Maps in a mirror, p.66
Maps in a Mirror, page 66
These days, however, he must move more slowly, more clumsily than he used to, for his stamen has at last grown huge, and it drags painfully along the vertical stones, and now and then he steps on it. It has been this way for weeks. Worse every day, and Gray feels it as a constant pain that he must ease, must ease, must ease; but in his small mind he does not know what easement there might be. So far as he knows, there are no others of his kind; in all his life he has met no other climber of walls, no other hanger from stone ceilings. He remembers that once he sought out couplers in the night, but he cannot remember what he did with them. Now he again finds himself drawn to windows, searching for easement, though not sure at all, holding in his mind no image of what he hopes to see in the dark rooms within the palace. It is dusk, and Gray is hunting, and is not sure whether he will find mate or prey.
I have passed the gate of Hierusalem, thought Amasa, and I was not near enough to death. Or worse, sometimes he thought, there is no Hierusalem, and I have come this way in vain. Yet this last fear was not a fear at all, for he did not think of it with despair. He thought of it with hope, and looked for death as the welcome end of his journey, looked for death which comes with its tongue thick in its mouth, death which waits in caves during the cool of the day and hunts for prey in the last and first light, death which is made of dust. Amasa watched for death to come in a wind that would carry him away, in a stone that would catch his foot in midstep and crumble him into a pile of bone on the road.
And then in a single footfall Amasa saw it all. The sun was framed, not by a haze of white light, but by thick and heavy clouds. The orchards were also heavy, and dripped with recent rain. Bees hummed around his head. And now he could see the city rising, green and gray and monumental just beyond the trees; all around him was the sound of running water. Not the tentative water that struggled to stay alive in the thirsty dirt of the irrigation ditch, but the lusty sound of water that is superfluous, water that can be tossed in the air as fountains and no one thinks to gather up the drops.
For a moment he was so surprised that he thought he must step backward, just one step, and see if it wouldn’t all disappear, for Amasa did not come upon this gradually, and he doubted that it was real. But he remembered the first warning of the old man, and he didn’t take that backward step. Hierusalem was a miracle, and in this place he would test no miracles.
The ground was resilient under his feet, mossy where the path ran over stone, grassy where the stones made way for earth. He drank at an untended stream that ran pure and overhung with flowers. And then he passed through a small gate in a terraced wall, climbed stairs, found another gate, and another, each more graceful than the last. The first gate was rusty and hard to open; the second was overgrown with climbing roses. But each gate was better tended than the last, and he kept expecting to find someone working a garden or picnicking, for surely someone must be passing often through the better-kept gates. Finally he reached to open a gate and it opened before he could touch it.
It was a man in the dirty brown robe of a pilgrim. He seemed startled to see Amasa. He immediately enfolded his arms around something and turned away. Amasa tried to see—yes, it was a baby. But the infant’s hands dripped with fresh blood, it was obviously blood, and Amasa looked back at the pilgrim to see if this was a murderer who had opened the gate for him.
“It’s not what you think,” the palmer said quickly. “I found the babe, and he has no one to take care of him.”
“But the blood.”
“He was the child of pleasure-seekers, and the prophecy was fulfilled, for he was washing his hands in the blood of his father’s belly.” Then the pilgrim got a hopeful look. “There is an enemy who must be fought. You wouldn’t—”
A passing butterfly caught the pilgrim’s eye. The fluttering wings circled Amasa’s head only once, but that was sign enough.
“It is you,” the pilgrim said.
“Do I know you?”
“To think that it will be in my time.”
“What will be?”
“The slaying of the dragon.” The pilgrim ducked his head and, freeing one arm by perching the child precariously on the other, he held the gate open for Amasa to enter. “God has surely called you.”
Amasa stepped inside, puzzled at what the pilgrim thought he was, and what his coming portended. Behind him he could hear the pilgrim mutter, “It is time. It is time.”
It was the last gate. He was in the city, passing between the walled gardens of monasteries and nunneries, down streets lined with shrines and shops, temples and houses, gardens and dunghills. It was green to the point of blindness, alive and holy and smelly and choked with business wherever it wasn’t thick with meditation. What am I here for? Amasa wondered. Why did the butterflies call?
He did not look down into the red-glowing holes in the middles of streets. And when he passed the gray labyrinth of the palace, he did not look up to try to find a shadow sliding by. He would live by the laws of the place, and perhaps his journey would end here.
The queen of Hierusalem was lonely. For a month she had been lost in the palace. She had strayed into a never-used portion of the labyrinth, where no one had lived for generations, and now, search as she might, she could find only rooms that were deeper and deeper in dust.
The servants, of course, knew exactly where she was, and some of them grumbled at having to come into a place of such filth, full of such unstylish old furniture, in order to care for her. It did not occur to them that she was lost—they only thought she was exploring. It would never do for her to admit her perplexity to them. It was the Queen’s business to know what she was doing. She couldn’t very well ask a servant, “Oh, by the way, while you’re fetching my supper, would you mind mentioning to me where I am?” So she remained lost, and the perpetual dust irritated all her allergies.
The Queen was immensely fat, too, which complicated things. Walking was a great labor to her, so that once she found a room with a bed that looked sturdy enough to hold her for a few nights, she stayed until the bed threatened to give way. Her progress through the unused rooms, then, was not in a great expedition, but rather in fits and starts. On one morning she would arise miserable from the bed’s increasing incapacity to hold her, eat her vast breakfast while the servants looked on to catch the dribbles, and then, instead of calling for singers or someone to read, she would order four servants to stand her up, point her in the direction she chose, and taxi her to a good, running start.
“That door,” she cried again and again, and the servants would propel her in that direction, while her legs trotted underneath her, trying to keep up with her body. And in the new room she could not stop to contemplate; she must take it all in on the run, with just a few mad glances, then decide whether to try to stay or go on. “On,” she usually cried, and the servants took her through the gradual curves and maneuvers necessary to reach whatever door was most capacious.
On the day that Amasa arrived in Hierusalem, the Queen found a room with a vast bed, once used by some ancient rake of a prince to hold a dozen paramours at once, and the Queen cried out, “This is it, this is the right place, stop, we’ll stay!” and the servants sighed in relief and began to sweep, to clean, to make the place liveable.
Her steward unctuously asked her, “What do you want to wear to the King’s Invocation?”
“I will not go,” she said. How could she? She did not know how to get to the hall where the ritual would be held. “I choose to be absent this once. There’ll be another one in seven years.” The steward bowed and left on his errand, while the Queen envied him his sense of direction and miserably wished that she could go home to her own rooms. She hadn’t been to a party in a month, and now that she was so far from the kitchens the food was almost cold by the time she was served the private dinners she had to be content with. Damn her husband’s ancestors for building all these rooms anyway.
Amasa slept by a dunghill because it was warmer there, naked as he was; and in the morning, wi
“Why not?” Amasa answered.
The Stablemaster glanced pointedly at Amasa’s unclothed body. “Are you fasting?”
Amasa shook his head. “I just left my clothing on the road.”
“You should be more careful with your belongings. I can give you livery, but it comes out of your wages for a year.”
Amasa shrugged. He had no use for wages.
The work was mindless and hard, but Amasa delighted in it. The variety was endless. Because he didn’t mind it, they kept him shoveling more manure than his fair share, but the shoveling of manure was like a drone, a background for bright rhinestones of childish delight: morning prayers, when the Bishop in his silver gown intoned the powerful words while the servants stood in the courtyard clumsily aping his signs; running through the streets behind the Bishop’s carriage shouting “Huzzah, huzzah!” while the Bishop scattered coins for the pedestrians; standing watch over the carriage, which meant drinking and hearing stories and songs with the other servants; or going inside to do attendance on the Bishop at the great occasions of this or that church or embassy or noble house, delighting in the elaborate costumes that so cleverly managed to adhere to the sumptuary laws while being as ostentatious and lewd as possible. It was grand, God approved of it all, and even discreet prurience and titillation were a face of the coin of worship and ecstasy.
But years at the desert’s edge had taught Amasa to value things that the other servants never noticed. He did not have to measure his drinking water. The servants splashed each other in the bathhouse. He could piss on the ground and no little animals came to sniff at the puddle, no dying insects lit on it to drink.
They called Hierusalem a city of stone and fire, but Amasa knew it was a city of life and water, worth more than all the gold that was forever changing hands.
The other stablemen accepted Amasa well enough, but a distance always remained. He had come naked, from the outside; he had no fear of uncleanliness before the Lord; and something else: Amasa had known the taste of death in his mouth and it had not been unwelcome. Now he accepted as they came the pleasures of a stableman’s life. But he did not need them, and knew he could not hide that from his fellows.
One day the Prior told the Steward, and the Steward the Stablemaster, and the Stablemaster told Amasa and the other stablemen to wash carefully three times, each time with soap. The old-timers knew what it meant, and told them all: It was the King’s Invocation that came but once in seven years, and the Bishop would bring them all to stand in attendance, clean and fine in their livery, while he took part in the solemn ordinances. They would have perfume in their hair. And they would see the King and Queen.
“Is she beautiful?” Amasa asked, surprised at the awe in the voices of these irreverent men when they spoke of her.
And they laughed and compared the Queen to a mountain, to a planet, to a moon.
But then a butterfly alighted on the head of an old woman, and suddenly all laughter stopped. “The butterfly,” they all whispered. The woman’s eyes went blank, and she began to speak:
“The Queen is beautiful, Saint Amasa, to those who have the eyes to see it.”
The servants whispered: See, the butterfly speaks to the new one, who came naked.
“Of all the holy men to come out of the world, Saint Amasa, of all the wise and weary souls, you are wisest, you are weariest, you are most holy.”
Amasa trembled at the voice of the butterfly. In memory he suddenly loomed over the crevice of Ekdippa, and it was leaping up to take him.
“We brought you here to save her, save her, save her,” said the old woman, looking straight into Amasa’s eyes.
Amasa shook his head. “I’m through with quests,” he said.
And foam came to the old woman’s mouth, wax oozed from her ears, her nose ran with mucus, her eyes overflowed with sparkling tears.
Amasa reached out to the butterfly perched on her head, the fragile butterfly that was wracking the old woman so, and he took it in his hand. Took it in his right hand, folded the wings closed with his left, and then broke! the butterfly as crisply as a stick. The sound of it rang metallically in the air. There was no ichor from the butterfly, for it was made of something tough as metal, brittle as plastic, and electricity danced between the halves of the butterfly for a moment and then was still.
The old woman fell to the ground. Carefully the other servants cleaned her face and carried her away to sleep until she awakened. They did not speak to Amasa, except the Stablemaster, who looked at him oddly and asked, “Why would you want to live forever?”
Amasa shrugged. There was no use explaining that he wanted to ease the old woman’s agony, and so killed it at its cause. Besides, Amasa was distracted, for now there was something buzzing in the base of his brain. The whirr of switches, infinitely small, going left or right; gates going open and closed; poles going positive and negative. Now and then a vision would flash into his mind, so quickly that he could not frame or recognize it. Now I see the world through butterfly’s eyes. Now the vast mind of Hierusalem’s machinery sees the world through mine.
Gray waits by this window: it is the one. He does not wonder how he knows. He only knows that he was made for this moment, that his life’s need is all within this window, he must not stray to hunt for food because his great stamen is throbbing with desire and in the night it will be satisfied.
So he waits by the window, and the sun is going; the sky is gray, but still he waits, and at last the lights have gone from the sky and all is silent within. He moves in the darkness until his long fingers find the edge of the stone. Then he pulls himself inside, and when his stamen scrapes painfully against the stone, immense between his legs, he only thinks: ease for you, ease for you.
His object is a great mountain that lies breathing upon a sea of sheets. She breathes in quick gasps, for her chest is large and heavy and hard to lift. He thinks nothing of that, but only creeps along the wall until he is above her head. He stares quizzically at the fat face; it holds no interest for him. What interests Gray is the space at her shoulders where the sheets and blankets and quilts fall open like a tent door. For some reason it looks like the leaves of a tree to him, and he drops onto the bed and scurries into the shelter.
Ah, it is not stone! He can hardly move for the bouncing, his fingers and toes find no certain purchase, yet there is this that forces him on: his stamen tingles with extruding pollen, and he knows he cannot pause just because the ground is uncertain.
He proceeds along the tunnel, the sweating body to one side, the tent of sheets above and to the other side. He explores; he crawls clumsily over a vast branch; and at last he knows what he has been looking for. It is time, oh, time, for here is the blossom of a great flower, pistil lush for him. He leaps. He fastens to her body as he has always fastened to the limbs of the great wife trees, to the stone. He plunges stamen into pistil and dusts the walls with pollen. It is all he lived for, and when it is done, in only moments when the pollen is shed at last, he dies and drops to the sheets.
The queen’s dreams were frenzied. Because her waking life was wrapped and closed, because her bulk forced an economy of movement, in her sleep she was bold, untiring. Sometimes she dreamed of great chases on a horse across broken country. Sometimes she dreamed of flying. Tonight she dreamed of love, and it was also athletic and unbound. Yet in the moment of ecstasy
Still, she woke trembling from the memory of love, only wistfully allowing herself to recall, bit by bit, where she really was. That she was lost in the palace, that she was as ungainly as a diseased tree with boles and knots of fat, that she was profoundly unhappy, that a strange man disturbed her dreams.
And then, as she moved slightly, she felt something cold and faintly dry between her legs. She dared not move again, for fear of what it was.
Seeing that she was awake, a servant bowed beside her. “Would you like your breakfast?”
“Help me,” she whispered. “I want to get up.”
The servant was surprised, but summoned the others. As they rolled her from the bed, she felt it again, and as soon as she was erect she ordered them to throw back the sheets.
And there he lay, flaccid, empty, gray as a deflated stone. The servants gasped, but they did not understand what the Queen instantly understood. Her dreams were too real last night, and the great appendage on the dead body fit too well the memory of her phantom lover. This small monster did not come as a parasite, to drain her; it came to give, not to receive.
She did not scream. She only knew that she had to run from there, had to escape. So she began to move, unsupported, and to her own surprise she did not fall. Her legs, propelled and strengthened by her revulsion, stayed under her, held her up. She did not know where she was going, only that she must go. She ran. And it was not until she had passed through a dozen rooms, a trail of servants chasing after her, that she realized it was not the corpse of her monstrous paramour she fled from, but rather what he left in her, for even as she ran she could feel something move within her womb, could feel something writhing, and she must, she must be rid of it..
As she ran, she felt herself grow lighter, felt her body melting under the flesh, felt her heaps and mounds erode away in an inward storm, sculpting her into a woman’s shape again. The vast skin that had contained her belly began to slap awkwardly, loosely against her thighs as she ran. The servants caught up with her, reached out to support her, and plunged their hands into a body that was melting away. They said nothing; it was not for them to say. They only took hold of the loosening folds and held and ran.
by Orson Scott Card / Science Fiction & Fantasy / Poetry / Nonfiction have rating 4 out of 5 / Based on32 votes