joked into her shoulder.

  "Ladies."

  Ethan's voice vibrated through us.

  We broke apart. He was standing there, holding two fresh glasses of champagne. He handed one to me and one to Sadie.

  "Are we crying?" he asked, looking at Sadie's wet lashes. "Do I need to intubate someone?"

  "Shut up," Sadie sniffed. "We're having a moment."

  "Carry on."

  He slid his arm around my waist. He pulled me into his side, his hip bumping mine. It was a casual intimacy that felt more profound than any grand gesture.

  "I'm proud of you," he murmured into my hair.

  "For making your sister cry?"

  "For this." He gestured to the room. "For standing tall."

  I leaned my head on his shoulder.

  "I like the view from up here."

  "Get used to it."

  The crowd swirled around us. Music played—something indie and upbeat that Riley had picked. The smell of oil paint and expensive perfume filled the air.

  I felt rooted. For the first time in my life, I didn't feel the itch to pack up the van. I didn't feel the urge to find the next town, the next light.

  I was home.

  My phone buzzed in the pocket of my dress.

  I ignored it.

  It buzzed again. Long. Persistent.

  "Popular," Ethan noted.

  "Probably a spam caller telling me my car warranty is expired."

  It buzzed a third time.

  I sighed. I pulled it out.

  It wasn't a number. It was an email notification. Marked Urgent.

  From: The Guggenheim Foundation

  Subject: Fellowship Offer - New York Residency

  The glass slipped in my hand. I caught it just before it tipped, sloshing champagne over my knuckles.

  "Willow?" Ethan's hand tightened on my waist. "What is it? Is it Marian?"

  "No," I whispered. "No, it's..."

  I unlocked the phone. I tapped the email.

  My eyes scanned the text.

  ...impressed by your portfolio... selected for the prestigious Emerging Muralist Fellowship... six-month residency in New York City... full stipend... opportunity of a lifetime...

  ...start date: two weeks from today.

  The noise of the gallery faded into a dull roar. The colors of the paintings seemed to sharpen, becoming almost painful to look at.

 

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