The Absolute Gravedigger, published in 1937, is in many ways the culmination of Vítězslav Nezval’s work as an avant-garde poet, combining the Poetism of his earlier work and his turn to Surrealism in the 1930s with his political concerns in the years leading up to World War II. It is above all a collection of startling verbal and visual inventiveness. And while a number of salient political issues emerge from the surrealistic ommatidia, Nezval’s imagination here is completely free-wheeling and untethered to any specific locale, as he displays mastery of a variety of forms, from long-limbed imaginative free verse narratives to short, formally rhymed meditations in quatrains, to prose and even visual art (the volume includes six of his decalcomania images).

ReviewGothic sleazefest, menstrual fantasy, dime-store pulp fiction—an important early-century surrealist novel only now translated from its native Czech into English. -- New York PressProduct DescriptionWritten in 1935 at the height of Czech Surrealism, this parable of menstruation is a bizarre erotic fantasy of a young girl's maturation into womanhood. Drawing on de Sade's Justine, and Nosferatu and the language of pulp serials, this a lyrical, menacing dream of sexual awakening involves a vampire with a taste for chicken blood, changelings, lecherous priests, with an androgynous merging of brother and sister. An exploration of the grotesque, a meditation on youth and age, sexuality and death.