Maps in a mirror, p.87
Maps in a Mirror, page 87
It was then that my mother, who claimed she did not believe in God, and Uncle Avram, who was a Jew, and Father Michael, who was a priest, all argued the same side of the question. It’s better to feed them than to kill them, they all said. But when the tribes from west of the mountains and north of the Potomac came into Richmond lands, pleading for help, the leaders of Richmond turned them away and closed the gates of the towns. An army marched then, to put the fear of God, as they said, into the hearts of the tribesmen. They did not know which side God was on.
Father Michael argued and Uncle Avram stormed and fumed, but Mother Elouise silently went to the gate at moonrise one night and alone overpowered the guards. Silently she gagged them and bound them and opened the gates to the hungry tribesmen. They came through weaponless, as she had insisted. They quietly went to the storehouses and carried off as much food as they could. They were found only as the last few fled. No one was killed.
But there was an uproar, a cry of treason, a trial, and an execution. They decided on beheading, because they thought it would be quick and merciful. They had never seen a beheading.
It was Jack Woods who used the ax. He practiced all afternoon with pumpkins. Pumpkins have no bones.
In the evening they all gathered to watch, some because they hated Mother Elouise, some because they loved her, and the rest because they could not stay away. I went also, and Father Michael held my head and would not let me see. But I heard.
Father Michael prayed for Mother Elouise. Mother Elouise damned his and everyone else’s soul to hell. She said, “If you kill me for bringing life, you will only bring death on your own heads.”
“That’s true,” said the men around her. “We will all die. But you will die first.”
“Then I’m the luckier,” said Mother Elouise. It was the last of her lies, for she was telling the truth, and yet she did not believe it herself, for I heard her weep. With her last breaths she wept and cried out, “Charlie! Charlie!” There are those who claim she saw a vision of Charlie waiting for her on the right hand of God, but I doubt it. She would have said so. I think she only wished to see him. Or wished for his forgiveness. It doesn’t matter. The angel had long since left her, and she was alone.
Jack swung the ax and it fell, more with a smack than a thud. He had missed her neck and struck deep in her back and shoulder. She screamed. He struck again and this time silenced her. But he did not break through her spine until the third blow. Then he turned away splattered with blood, and vomited and wept and pleaded with Father Michael to forgive him.
Amy stood a few meters away from Elouise, who sat on the grass of the clearing, looking toward a broken branch on the nearest tree. Amy called, “Mommy! Mommy!” Then she bounced up and down, bending and unbending her knees. “Da! Da!” she cried. “La la la la la.” She was dancing and wanted her mother to dance and sing, too. But Elouise only looked toward the tree, waiting for Charlie to appear. Any minute, she thought. He will be angry. He will be ashamed, she thought. But he will be alive.
In the distance, however, the air all at once was shining. Elouise could see it clearing because they were not far from the edge of the Rectifier field. It shimmered in the trees, where it caused no harm to plants. Any vertebrates within the field, any animals that lived by electricity passing along nerves, were instantly dead, their brains stilled. Birds dropped from tree limbs. Only insects droned on.
The Rectifier field lasted only minutes.
Amy watched the shining air. It was as if the empty sky itself were dancing with her. She was transfixed. She would soon forget the airplane, and already her father’s face was disappearing from her memories. But she would remember the shining. She would see it forever in her dreams, a vast thickening of the air, dancing and vibrating up and down, up an down. In her dreams it would always be the same, a terrible shining light that would grow and grow and grow and press against her in her bed. And always with it would come the sound of a voice she loved, saying, “Jesus. Jesus. Jesus.” This dream would come so clearly when she was twelve that she would tell it to her adopted father, the priest named Michael. He told her that it was the voice of an angel, speaking the name of the source of all light. “You must not fear the light,” he said. “You must embrace it.” It satisfied her.
But at the moment she first heard the voice, in fact and not in dream, she had no trouble recognizing it, it was the voice of her mother, Elouise, saying, “Jesus.” It was full of grief that only a child could fail to understand. Amy did not understand. She only tried to repeat the word, “Deeah-zah.”
“God,” said Elouise, rocking back and forth, her face turned up toward a heaven she was sure was unoccupied.
“Dog,” Amy repeated, “Dog dog doggie.” In vain she looked around for the four-footed beast.
“Charlie!” Elouise screamed as the Rectifier field faded.
“Daddy,” Amy cried, and because of her mother’s tears she also wept. Elouise took her daughter in her arms and held her, rocking back and forth. Elouise discovered that there were some things that could not be frozen in her. Some things that must burn: Sunlight. And lightning. And everlasting, inextinguishable regret.
My mother, Mother Elouise, often told me about my father. She described Father Charlie in detail, so I would not forget. She refused to let me forget anything. “It’s what Father Charlie died for,” she told me, over and over. “He died so you would remember. You cannot forget.”
So I still remember, even today, every word she told me about him. His hair was red, as mine was. His body was lean and hard. His smile was quick, like mine, and he had gentle hands. When his hair was long or sweaty, it kinked tightly at his forehead, ears, and neck. His touch was so delicate he could cut in half an animal so tiny it could not be seen without a machine; so sensitive that he could fly—an art that Mother Elouise said was not a miracle, since it could be done by many giants of the Golden Age, and they took with them many others who could not fly alone. This was Charlie’s gift. Mother Elouise said. She also told me that I loved him dearly.
But for all the words that she taught me, I still have no picture of my father in my mind. It is as if the words drove out the vision, as so often happens.
Yet I still hold that one memory of my father, so deeply hidden that I can neither lose it nor fully find it again. Sometimes I wake up weeping. Sometimes I wake up with my arms in the air, curved just so, and I remember that I was dreaming of embracing that large man who loved me. My arms remember how it feels to hold Father Charlie tight around the neck and cling to him as he carries his child. And when I cannot sleep, and the pillow seems to be always the wrong shape, it is because I am hunting for the shape of Father Charlie’s shoulder, which my heart remembers, though my mind cannot.
God put angels into Mother Elouise and Father Charlie, and they destroyed the world, for the cup of God’s indignation was full, and all the works of men become dust, but out of dust God makes men, and out of men and women, angels.
The gatekeeper recognized him and the gate fell away. The Shepherd put his ax and his crook into the bag at his belt and stepped out onto the bridge. As always he felt a rush of vertigo as he walked the narrow arch over the foaming acid of the moat. Then he was across and striding down the road to the village.
A child was playing with a dog on a grassy hillside. The Shepherd looked up at him, his fine dark face made bright by his eyes. The boy shrank back, and the Shepherd heard a woman’s voice cry out, “Back here, Derry, you fool!” The Shepherd walked on down the road as the boy retreated among the hayricks on the far slope. The Shepherd could hear the scolding: “Play near the castle again, and he’ll make kingsmeat of you.”
Kingsmeat, thought the Shepherd. How the king does get hungry. The word had come down through the quick grapevine—steward to cook to captain to guard to shepherd and then he was dressed and out the door only minutes after the king had muttered, “For supper, what is your taste?” and the queen had fluttered all h
The village was still in the distance when the Shepherd began to pass the people. He remembered the time, back when the king had first made his tastes known, when there had been many attempts to evade the villagers’ duties to the king. Now they only watched, perhaps hiding the unblemished members of the flock, sometimes thrusting them forward to end the suspense; but mostly the Shepherd saw the old legless, eyeless, or armless men and women who hobbled about their duties with those limbs that were still intact.
Those with fingers thatched or wove; those with eyes led those whose hands were their only contact with the world; those with arms rode the backs of those with legs; and all of them took their only solace in sad and sagging beds, producing, after a suitable interval, children whose miraculous wholeness made them gods to a surprised and wondering mother, made them hated reminders to a father whose tongue had fallen from his mouth, or whose toes had somehow been mislaid, or whose buttocks were a scar, his legs a useless reminder of hams long since dropped off.
“Ah, such beauty,” a woman murmured, pumping the bellows at the bread-oven fire. There was a sour grunt from the legless hag who shoveled in the loaves and turned them with a wooden shovel. It was true, of course, for the Shepherd was never touched, no indeed. (No indeed, came the echo from the midnight fires of Unholy Night, when dark tales frightened children half out of their wits, dark tales that the shrunken grownups knew were true, were inevitable, were tomorrow.) The Shepherd had long dark hair, and his mouth was firm but kind, and his eyes flashed sunlight even in the dark, it seemed, while his hands were soft from bathing, large and strong and dark and smooth and fearful.
And the Shepherd walked into the village to a house he had noted the last time he came. He went to the door and immediately heard a sigh from every other house, and silence from the one that he had picked.
He raised his hand before the door and it opened, as it had been built to do: for all things that opened served the Shepherd’s will, or at least served the bright metal ball the king had implanted in his hand. Inside the house it was dark, but not too dark to see the white eyes of an old man who lay in a hammock, legs dangling bonelessly. The man could see his future in the Shepherd’s eyes—or so he thought, at least, until the Shepherd walked past him into the kitchen.
There a young woman, no older than fifteen, stood in front of a cupboard, her hands clenched to do violence. But the Shepherd only shook his head and raised his hand, and the cupboard answered him and opened however much she pushed against it, revealing a murmuring baby wrapped in sound-smothering blankets. The Shepherd only smiled and shook his head. His smile was kind and beautiful, and the woman wanted to die.
He stroked her cheek and she sighed softly, moaned softly, and then he reached into his bag and pulled out his shepherd’s crook and leaned the little disc against her temple and she smiled. Her eyes were dead but her lips were alive and her teeth showed. He laid her on the floor, carefully opened her blouse, and then took his ax from his bag.
He ran his finger around the long, narrow cylinder and a tiny light shone at one end. Then he touched the ax’s glowing tip to the underside of her breast and drew a wide circle. Behind the ax a tiny red line followed, and the Shepherd took hold of the breast and it came away in his hand. Laying it aside, he stroked the ax lengthwise and the light changed to a dull blue. He passed the ax over the red wound, and the blood gelled and dried and the wound began to heal.
He placed the breast into his bag and repeated the process on the other side. Through it the woman watched in disinterested amusement, the smile still playing at her lips. She would smile like that for days before the peace wore off.
When the second breast was in his bag, the Shepherd put away the ax and the crook and carefully buttoned the woman’s blouse. He helped her to her feet, and again passed his deft and gentle hand across her cheek. Like a baby rooting she turned her lips toward his fingers, but he withdrew his hand.
As he left, the woman took the baby from the cupboard and embraced it, cooing softly. The baby nuzzled against the strangely harsh bosom and the woman smiled and sang a lullaby.
The Shepherd walked through the streets, the bag at his belt jostling with his steps. The people watched the bag, wondering what it held. But before the Shepherd was out of the village the word had spread, and the looks were no longer at the bag but rather at the Shepherd’s face. He looked neither to the left nor to the right, but he felt their gazes and his eyes grew soft and sad.
And then he was back at the moat, across the narrow bridge, through the gate, and into the high dark corridors of the castle.
He took the bag to the cook, who looked at him sourly. The Shepherd only smiled at him and took his crook from the bag. In a moment the cook was docile, and calmly he began to cut the red flesh into thin slices, which he lightly floured and then placed in a pan of simmering butter. The smell was strong and sweet, and the flecks of milk sizzled in the pan.
The Shepherd stayed in the kitchen, watching, as the cook prepared the king’s meal. Then he followed to the door of the dining hall as the steward entered the king’s presence with the steaming slices on a tray. The king and queen ate silently, with severe but gracious rituals of shared servings and gifts of finest morsels.
And at the end of the meal the king murmured a word to the steward, who beckoned both the cook and the Shepherd into the hall.
The cook, the steward, and the Shepherd knelt before the king, who reached out three arms to touch their heads. Through long practice they accepted his touch without recoiling, without even blinking, for they knew such things displeased him. After all, it was a great gift that they could serve the king: their services kept them from giving kingsmeat from their own flesh, or from decorating with their skin the tapestried walls of the castle or the long train of a hunting-cape.
The king’s armpits still touched the heads of the three servants when a shudder ran through the castle and a low warning tone began to drone.
The king and queen left the table and with deliberate dignity moved to the consoles and sat. There they pressed buttons, setting in motion all the unseeable defenses of the castle.
After an hour of exhausting concentration they recognized defeat and pulled their arms back from the now-useless tasks they had been doing. The fields of force that had long held the thin walls of the castle to their delicate height now lapsed, the walls fell, and a shining metal ship settled silently in the middle of the ruins.
The side of the skyship opened and out of it came four men, weapons in their hands and anger in their eyes. Seeing them, the king and queen looked sadly at each other and then pulled the ritual knives from their resting place behind their heads and simultaneously plunged them between one another’s eyes. They died instantly, and the twenty-two-year conquest of Abbey Colony was at an end.
Dead, the king and queen looked like sad squids lying flat and empty on a fisherman’s deck, not at all like conquerors of planets and eaters of men. The men from the skyship walked to the corpses and made certain they were dead. Then they looked around and realized for the first time that they were not alone.
For the Shepherd, the steward, and the cook stood in the ruins of the palace, their eyes wide with unbelief.
One of the men from the ship reached out a hand.
“How can you be alive?” he asked.
They did not answer, not knowing really what the question meant.
“How have you survived here, when—”
And then there were no words, for they looked beyond the palace, across the moat to the crowd of colonists and sons of colonists who stood watching them. And seeing them there without arms and legs and eyes and breasts and lips, the men from the ship emptied their hands of weapons and filled their palms with tears and then crossed the bridge to grieve among the delivered on
There was no time for explanations, nor was there a need. The colonists crept and hobbled and, occasionally, walked across the bridge to the ruined palace and formed a circle around the bodies of the king and queen. Then they set to work, and within an hour the corpses were lying in the pit that had been the foundation of the castle, covered with urine and feces and stinking already of decay.
Then the colonists turned to the servants of the king and queen.
The men from the ship had been chosen on a distant world for their judgment, speed, and skill, and before the mob had found its common mind, before they had begun to move, there was a forcefence around the steward, the cook, and the gatekeeper, and the guards. Even around the Shepherd, and though the crowd mumbled its resentment, one of the men from the ship patiently explained in soothing tones that whatever crimes were done would be punished in due time, according to Imperial justice.
The fence stayed up for a week as the men from the ship worked to put the colony in order, struggling to interest the people in the fields that once again belonged completely to them. At last they gave up, realizing that justice could not wait. They took the machinery of the court out of the ship, gathered the people together, and began the trial.
The colonists waited as the men from the ship taped a metal plate behind each person’s right ear. Even the servants in their prison and the men from the ship were fitted with them, and then the trial began, each person testifying directly from his memory into the minds of every other person.
by Orson Scott Card / Science Fiction & Fantasy / Poetry / Nonfiction have rating 4 out of 5 / Based on32 votes