**By the winner of the Nobel Prize in Literature 2021**LONGLISTED FOR THE BOOKER PRIZE 2002'One scarcely dares breathe while reading it for fear of breaking the enchantment' The Times_______________On a late November afternoon Saleh Omar arrives at Gatwick Airport from Zanzibar, a far away island in the Indian Ocean. With him he has a small bag in which lies his most precious possession - a mahogany box containing incense. He used to own a furniture shop, have a house and be a husband and father. Now he is an asylum seeker from paradise; silence his only protection. Meanwhile Latif Mahmud, someone intimately connected with Saleh's past, lives quietly alone in his London flat. When Saleh and Latif meet in an English seaside town, a story is unravelled. It is a story of love and betrayal, seduction and possession, and of a people desperately trying to find stability amidst the maelstrom of their...

'One of Africa's greatest living writers' Giles FodenRestless, ambitious Ilyas was stolen from his parents by the Schutzruppe askari, the German colonial troops; after years away, he returns to his village to find his parents gone, and his sister Afiya given away. Hamza was not stolen, but was sold; he has come of age in the schutztruppe, at the right hand of an officer whose control has ensured his protection but marked him for life. The century is young. The Germans and the British and the French and the Belgians and whoever else have drawn their maps and signed their treaties and divided up Africa. As they seek complete dominion they are forced to extinguish revolt after revolt by the colonised. The conflict in Europe opens another arena in east Africa where a brutal war devastates the landscape. Hamza does not have words for how the war ended for him. Returning to the town of his childhood, all he wants is work, however humble,...

'One of the world's most prominent postcolonial writers ... He has consistently and with great compassion penetrated the effects of colonialism and its effects on the lives of uprooted and migrating individuals' Anders Olsson, chairman of the Nobel CommitteeDelivered in London on 7 December 2021, 'Writing' is the lecture of the Nobel Laureate in Literature, Abdulrazak Gurnah. Collected here with three further essays, it explores his coming-of-age, his early experiences in 1960s Britain, the narratives of oceans, his lifelong love affair with reading, and the power of writing to subvert the stories that have been handed to us. Generous, funny and wise, this collection is the perfect introduction to the storyteller described as 'one of Africa's most important living writers'; whose work, now spanning four decades, continues to spin wonder and magic while offering penetrating insight into exile, migration and homecoming. 'In book after book, he guides us...

From the Nobel Prize winner, a coming-of-age story that illuminates the harshness and beauty of an Africa on the brink of colonization Shortlisted for the Booker Prize and the Whitbread Award, Paradise was characterized by the Nobel Prize committee as Abdulrazak Gurnah's "breakthrough" work. It is at once the chronicle of an African boy's coming-of-age, a tragic love story, and a tale of the corruption of African tradition by European colonialism. Sold by his father in repayment of a debt, twelve-year-old Yusuf is thrown from his simple rural life into complexities of pre-colonial urban East Africa. Through Yusuf's eyes, Gurnah depicts communities at war, trading safaris gone awry, and the universal trials of adolescence. The result is what Publishers Weekly calls a "vibrant" and "powerful" work that "evokes the Edenic natural beauty of a continent on the verge of full-scale imperialist takeover."

One day, long before the troubles, he slipped away without saying a word to anyone and never went back. And then another day, forty three years later, he collapsed just inside the front door of his house in a small English town. It was late in the day when it happened, on his way home after work, but it was also late in the day altogether. He had left things for too long and there was no one to blame for it but himself. Abbas has never told anyone about his past - before he was a sailor on the high seas, before he met his wife Maryam outside a Boots in Exeter, before they settled into a quiet life in Norwich with their children, Jamal and Hanna. Now, at the age of sixty-three, he suffers a collapse that renders him bedbound and unable to speak about things he thought he would one day have to. Jamal and Hanna have grown up and gone out into the world. They were both born in England but cannot shake a sense of apartness. Hanna calls herself Anna now, and has just moved to a new city to be near her boyfriend. She feels the relationship is headed somewhere serious, but the words have not yet been spoken out loud. Jamal, the listener of the family, moves into a student house and is captivated by a young woman with dark-blue eyes and her own, complex story to tell. Abbas' illness forces both children home, to the dark silences of their father and the fretful capability of their mother Maryam, who began life as a foundling and has never thought to find herself, until now.

Vehement, comic and shrewd, Abdulrazak Gurnah's first novel is an unwavering contemplation of East African coastal lifePoverty and depravity wreak havoc on Hassan Omar's family. Amid great hardship he decides to escape. The arrival of Independence brings new upheavals as well as the betrayal of the promise of freedom. The new government, fearful of an exodus of its most able men, discourages young people from travelling abroad and refuses to release examination results. Deprived of a scholarship, Hassan travels to Nairobi to stay with a wealthy uncle, in the hope that he will release his mother's rightful share of the family inheritance. The collision of past secrets and future hopes, the compound of fear and frustration, beauty and brutality, create a fierce tale of undeniable power.

Masterfully blending myth and reality, this is the story of a man's escape from his native Zanzibar to England to build a new life. A dazzling tale of cultural identity and displacementHe thinks, as he escapes from Zanzibar, that he will probably never return, and yet the dream of studying in England matters above that.Things do not happen quite as he imagined – the school where he teaches is cramped and violent, he forgets how it feels to belong. But there is Emma, beautiful, rebellious Emma, who turns away from her white, middle-class roots to offer him love and bear him a child. And in return he spins stories of his home and keeps her a secret from his family. Twenty years later, when the barriers at last come down in Zanzibar, he is able and compelled to go back. What he discovers there, in a story potent with truth, will change the entire vision of his life.

A searing tale of a young woman discovering her troubled family history and cultural pastDottie Badoura Fatma Balfour finds solace amidst the squalor of her childhood by spinning warm tales of affection about her beautiful names. But she knows nothing of their origins, and little of her family history – or the abuse her ancestors suffered as they made their home in Britain.At seventeen, she takes on the burden of responsibility for her brother and sister and is obsessed with keeping the family together. However, as Sophie, lumpen yet voluptuous, drifts away, and the confused Hudson is absorbed into the world of crime, Dottie is forced to consider her own needs. Building on her fragmented, tantalising memories, she begins to clear a path through life, gradually gathering the confidence to take risks, to forge friendships and to challenge the labels that have been forced upon her.

Moving from revolutionary Zanzibar in the 1960s to restless London in the 1990s, Gravel Heart is a powerful story of exile, migration and betrayal, from the Booker Prize-shortlisted author of ParadiseSalim has always believed that his father does not want him. Living with his parents and his adored Uncle Amir in a house full of secrets, he is a bookish child, a dreamer haunted by night terrors. It is the 1970s and Zanzibar is changing. Tourists arrive, the island's white sands obscuring the memory of recent conflict: longed-for independence from British colonialism swiftly followed by bloody revolution. When his father moves out, retreating into dishevelled introspection, Salim is confused and ashamed. His mother explains neither this nor her absences with a strange man; silence is layered on silence. When glamorous Uncle Amir, now a senior diplomat, offers Salim an escape, the lonely teenager travels to London for college. But...

An extraordinary depiction of the life of an immigrant, as he struggles to come to terms with the horror of his past and the meaning of his pilgrimage to EnglandDear Catherine, he began. Here I sit, making a meal out of asking you to dinner. I don't really know how to do it. To have cultural integrity, I would have to send my aunt to speak, discreetly, to your aunt, who would then speak to your mother, who would speak to my mother, who would speak to my father, who would speak to me and then approach your mother, who would then approach you. Demoralised by small persecutions and the squalor and poverty of his life, Daud takes refuge in his imagination. He composes wry, sardonic letters hectoring friends and enemies, and invents a lurid colonial past for every old man he encounters. His greatest solace is cricket and the symbolic defeat of the empire at the hands of the mighty West Indies. Although subject to attacks of...