Whered you park your spa.., p.13

Where'd You Park Your Spaceship?, page 13

 

Where'd You Park Your Spaceship?
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  I was so engrossed in what we were doing.

  I lifted my head up and looked around.

  The others were as riveted as I was.

  Vo had more instruction for us. Now pay attention to the amplifier. There is a knob that has the word GAIN below it. Turn that up, and see what it does.

  What???? The GAIN knob sounded like someone had poured dirt into my guitar. All scratchy and crunchy but also LIFE! ENERGY! VOLUME! It felt like the sounds were

  attacking me.

  Vo motioned for us to stop playing.

  Now, your first assignment.

  She was giving us an assignment?

  I am going to give you a sentence. You will then create a

  sound that goes with that sentence.

  Corta raised her hand. We’ll create a sound?

  Vo nodded.Yes. With the pedals at your feet and the knobs on the amplifier.

  Zoma protested. But I don’t know how to play the guitar.

  Vo smiled. Can you make sounds with it?

  Well…yeah…we’ve all been doing THAT.

  Vo stepped towards her. What is the difference between

  making sounds and playing?

  That was some one-handed clapping right there.

  I kind of understood what she was saying, but that was some advanced level distinction making Vo was doing with that move.

  Florent had a question. Okaaayyyy…but some people

  actually know how to play guitar, that’s way different than

  what we’re doing.

  Vo had clearly heard that one before.

  Is it? Because the assignment is not to play it. The

  assignment is to create a sound that goes with the

  sentence.

  I couldn’t help but ask. According to who?

  According to you.

  Once again, Vo was so calm and confident I bought it.

  Now, the first sentence. Here it is: A bird flies overhead.

  We leaned in with that AND…? look on our faces.

  She repeated the sentence. A bird flies overhead.

  I drew a blank.

  What does that sound like?

  I played a chord. I hit a pedal. Nope, that sound was farther. I turned a knob labeled REVERB. AHHH, yes, that was closer. So. Some adjustments got me closer, some farther.

  I established that.

  I went quickly through the pedals.

  One of them grabbed me. A far off sound, like the amp was in another room. I turned the dials UP. MORE. That was better.

  Closer.

  It was difficult for me to describe literally what I was doing.

  Searching. Looking. Trying to find. A sound. That reminded

  me of a thing-a bird-I’d seen do a thing-fly overhead.

  I imagine there being a machine somewhere that you could

  hook up to your brain and it tells you what parts of your brain are firing when you do certain things. Right then I am very confident that parts of my brain I rarely used were overheating.

  And then I found it.

  Or something like it.

  A particular combination of knobs and dials produced a

  beautiful-not just a sound-a tone. A feeling.

  I have no idea what I mean by that distinction, but it feels

  true. See what I mean? Normal describing is out the

  window. I closed my eyes and then I pictured a bird flying

  overhead and then I strummed the guitar and YES THAT’S

  THE SOUND.

  I knew it in some way I don’t usually know things.

  I had no idea how long it had been.

  Vo motioned us to stop.

  Please remove your headphones. Who would like to go

  first?

  Stilitz panicked. Wait! You didn’t say anything about the

  others hearing it!!

  Stilitz, how excellent of you to volunteer to go first. Let us

  hear it.

  Stilitz looked around at us. It’s a work in progress, keep

  that in mind-

  Vo was her usual firm self. Let. us. hear.

  He made his noise.

  It did not sound like a bird flying overhead.

  It echoed off the walls.

  We stood there in silence.

  Vo looked at him. Did someone shoot the bird as it flew overhead?

  Did Vo just roast Stilitz?

  I didn’t know how to react.

  I looked around. No one did.

  Vo asked him Is the bird sick?

  Stilitz looked shocked.

  Vo pointed up. Did the bird shat on your head as it passed

  by?

  Is Vo making fun of him?

  I couldn’t hold it in any longer.

  I laughed. Florent did, too. I could barely hold my guitar up. I found that so funny.

  Duda had tears in her eyes.

  Zoma sat down she was laughing so hard.

  Eventually Stilitz laughed as well. Resistance was futile.

  We already liked Vo. But that. Is the bird sick? Classic.

  We loved Vo.

  Corta, would you like to go next?

  Sure. Corta took her guitar stand-Wait! You can do that?-

  and held it up to the frets and then slid it down the neck

  while she turned one of the knobs on the amp from DOWN

  to UP while she alternately turned two of the pedals ON and OFF with both of her feet.

  This astonishingly ambidextrous display of coordination and experimentation was extraordinary to behold, only to be outdone by the noise she conjured up.

  It sounded like a bird flying overhead.

  The highest praise I could possibly give it. She finished

  and we stood there in awe.

  Duda asked her You don’t play the guitar?

  We don’t have guitars on Fahri.

  The rest of us shared our sounds.

  Vo gave us another sentence: I can’t stop thinking about what they said.

  And another: Some days I feel like I’m in a black hole.

  And another: All I can do is say thank you.

  We made our sounds for each of those sentences,

  creating and conjuring, turning the dials and twisting the

  knobs, finding our way into this exotic new sonic

  landscape. We lost our fear of sharing our sounds,

  adjusting to the truth that none of us knew what we’re

  doing. The only thing left to do was to throw ourselves into it

  and see what we come up with…

  After I don’t know how many rounds, Vo told us to take off

  our guitars.

  Duda had a question.

  Yes, Duda.

  I would love to know what the point of this was. I mean,

  Vo, I really enjoyed this. But come on, you gotta help us

  out here. What is…what was this?

  Vo gave us that knowing look she had mastered.

  I suspected you might wonder. You will now find out.

  That door noise.

  In walks…

  SIR PONG!

  Sir Pong?!! On Yorch?!!

  I was stunned.

  Please welcome Sir Pong.

  He hadn’t aged a day.

  Same green robe. Same streaks on his arms. Same hair.

  He glided into our midst.

  I wanted to get his attention.

  I wanted him to notice me.

  He looked us each in the eyes.

  When he came to me he paused.

  And then he winked.

  Wonderful to see you all, please have a seat.

  He bowed.

  We sat on the floor in front of our amps.

  I watched the others. They were having their introduction to

  the phenomenon known as Sir Pong. That man shaped

  me, formed me. Gave me the lens that I see the worlds

  through.

  And now, all those years later, there he was.

  ARRANGEMENTS he began.

  He repeated it. ARRANGEMENTS. Allow me to ask you a few questions. He did a slight bow in Corta’s direction.

  What is your name?

  Corta.

  Splendid. Corta, how did you make those sounds with

  your guitar?

  Honestly, Sir Pong-

  -she said it like it’s the best name in the world

  I just kept turning the knobs.

  He nodded.

  And what happened when you got stuck? When it didn’t

  sound right?

  I just kept turning the knobs.

  Sir Pong reflected on this.

  Yes, that is how it works, isn’t it? You just keep turning the

  knobs. Anyone relate to that?

  We all nodded.

  I knew that. That thing he does. Bringing you in. You’re

  nodding, agreeing, affirming.

  He was clearly just getting warmed up.

  They used to call it politics. From an ancient word meaning

  CITIZEN.

  That was a swerve. From guitars to history.

  Because that’s what we are: citizens. Citizens of our

  CIRCLES, our planets. Of the galaxies. Of the universe.

  And the question has always been: How will we arrange

  ourselves? What ARRANGEMENTS will best help us all

  flourish?

  He was in full swing now, bringing us along in his hypnotic

  way.

  Because someone somewhere has to decide what

  ARRANGEMENTS are best. They don’t just magically

  happen. People have to give themselves to the

  ARRANGEMENTS. To studying them, understanding

  them, adjusting them when needed. How many of you had

  running water in your home when you were growing up?

  I watched the others.

  They couldn’t tell if that was a trick question or not because it was so simple.

  But I knew his game.

  My hand shot up.

  I was 14 again, eager for Sir Pong to validate me. To look

  my way and say Yes Heen, good.

  Which he did.

  Yes, Heen, good.

  The others couldn’t believe it.

  Sir Pong knows me?

  I was so happy that Sir Pong remembered me.

  I felt like my heart was going to burst.

  Water is basic for life, is it not?

  Who could argue with that? We murmured YES.

  Where did that water come from? The water that came

  out of the faucet, the water that satiated your thirst-

  I always loved Sir Pong’s word choices. He had no

  problem busting out the most specific words whenever

  the occasion called for it, like right then. Satiated-what a word.

  The water that you used to clean the dishes, the water in

  the garden, where did it come from? How did it get to

  you? How was there always enough? Who decided how

  that water arrived in your home?

  I spent several laps in Sir Pong’s class and I never heard

  that riff. He’d clearly added to his repertoire.

  This is what we’re referring to when we use this word

  ARRANGEMENTS. Someone somewhere has to make

  these decisions-about water, land, education. How many

  of you went to school?

  He paused.

  The others raised their hands right away.

  They were starting to get their Sir Pong groove on. The

  profound is always hiding out in the simple.

  Yes of course, you all went to school. And I can only

  assume you had excellent teachers. And you probably

  never considered how that all came to be. Why would

  you? You were children. Someone else took care of such

  things.

  Sir Pong spoke this and then hesitated, looking around at us. And then he sat down.

  He stretched his legs out straight in front of him.

  He crossed his ankles.

  He was wearing socks. Red socks. And on his socks were

  written the words BING and BONG over and over and

  over again.

  We all stared at his socks.

  He clearly enjoyed the effect his socks were having on us.

  That’s why you’re here.

  He said it quietly.

  Almost whisper like.

  I watched Duda’s eyes glaze over.

  I felt a thud in the center of my being.

  Sir Pong leaned forward.

  You are no longer children. You are citizens. And you are

  here because you are being invited to give yourselves to

  the ARRANGEMENTS.

  I exhaled.

  So much to take in.

  Sir Pong brought his palms together, with his fingers

  touching. It was striking to me how those gestures of his were burned into my psyche. So familiar, like signposts along the trail that is my life. The CHAIRS are constantly adjusting the ARRANGEMENTS, turning the dials and twisting the knobs, endlessly searching for just the right balance, the correct order, the ARRANGEMENTS that best serve everybody. Money and jobs and education-the soil, the sea, the forest, the trails and GLIDES and rivers and how we communicate and how we relate to each other and

  how we each discover who we are and the part we are

  each here to play-ALL OF IT. This work requires discipline

  and vigilance and compassion and intelligence and

  character and integrity and resilience. And there must be

  those in every generation who step forward and say YES, I

  WILL SERVE.

  It’s like he had cast a spell.

  None of us moved.

  Is this my life?

  The question arose within me.

  All that had happened.

  All that loss.

  All that heaviness.

  That abyss.

  Am I for this?

  An awkward question, but I felt the soul of it.

  For a brief second, my life wasn’t just fragments and bits of

  unrelated incoherence. Which is how it had felt for such a

  long time.

  But now, sitting there, it was something more.

  A whole.

  A unity.

  All of it headed somewhere.

  My life for something.

  This.

  Stiltiz found a way to drop a bomb on the moment.

  So are we being recruited by the CHAIRS?

  Sir Pong squinted in Stilitz’s direction, his eyes boring in on

  him like he had X-ray vision.

  Are you from Nims?

  Oh man, that was awesome.

  Sir Pong. A step ahead.

  I saw the others eyes widen, like they were wondering Who is this ninja/guru/sage/teacher who knows where Stilitz is from??

  Stilitz was aghast. Yeah, I am. How did you know?

  Sir Pong leaned in. Do you know the Woohucks?

  Of course! Everyone on Nims knows the Woohucks!!

  Eirl? Claude? Pino? Sir Pong asked him.

  I went to school with Pino’s son Ozar!!!

  Small galaxy, isn’t it? I trained with Claude a few moons

  ago-does he still do those wood sculptures?

  Yes. And his daughters have joined him-one of them

  makes these massive portable tent structures that we use

  for homes in the hot months and then turn into food

  storage in the winters-it’s revolutionized how we eat, how

  we live…

  Greton? Or Bilby?

  Sir Pong knew the names of the daughters of a wood

  sculptor on Nims?

  YES!!! Bilby!! I actually fancied her for a while.

  Stilitz blushed.

  We watched this exchange with fascination.

  And what is your name?

  I’m Stilitz.

  Sir Pong mulled this over.

  Well Stilitz, it is a pleasure to meet you.

  Sir Pong turned to the rest of us.

  He was in no rush.

  Now what was that? Or more precisely WHY was that-

  That exchange between Sir Stilitz and me?

  We heard Stiltz mutter with pride under his breath Sir Stilitz.

  Or perhaps an even better question: HOW did that

  happen? Because in that brief interaction my new friend

  Stilitz and I touched on school and training and craft and

  innovation and food and friendship and adaptation and

  one generation handing an art form down to the next

  generation-How does that happen? By accident? Or are

  there certain conditions that allow that sort of thing to

  happen? Conditions that help people find joy and do good

  work and innovate and for some reason known only to

  them choose to name their little baby boys STILITZ.

  We all laughed at that.

  Sir Pong was so good. And funny. And subversive. He

  clearly picked up on what a spastic, slightly irritating

  socially stunted presence Stiltz was and managed to turn

  that into something else, something human and endearing, showing us the fella in there who just wanted what we all want.

  Sir Pong wasn’t done.

  That all happens because of the ARRANGEMENTS-specific

  and intentional turning of the dials and twisting of the knobs. And there have to be people who do THAT.

  *

  It did not stop with Vo. Over the next few weeks we went

  from TUBE to TUBE, day after day, each one holding another event, another obstacle, another exploration.

  One morning we walked into TUBE 4. A woman came towards us from a door on the opposite wall. She invited us to sit on the floor with her as she pulled out a deck of cards.

  She asked each of us to draw a card. And then put it back. Without her seeing what card we drew.

  She then did an elaborate bit of shuffling. I realized part

  way through her routine that I was enjoying a magician on

  Yorch. Like you do. She stopped shuffling, pulled out various cards, handing them to us one by one asking us

  expectantly if this is the same card we drew.

  They weren’t.

  Not one of us got the same card.

  She looked crestfallen, embarrassed.

  She stammered.

  She stared at the floor.

  It was so awkward.

  She had blown her first trick.

  And she clearly didn’t know how to recover.

 

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