Chasing Painted Horses has a magical, fable-like quality. It is the story of four unlikely friends who live in Otter Lake, a reserve north of Toronto. Ralph and his sister, Shelley, live with their parents. One day, their mother brings home a chalkboard and installs in prominently in the kitchen. She wants her children and their friends to draw something every week, at the end of which there'll be a vote as to which is the best artwork. Danielle, a small and quiet girl from school, draws a horse – a breathtakingly beautiful horse. And while she wins the competition, the reactions to her work set in motion a series of actions and reactions that will shape the lives of the brother and sister and William, Shelley's would-be-boyfriend, that rarity, a bully who bullies other bullies.

This comedy by the author of Toronto at Dreamer's Rock and Education Is Our Right is about love, family, and what to do with too much beer. Set on a reserve, it follows the plight of Martha, a church-going, teetotaling woman who finds herself stuck with 143 cases of beer after a church fundraiser fails. She decides to bootleg the beer, to the horror of her son Andrew, nicknamed Blue, who is a special constable on the reserve.Meanwhile, Andrew has fallen for a young woman he thinks is his cousin, and his sister Marianne is bored with her "Indian Yuppie" husband and finds herself attracted to a handsome dancer at the powwow.The pace is fast and vigorous in this romantic situation comedy.

A story of magic, family, a mysterious stranger . . . and a band of marauding raccoons.Otter Lake is a sleepy Anishnawbe community where little happens. Until the day a handsome stranger pulls up astride a 1953 Indian Chief motorcycle – and turns Otter Lake completely upside down. Maggie, the Reserve’s chief, is swept off her feet, but Virgil, her teenage son, is less than enchanted. Suspicious of the stranger’s intentions, he teams up with his uncle Wayne – a master of aboriginal martial arts – to drive the stranger from the Reserve. And it turns out that the raccoons are willing to lend a hand.From the Hardcover edition.ReviewNATIONAL BESTSELLER“A near-perfect debut, a masterful mythic-comedy balancing contemporary issues and realities with magic and history. . . . Motorcycles & Sweetgrass is a trickster story, but it’s also a fundamentally human account of individuals and of a people struggling to find a place for themselves in the world. . . . A broad, bawdy, raucous, deeply felt and utterly involving narrative, a genuine pleasure to read. . . . Motorcycles & Sweetgrass positively crackles with life, love and magic. What more can you ask of a book?” — Robert J. Wiersema, Edmonton Journal“A winning comedy.”— The Globe and Mail“Motorcycles & Sweetgrass may be concerned with aboriginal community politics, identity, mythology and intergenerational legacies, but it reads like a romp. . . . Yet the book’s real strength is its underlying account of a community struggling to weave an increasingly abstract traditional past with some kind of meaningful future.” — Toronto Star“Drew Hayden Taylor’s got no qualms about poking fun at his Native roots, and that’s what makes Motorcycles & Sweetgrass such a pleasure. It’s playful yet soulful, with a narrative that keeps those pages turning. . . . A fun, rollicking book, and Taylor’s voice is fresh and unique.” — NOW (Toronto)“Taylor brings a modern twist to ancient native folklore. Motorcycles & Sweetgrass is a charming story about the importance of balance and belief—and a little bit of magic—in everyone’s life.”— Quill & Quire“If the great Ojibway trickster Nanabush wrote fiction, I imagine he’d write just like Drew Hayden Taylor. You will find much sadness just below the laughs, and sly humo... ReviewNATIONAL BESTSELLER“A near-perfect debut, a masterful mythic-comedy balancing contemporary issues and realities with magic and history. . . . Motorcycles & Sweetgrass is a trickster story, but it’s also a fundamentally human account of individuals and of a people struggling to find a place for themselves in the world. . . . A broad, bawdy, raucous, deeply felt and utterly involving narrative, a genuine pleasure to read. . . . Motorcycles & Sweetgrass positively crackles with life, love and magic. What more can you ask of a book?” — Robert J. Wiersema, Edmonton Journal“A winning comedy.”— The Globe and Mail“Motorcycles & Sweetgrass may be concerned with aboriginal community politics, identity, mythology and intergenerational legacies, but it reads like a romp. . . . Yet the book’s real strength is its underlying account of a community struggling to weave an increasingly abstract traditional past with some kind of meaningful future.” — Toronto Star“Drew Hayden Taylor’s got no qualms about poking fun at his Native roots, and that’s what makes Motorcycles & Sweetgrass such a pleasure. It’s playful yet soulful, with a narrative that keeps those pages turning. . . . A fun, rollicking book, and Taylor’s voice is fresh and unique.” — NOW (Toronto)“Taylor brings a modern twist to ancient native folklore. Motorcycles & Sweetgrass is a charming story about the importance of balance and belief—and a little bit of magic—in everyone’s life.”— Quill & Quire“If the great Ojibway trickster Nanabush wrote fiction, I imagine he’d write just like Drew Hayden Taylor. You will find much sadness just below the laughs, and sly humour masked by sorrow. A wisdom exists in these pages that only comes from someone who writes from his heart.” — Joseph Boyden“Fast-paced, uproariously funny and genuinely thrilling. Drew Hayden Taylor is one of Canada’s finest and funniest writers.”— Ian Ferguson, author of Village of the Small Houses“Funny, heartfelt, hopeful and illuminating. Motorcycles & Sweetgrass made me laugh and made me think, sometimes in the same sentence. Drew Hayden Taylor is a master storyteller.”— Terry Fallis, author of The Best Laid Plans “Drew Hayden Taylor has woven an epic tale of magic, mystery and charm for the world to discover in Motorcycles & Sweetgrass. This is a novel to savor. A complete delight!”— Richard Van Camp, author of The Moon of Letting Go and The Lesser BlessedFrom the Hardcover edition.

A sleepy native reservation. A troubled teen girl. A vampire returns home. Nothing ever happens on the Otter Lake reservation. But when 16-year-old Tiffany discovers her father is renting out her room, she's deeply upset. Sure, their guest is polite and keeps to himself. But he's also a little creepy. Little do Tiffany, her father or even her astute Granny Ruth suspect the truth. The mysterious Pierre L'Errant is actually a vampire, returning to his tribal home after centuries spent in Europe. But Tiffany has other things on her mind: her new boyfriend is acting weird, disputes with her father are escalating, and her estranged mother is starting a new life with somebody else. Fed up and heartsick, Tiffany threatens drastic measures and flees into the bush. There, in the midnight woods, a chilling encounter with L'Errant changes everything... for both of them. A mesmerizing blend of Gothic thriller and modern coming-of-age novel, The Night Wanderer is unlike any other vampire story.

Pocahontas, Tonto, Injun Joe, and other First Nations characters discover they are characters and attempt to rewrite their stereotyped roles.Dead White Writer on the Floor uses two literary conventions – theatre of the absurd and mystery novels – to create one of the funniest and most thought-provoking plays ever about identity politics.Cast of 5 men and 1 woman.

A forgotten Haudenosaunee social song beams into the cosmos like a homing beacon for interstellar visitors. A computer learns to feel sadness and grief from the history of atrocities committed against First Nations. A young Native man discovers the secret to time travel in ancient petroglyphs. Drawing inspiration from science fiction legends like Arthur C. Clarke, Isaac Asimov and Ray Bradbury, Drew Hayden Taylor frames classic science-fiction tropes in an Aboriginal perspective.The nine stories in this collection span all traditional topics of science fiction—from peaceful aliens to hostile invaders; from space travel to time travel; from government conspiracies to connections across generations. Yet Taylor's First Nations perspective draws fresh parallels, likening the cultural implications of alien contact to those of the arrival of Europeans in the Americas, or highlighting the impossibility of remaining a "good Native" in such an unnatural situation as a space...

Internationally acclaimed as a playwright, screen-writer, comic and sardonic commentator on the endless gaffs, absurdities and the profound and painful misunderstandings that continue to characterize social interactions between aboriginal and non-aboriginal peoples, Taylor’s stories in Fearless Warriors are a full frontal assault on stereotypes of all kinds and an edifying affirmation of humanity unlike anything else in fiction.